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30 Best Architecture and Design Firms in Chile

These annual rankings were last updated on August 9th, 2024. Want to see your firm on next year’s list? Continue reading for more on how you can improve your studio’s ranking.

A vast yet narrow topography and a booming design community, Chile continues to gain recognition for its architectural achievements and innovative experimentations of space. Nestled between the Andes Mountains and the Pacific Ocean, the varying landscape — deserts, coastlines and mountainscapes — has led to interesting design variations and organizations. On the other hand, as a nation prone to seismic activity, Chile has experienced its fair share of natural disasters, leading to significant advances in earthquake-resistant structures.

Historically, a country’s notable moment was the end of the Pinochet regime that led to a boom in architecture schools and a broader curriculum. From Pritzker Prize-winning Alejandro Aravena to Cecilia Puga, an impressive cohort of Chilean architects has taken center stage in the international design community, and many new studios are on the rise, setting the bar high for continual national architectural feats.

With so many architecture firms to choose from, it’s challenging for clients to identify the industry leaders that will be an ideal fit for their project needs. Fortunately, Architizer is able to provide guidance on the top design firms in Chile based on more than a decade of data and industry knowledge.

How are these architecture firms ranked?

The following ranking has been created according to key statistics that demonstrate each firm’s level of architectural excellence. The following metrics have been accumulated to establish each architecture firm’s ranking, in order of priority:

  • The number of A+Awards won (2013 to 2024)
  • The number of A+Awards finalists (2013 to 2024)
  • The number of projects selected as “Project of the Day” (2009 to 2024)
  • The number of projects selected as “Featured Project” (2009 to 2024)
  • The number of projects uploaded to Architizer (2009 to 2024)

Each of these metrics is explained in more detail at the foot of this article. This ranking list will be updated annually, taking into account new achievements of Chile architecture firms throughout the year.

Without further ado, here are the 30 best architecture firms in Chile:


30. Duque Motta & AA

© FG+SG | Fotografia de Arquitectura

© FG+SG | Fotografia de Arquitectura

WE ARE an architectural practice based in Santiago de Chile, founded in 2004 by Rodrigo Duque Motta, first as RDM architecture. Our work seeks to build value based on a methodology focused on customer needs and collaborative work; intensively using design as a tool for improvement that multiplies the possibilities; with sensitivity and respect for the physical, cultural and environmental context; and a focus on the definition of identity and construction of human experience.

Some of Duque Motta & AA’s most prominent projects include:

The following statistics helped Duque Motta & AA achieve 30th place in the 30 Best Architecture Firms in Chile:

A+Awards Finalist 1
Featured Projects 2
Total Projects 1

29. Cristián Axl Valdés

© Leo Basoalto

© Leo Basoalto

mutarestudio | Cristin Axl Valds is an architecture office located in the Central Valley of Chile. Our work covers the fields of architecture, urban design and landscape.

Our work has been widely published in the media in France, Argentina, Germany, Croatia, Romania, the Netherlands, and others; and has been exhibited in various places, such as the XVIII Biennial of Architecture and Territory of Chile, the XXI Pan American Architecture Biennial of Quito, Ecuador, the XIII Architecture Biennial of Bolivia, where we obtain the prize for best international work, and Madrid, Spain. We were selected among the fourteen emerging Latin American offices to be part of the 2019 Latin American Architecture Biennial to be held in Spain.

Some of Cristián Axl Valdés’s most prominent projects include:

The following statistics helped Cristián Axl Valdés achieve 29th place in the 30 Best Architecture Firms in Chile:

Featured Projects 2
Total Projects 1

28. Pablo Larroulet | LARROU_Arq

© Pablo Larroulet | LARROU_Arq

© Pablo Larroulet | LARROU_Arq

Chilean architect graduated in 2010 from the Universidad del Desarrollo, Chile with studies in Polytechnic of Milan, Italy and Master of Architecture, Design and Innovation at MArch, Valencia. From 2015 to 2019 he worked in Sydney at Villa + Villa Architects. In 2020, he moved to Valencia, Spain, were he worked at Fran Silvestre Arquitectos where he specialized in the development of residential, hospitality and interior design projects.

He is currently living in Chile, where he is developing projects in different parts of the country, mainly in the Magallanes Region, collaborating with various architectural and construction offices.

Some of Pablo Larroulet | LARROU_Arq’s most prominent projects include:

The following statistics helped Pablo Larroulet | LARROU_Arq achieve 28th place in the 30 Best Architecture Firms in Chile:

Featured Projects 2
Total Projects 1

27. Estudio Base Arquitectos

© Estudio Base Arquitectos

© Estudio Base Arquitectos

Our work is based on adding value to architecture, through a methodology based on the client’s needs and collaborative work. Design as the main tool to solve problems; Considering that conditions change constantly and the use of technology is increasing, our office has developed a way of working that allows us to carry out projects from idea to execution in a comprehensive manner; with sensitivity and respect for the geographical, cultural and environmental context. This is what we are passionate about and motivates us day by day in each project.

Some of Estudio Base Arquitectos’ most prominent projects include:

The following statistics helped Estudio Base Arquitectos achieve 27th place in the 30 Best Architecture Firms in Chile:

Featured Projects 2
Total Projects 2

26. Tidy Architects

© Tidy Architects

© Tidy Architects

Albert Tidy Architects is an architecture office based in Santiago, Chile. We define our work as an exploration of architecture and design as plastic phenomenoma. Our search centers in the reduction of perceptible constructive complexities, to try to shorten the distance between the original idea and the complete building. This process is taken through a wide spectrum of scales, from object design, furniture design and architecture in a variety of scales.

Some of Tidy Architects’ most prominent projects include:

The following statistics helped Tidy Architects achieve 26th place in the 30 Best Architecture Firms in Chile:

Featured Projects 2
Total Projects 2

25. Alex Plana Arquitecto

© Alex Plana Arquitecto

© Alex Plana Arquitecto

Alex Plana Arquitecto is an architecture firm based in Chile, working mainly on residential projects.

Some of Alex Plana Arquitecto’s most prominent projects include:

The following statistics helped Alex Plana Arquitecto achieve 25th place in the 30 Best Architecture Firms in Chile:

Featured Projects 2
Total Projects 2

24. Elton + Léniz Arquitectos Asociados

© Elton + Léniz Arquitectos Asociados

© Elton + Léniz Arquitectos Asociados

Since 1993, the elton_léniz office has carried out a wide spectrum of requests independently, along with a varied list of associated collaborators in which there are included artists, architects and designers. This diversity and versatility in the designing capacity on different levels and topics has been developed as one of the main features of this office.

Within the projects developed there are objects and furniture, mounting of exhibitions, commercial spaces, interior design, single-family and collective dwellings, art galleries, offices and residence buildings, urban development, educational spaces and more.

The partners are architects Mirene Elton and Mauricio Léniz. They have carried out numerous presentations and conferences at the Universidad Católica de Chile, Universidad Federico Santa María, Universidad del Desarrollo, Universidad Diego Portales, London University, XV Architecture Biennal in Santiago de Chile, among others.

A constant collaborator in the elton_léniz office is photographer Natalia Vial. A considerable part of the photographic record of the office work is of her own.

Some of Elton + Léniz Arquitectos Asociados’ most prominent projects include:

The following statistics helped Elton + Léniz Arquitectos Asociados achieve 24th place in the 30 Best Architecture Firms in Chile:

Featured Projects 2
Total Projects 2

23. Etcheberrigaray – Matuschka Arquitectos

© Etcheberrigaray - Matuschka Arquitectos

© Etcheberrigaray - Matuschka Arquitectos

Etcheberrigaray – Matuschka Arquitectos is an architecture firm based in Chile. Their projects deal mainly with residential challenges.

Some of Etcheberrigaray – Matuschka Arquitectos’ most prominent projects include:

The following statistics helped Etcheberrigaray - Matuschka Arquitectos achieve 23rd place in the 30 Best Architecture Firms in Chile:

Featured Projects 2
Total Projects 2

22. Felipe Assadi + Francisca Pulido Arquitectos

© Fernando Alda

© Fernando Alda

Felipe Assadi is an architect from the Finis Terrae University and a master in Architecture from the Pontifical Catholic University of Chile. In 1999 he received the Youth Promotion Award from the College of Architects of Chile, awarded to the best architect in the country under 35 years of age. He has been a professor at several Chilean and other foreign universities, in Mexico, Brazil, Italy, Colombia and the United States. Since 2011, he has served as Dean of the Faculty of Architecture and Design of the Finis Terrae University. He has been invited to give lectures in Venezuela, Peru, Mexico, Puerto Rico, Costa Rica, Argentina, the United States, Italy and Spain. His work has been published in several countries, in magazines such as Wallpaper and Architectural Review, in London; Arquitectura Viva and AV Monografías, in Madrid; Architectural Record, in New York; GA, in Tokyo; Domus and Casabella, in Italy, among others; as well as in specialized books around the world. He has participated in exhibitions in Chicago, Barcelona, Pamplona, London, Quito, Tokyo, Venice and Santiago. His work has been developed in Chile, Argentina, Uruguay, Mexico, Guatemala, Peru, Puerto Rico, Venezuela, the United States, and Ecuador.

Some of Felipe Assadi + Francisca Pulido Arquitectos’ most prominent projects include:

The following statistics helped Felipe Assadi + Francisca Pulido Arquitectos achieve 22nd place in the 30 Best Architecture Firms in Chile:

Featured Projects 2
Total Projects 2

21. COMUNarquitectos

© COMUNarquitectos

© COMUNarquitectos

COMUNarquitectos is a firm created in 2010 in Tokyo, Japan with the idea of make architecture mainly for the community. We, its founders think that architecture is a social-design issue and our goal is designing for and by people without neglecting art. Now we are in our mother land, Chile sharing all that we learned.

Some of COMUNarquitectos’ most prominent projects include:

The following statistics helped COMUNarquitectos achieve 21st place in the 30 Best Architecture Firms in Chile:

Featured Projects 2
Total Projects 3

20. DX Arquitectos

© DX Arquitectos

© DX Arquitectos

We are a professional support that promotes individual and collective undertakings for the development of a conscious and consistent architecture.

We work as a network, with passion and commitment, generating proposals that fully resolve the uniqueness of each project.

Some of DX Arquitectos’ most prominent projects include:

The following statistics helped DX Arquitectos achieve 20th place in the 30 Best Architecture Firms in Chile:

Featured Projects 2
Total Projects 3

19. Masfernandez Arquitectos

© Nico Saieh

© Nico Saieh

Our office seeks to develop projects that are inserted into its environment, adding real value to their owners and users, with a contemporary architectural language. Since we left 26 years ago, we have combined the traditional work of the architecture firm, the use of new technologies and constructive innovations to design memorable buildings and houses. Our team mixes multiple talents who work together with our clients in achieving strategic and creative designs that put people at the center and improve their environments.

Some of Masfernandez Arquitectos’ most prominent projects include:

The following statistics helped Masfernandez Arquitectos achieve 19th place in the 30 Best Architecture Firms in Chile:

Featured Projects 2
Total Projects 3

18. Alejandro Soffia

© Alejandro Soffia

© Alejandro Soffia

Alejandro Soffia Arquitecto is an architect based in Santiago, Chile. He focuses on material optimization and prefabrication, as a way to improve buildings impact on the environment, and give access to good design, to a wider range of population. Projects have been done in different scales and destinations, but they have been focused on materials, techniques and details.

Some of Alejandro Soffia’s most prominent projects include:

The following statistics helped Alejandro Soffia achieve 18th place in the 30 Best Architecture Firms in Chile:

Featured Projects 2
Total Projects 4

17. Gonzalo Iturriaga Arquitectos

© Pablo Casals Aguirre

© Pablo Casals Aguirre

The project exercise of the office is based on establishing a broad and reflective view around the multiple variables that each assignment presents. Under this perspective, each project is proposed as a particular formal and spatial investigation, on the program, the place, the material and the requirements of the client. Solving in this exercise, a project that seeks to respond to the imperative needs of the assignment, but advancing in the project practice of the office.

Some of Gonzalo Iturriaga Arquitectos’ most prominent projects include:

The following statistics helped Gonzalo Iturriaga Arquitectos achieve 17th place in the 30 Best Architecture Firms in Chile:

Featured Projects 2
Total Projects 4

16. REPUBLICA PORTATIL

© REPUBLICA PORTATIL

© REPUBLICA PORTATIL

Activism, art and architecture. República Portátil (Portable Republic, in English) is a creative company formed by architects and designers along with the cinematographic production agency Terkofilms.

Some of REPUBLICA PORTATIL ‘s most prominent projects include:

The following statistics helped REPUBLICA PORTATIL achieve 16th place in the 30 Best Architecture Firms in Chile:

Featured Projects 2
Total Projects 8

15. 2DM

© 2DM

© 2DM

2DM is an architecture firm based in Chile. Their work revolves around residential architecture.

Some of 2DM’s most prominent projects include:

The following statistics helped 2DM achieve 15th place in the 30 Best Architecture Firms in Chile:

Featured Projects 3
Total Projects 2

14. Alvano y Riquelme Architects

© Alvano y Riquelme Architects

© Alvano y Riquelme Architects

Alvano y Riquelme Architects is an architecture firm based in Chile. Their work revolves around residential and hospitality architecture.

Some of Alvano y Riquelme Architects’ most prominent projects include:

The following statistics helped Alvano y Riquelme Architects achieve 14th place in the 30 Best Architecture Firms in Chile:

Featured Projects 3
Total Projects 2

13. Jorge Figueroa + Asociados

© Jorge Figueroa + Asociados

© Jorge Figueroa + Asociados

The office of architects Jorge Figueroa + Asociados has been characterized by carrying out a large number of works and projects especially housing, in addition to commercial and offices, in which assertiveness, empathy, rigor, creativity and functionality have predominated as key elements, added to a unique teamwork born from the sum of the great talents that make it up.

Some of Jorge Figueroa + Asociados’ most prominent projects include:

The following statistics helped Jorge Figueroa + Asociados achieve 13th place in the 30 Best Architecture Firms in Chile:

Featured Projects 3
Total Projects 2

12. CONOR

© CONOR

© CONOR

CONOR ® – Architecture / Construction from the driest place on Earth. Desert is brutal build strong.

Some of CONOR’s most prominent projects include:

The following statistics helped CONOR achieve 12th place in the 30 Best Architecture Firms in Chile:

Featured Projects 3
Total Projects 3

11. L A N D

© L A N D

© L A N D

We are architects, landscape architects, environmental and urban planners, artist, and motivators committed to innovation in the design of projects that enhance the relationship between the built and natural environments. We integrate environmental and social initiatives in the design process, in projects that promote and empower local values for the long term. We work on projects from a city-wide scale to the individual, accounting for ecological, social, real estate, regulatory and economic variables that result in informed designs able to adapt over time. Our commitment is to collaborate with the people, communities, companies, governments and teams that believe in change and innovation through environmental design.

Some of L A N D’s most prominent projects include:

The following statistics helped L A N D achieve 11th place in the 30 Best Architecture Firms in Chile:

Featured Projects 3
Total Projects 3

10. 01ARQ

© 01ARQ

© 01ARQ

01ARQ is an architecture firm based in Chile, entered around residential architecture.

Some of 01ARQ’s most prominent projects include:

The following statistics helped 01ARQ achieve 10th place in the 30 Best Architecture Firms in Chile:

Featured Projects 3
Total Projects 3

9. Cazu Zegers Arquitectura

© Cazu Zegers Arquitectura

© Cazu Zegers Arquitectura

We are a multidisciplinary and diverse creative ecosystem, made up of architects and leading professionals in their areas. Our purpose as a team is to articulate spaces, communities, projects and infrastructure that can accommodate being, in order to create responses to the problems that today’s living brings.

Cazú Zegers has a different angle of approach towards architecture, in an expressive search, closely related to Latin America, its territory, landscape and traditions. From here arises a work “in progress” that involves a poetic reflection on the way we inhabit the territory.

The thesis that inspires her work is to build in a “light and. precarious way”, referring to a lo-tek architecture but with a high experiential impact; understanding that the greatest value of Chile and Latin America is in its territory: “The territory is to America what monuments are to Europe,” says Cazú.

Some of Cazu Zegers Arquitectura’s most prominent projects include:

The following statistics helped Cazu Zegers Arquitectura achieve 9th place in the 30 Best Architecture Firms in Chile:

Featured Projects 3
Total Projects 3

8. Gonzalo Mardones Arquitecto

© Gonzalo Mardones Arquitecto

© Gonzalo Mardones Arquitecto

Gonzalo Mardones gets his degree as architect from the Universidad Católica de Chile, where he graduates with the Maximum Honors. He receives the First Prize in the Architecture Biennale, for the best degree project among all the Architectural Schools in Chile, for his project for urban renewal of the South-West Center of Santiago. He has been a professor of architectural design workshops and directed degree projects in the Faculties of Architecture of the Universidad Católica, Universidad de Chile, Universidad Central, Universidad Andrés Bello and Universidad Finis Terrae, in addition to having been guest professor and lecturer in different universities in Chile, and abroad.

His work has been published by the main architectural magazines and honoured at Biennales. He has been a member of the National Commission of Competitions of the Architects Association in Chile and a Founding member of the Association of Architectural Practices (AOA). In 2008 received the ‘Degree Distinction’ by the UMSA Universidad Mayor de San Andrés, Bolivia. In 2016 received the Honorary Fellowship by the AIA American Institute of Architects in Philadelphia.

Some of Gonzalo Mardones Arquitecto’s most prominent projects include:

The following statistics helped Gonzalo Mardones Arquitecto achieve 8th place in the 30 Best Architecture Firms in Chile:

Featured Projects 3
Total Projects 3

7. Azócar Catrón

© Azócar Catrón

© Azócar Catrón

Azcar Catrn is an architecture and urbanism office established in Concepción, Chile in 2016 by Ricardo Azócar and Carolina Catrón.

Some of Azócar Catrón’s most prominent projects include:

The following statistics helped Azócar Catrón achieve 7th place in the 30 Best Architecture Firms in Chile:

Featured Projects 4
Total Projects 3

6. Pezo von Ellrichshausen

© Pezo von Ellrichshausen

© Pezo von Ellrichshausen

Pezo von Ellrichshausen architects was established in Concepcion (Chile) in 2001 by Mauricio Pezo and Sofia von Ellrichshausen. With a cross production between art and architecture, the studio has built a series of singular houses, art pavilions and residential buildings. The office has been awarded at the V Iberoamerican Biennial, at the XV Chilean Architecture Biennial and at the AR Awards for emerging architecture and has been nominated for the Swiss Architectural Award (endrisio, 2010). The studio has been selected for the official exhibition at the 12h international architecture exhibition of La bBennale di Venezia.

Some of Pezo von Ellrichshausen’s most prominent projects include:

The following statistics helped Pezo von Ellrichshausen achieve 6th place in the 30 Best Architecture Firms in Chile:

Featured Projects 4
Total Projects 5

5. Grupo Arquitectos

© Grupo Arquitectos

© Grupo Arquitectos

Architecture and Interior Design firm based in Chile and the United States. Grupo Arquitectos focuses on designing the future for the human experience and its well-being in inhabited space.

Founded in 2002 by Architects Jorge Hasbún N. and Catalina Valdés Tocornal Grupo Arquitectos develops innovative design for the Airport Industry, Real Estate development, Retail, F&B, Corporate, Fuel and Housing Desing.

Some of Grupo Arquitectos’ most prominent projects include:

The following statistics helped Grupo Arquitectos achieve 5th place in the 30 Best Architecture Firms in Chile:

A+Awards Finalist 1
Featured Projects 3
Total Projects 50

4. ValdesHagemann Architects

© ValdesHagemann Architects

© ValdesHagemann Architects

ValdesHagemann is a Chilean practice, launched at 2009 by architects Nicolás Valdés and Constanza Hagemann.ValdesHagemann, as the word explains, aims to research every possible aspect of an assignment. We emphasize the idea that every client is different, every site is unique and the formal outcome must be true to all those parameters.

Some of ValdesHagemann Architects’ most prominent projects include:

The following statistics helped ValdesHagemann Architects achieve 4th place in the 30 Best Architecture Firms in Chile:

Featured Projects 5
Total Projects 4

3. MARSINO Arquitectura

© MARSINO Arquitectura

© MARSINO Arquitectura

Marsino is a practice of architects, designers, engineers and consultants based in Santiago with an office in Lima. We work together with clients and users to create special places where people want to live, work, learn and be.

Some of MARSINO Arquitectura’s most prominent projects include:

The following statistics helped MARSINO Arquitectura achieve 3rd place in the 30 Best Architecture Firms in Chile:

A+Awards Winner 1
A+Awards Finalist 2
Featured Projects 2
Total Projects 5

2. 57STUDIO

57STUDIO is an architecture office founded in 2002. Its two partners are Maurizio Angelini and Benjamín Oportot, both architects from the University of Chile. Their work has been published, exhibited and awarded around the world. In 2004, they won the XIV Chilean Architecture Biennale and were selected in the Chilean sample to exhibit at the IX Venice Biennale. In 2016 they win the First Prize of Casa FOA Chile and are awarded at the X BIAU Ibero-American Architecture Biennial. And in 2018 they won the Best Object Design Award from ED Magazine. His work seeks to maximize the relationship between the building and its context.

Some of 57STUDIO’s most prominent projects include:

The following statistics helped 57STUDIO achieve 2nd place in the 30 Best Architecture Firms in Chile:

Featured Projects 5
Total Projects 9

1. GUBBINS POLIDURA ARQUITECTOS

© GUBBINS POLIDURA ARQUITECTOS

© GUBBINS POLIDURA ARQUITECTOS

GUBBINS ARQUITECTOS is an architecture and urbanism studio, it was founded in 1996 by Victor Gubbins and Pedro Gubbins. In 2017, Antonio Polidura joined as a partner with Gubbins Arquitectos and created the GUBBINS POLIDURA ARQUITECTOS studio. In 2015, Pedro Gubbins was recognized as a MEMBER OF HONOR AMERICAN INSTITUTE OF ARCHITECTS AIA (Fellow of the American Institute of Architects, F.AIA).

His work has been developed in different areas of architecture, such as urban planning, urbanism, small and large-scale architectural design, in addition to interior architecture. His work consists of public and private buildings, developing projects in different cities in Chile, from Arica to Puerto Montt. A great diversity of architectural projects have materialized; interventions on heritage architecture, single-family homes, housing complexes, office buildings, universities, schools, soccer stadiums, sports and cultural centers, shopping Centers and retail. They have participated in countless architecture competitions, obtaining first places in more than 21 projects.

The multiplicity and programmatic variety of the projects developed, allows a look and a versatile development, with a broad look at the development of architecture, its cultural, geographical, social environments and the alternatives for its materialization according to its budgets.

Some of GUBBINS POLIDURA ARQUITECTOS’ most prominent projects include:

The following statistics helped GUBBINS POLIDURA ARQUITECTOS achieve 1st place in the 30 Best Architecture Firms in Chile:

Featured Projects 6
Total Projects 35

Why Should I Trust Architizer’s Ranking?

With more than 30,000 architecture firms and over 130,000 projects within its database, Architizer is proud to host the world’s largest online community of architects and building product manufacturers. Its celebrated A+Awards program is also the largest celebration of architecture and building products, with more than 400 jurors and hundreds of thousands of public votes helping to recognize the world’s best architecture each year.

Architizer also powers firm directories for a number of AIA (American Institute of Architects) Chapters nationwide, including the official directory of architecture firms for AIA New York.

An example of a project page on Architizer with Project Award Badges highlighted

A Guide to Project Awards

The blue “+” badge denotes that a project has won a prestigious A+Award as described above. Hovering over the badge reveals details of the award, including award category, year, and whether the project won the jury or popular choice award.

The orange Project of the Day and yellow Featured Project badges are awarded by Architizer’s Editorial team, and are selected based on a number of factors. The following factors increase a project’s likelihood of being featured or awarded Project of the Day status:

  • Project completed within the last 3 years
  • A well written, concise project description of at least 3 paragraphs
  • Architectural design with a high level of both functional and aesthetic value
  • High quality, in focus photographs
  • At least 8 photographs of both the interior and exterior of the building
  • Inclusion of architectural drawings and renderings
  • Inclusion of construction photographs

There are 7 Projects of the Day each week and a further 31 Featured Projects. Each Project of the Day is published on Facebook, Twitter and Instagram Stories, while each Featured Project is published on Facebook. Each Project of the Day also features in Architizer’s Weekly Projects Newsletter and shared with 170,000 subscribers.

 


 

We’re constantly look for the world’s best architects to join our community. If you would like to understand more about this ranking list and learn how your firm can achieve a presence on it, please don’t hesitate to reach out to us at editorial@architizer.com.

The post 30 Best Architecture and Design Firms in Chile appeared first on Journal.

Branching Out: 5 A+Award-Winning Projects Featuring Forest-Inspired Design

Architizer is thrilled to announce the world' best architecture firms in 2024, all winners of the 12th Annual A+Awards! Want to get your firm in the running next season? Stay up to date by subscribing to our A+Awards Newsletter. 

Within an ancient camphor tree lives Totoro. With pointed ears and an unmistakable grin, the towering grey figure is the guardian spirit of the forest. Since the ’80s, Hayao Miyazaki’s “My Neighbor Totoro” has been somewhat of a cultural phenomenon, and the film’s supporting character, Totoro, a forest-dwelling entity, has become a truly iconic figure in Japanese culture and across the rest of the world. It may be the cuddly creature’s expressive face and gentle nature that make him so beloved, but it is Totoro’s deep connection with nature, captured so beautifully in the 1988 animation, that leaves viewers of the film contemplating their own relationship with nature.

“My Neighbor Totoro” invites its viewers into a stunning world where humanity and nature coexist in balance. The film stands out for focusing on creating an atmosphere of wonder and tranquility through its drawings and soundscapes as much as its storyline. The movie reminds us that magic and serenity can be found throughout the natural world and that we should cherish and care for it as Totoro does for his forest.

This sense of obligation to and love for nature has inspired the following A+Award-winning architects to take a leaf straight out of Totoro’s book (or off his head) by embracing the natural surroundings of their projects and celebrating the beauty of the trees that dwell there. These five projects stand out as true champions of nature that would surely put a smile on the faces of Satsuki and Mei Kusakabe. Just as Totoro’s presence brings peace and joy, these brilliant projects create spaces that champion the beauty of living in harmony with nature, combining modern design with the ancient beauty of forests.


Harudot By Nana Coffee Roasters

By IDIN Architects, Tambon Samet, Thailand

Jury Winner and Popular Choice Winner, Restaurants (L >1000 sq ft), 12th Annual A+Awards

Photographs by  DOF SkyGround

Harudot is a café located in the town of Chonburi, Thailand. The name “Haru” translates to “Spring” in Japanese, referring to “new beginning” and “growth,” while “Dot” symbolizes a “starting point.” From the exterior, the building, clad in black timber, is striking and dominating, sharply extruding from its surroundings. It is distinctly modern yet has an air of traditionalism. Inside, the space is calming, bright and surprisingly huge. Its vastness seems to cocoon visitors under its pine gables with their warm hues. Sweeping curved openings bring a sense of movement to the relatively sharp-looking building, and it makes the space feel like it could be a living thing in itself.

Trees are integral to the design, and many varieties feature prominently inside and out. However, the central focus is a large bottle tree (baobab) that sits pride of place. The gigantic tree is placed in an inner courtyard, where the architects have opened the gable roofs in a way that makes it appear as though the impressive tree is pushing its way out through the building’s apex. This clever design gives a sense that the tree was planted long ago and is breaking out of the roof while also giving the beautiful tree the space and light it needs to flourish.


Mawhitipana House

By MacKayCurtis, Auckland, New Zealand

Jury Winner, Private House (S 1000 – 2000 sq ft), 12th Annual A+Awards

Photographs by Simon Wilson

Mawhitipana House is the perfect example of a home that integrates with its natural surroundings. The owners of this stunning property wanted to make the most of the views over Mawhitipana Bay below while flooding their homes with as much sunlight as possible. Additionally, they wanted large outdoor living areas that they could use to relax outside as much as possible, and it does so perfectly.

The home has a relatively small footprint (compared to the land it is on) and tucks comfortably back into its steep site. It juts out on top of glazed walls that look to hold the timber box sleeping structure in mid-air while the timber cladding, in its varied thicknesses and shades, reflects the rhythm of the surrounding forestry. The area around the property is covered in mature protected P?hutukawa trees, which form a large dominant green canopy, keeping the hoe comfortably ambient. Mawhitipana House feels like it belongs in this location, not dominating the landscape but becoming part of it.


River Bend Residence

By Lake|Flato Architects, New Braunfels, Texas

Jury Winner, Private House (M 2000 – 4000 sq ft), 12th Annual A+Awards

Photographs by Casey Dunn ?

Like Mawhitipana House, River Bend Residence is envisioned as a home that embraces the outdoors and respects its natural surroundings. It is comprised of four structures, each with its own function: living, sleeping, art studio and carport. Surprisingly for a development this large, only six trees were removed to build the property.

Each building was carefully positioned to minimize the number of trees that needed to be taken away during construction. The two primary structures are located on a relatively steep slope and are supported by piers, with only the back third of the buildings sitting on the ground. This allowed for minimal excavation, reducing the impact on the site and its existing wildlife.

Simple in form and finish, the home, intended to be a retreat for a retired couple, focuses on maximizing light and minimizing maintenance. A gorgeously striped back intervention that does just enough and no more to become an unfussy and elegant home wrapped in nature.


Upper House

By KOICHI TAKADA ARCHITECTS, South Brisbane, Australia

Jury Winner, Multi-Unit Housing, High Rise (16+ Floors), 12th Annual A+Awards

Photograph by Tom Ferguson

Photograph by Scott Burrows

Sustainability is at the core of Upper House, a multi-residential project by Koichi Takada Architects. The building achieves a 5-Star Green Star rating and employs both passive and active Environmental Sustainable Design strategies, with features like a 40kL rainwater tank for irrigation, extensive landscaping to reduce heat-island effect and a 20% reduction in water consumption.

The bold architecture celebrates Brisbane’s natural beauty and draws inspiration from the native Moreton Bay Fig tree, replicating its organic structure with architectural ribbons that meander down the unique façade. The building, with its impressive form, is topped with a natural timber pergola and tropical rooftop oasis and claims to be setting a new standard in multi-residential design, where connection to nature, quality of design, resident wellbeing and environmental sustainability each align.

Throughout, FSC-certified Siberian larch glulam timber was sustainably sourced and chosen for its durability and longevity in Australian weather conditions. The timber purlins are designed beautifully to shade the rooftop facilities and protect users against the harsh summer sun in a dramatic way.


Totoro House

By ROSSETTI+WYSS ARCHITEKTEN, Gunzwil, Beromünster, Switzerland

Jury Winner, Multi-Unit Housing, Low Rise (1 – 4 Floors), 12th Annual A+Awards

Photographs by Juerg Zimmermann

Finally, a direct ode to the big fluffy grey guy, Totoro House. The building by ROSSETTI+WYSS ARCHITEKTEN takes its inspiration from the rawness and attitude of the natural forest. Restrained in its use of materials, the architects have chosen raw, uncoated and imperfect finishes that will patina over time to give the building a sense of being a living structure.

The building is regarded as an unusual design for the area of Gunzwil in Switzerland, and so it stands out as unique and daring in form and finish. However, the architects have, in their wisdom, retained some of the traditional elements that are typical of the surrounding architecture. Timber canopies wrap around the structure, extending the interior outwards to create private outdoor spaces that also help to reduce the impact of the strong wind and weather that is common to the location.

Totoro House is a stunning example of a building that isn’t afraid to embody the simplistic foundations of nature and truly reflects the calming existence of its namesake.

Architizer is thrilled to announce the world' best architecture firms in 2024, all winners of the 12th Annual A+Awards! Want to get your firm in the running next season? Stay up to date by subscribing to our A+Awards Newsletter. 

The post Branching Out: 5 A+Award-Winning Projects Featuring Forest-Inspired Design appeared first on Journal.

The Future of Architecture: Changing How Housing Is Built in the World’s Most Disaster-Prone Countries

This interview was conducted by Lisa Richmond. Architecture 2030’s mission is to rapidly transform the built environment from a major emitter of greenhouse gases to a central source of solutions to the climate crisis. For 20 years, the nonprofit has provided leadership and designed actions toward this shift and a healthy future for all.

Build Change is a global leader in systems change for resilient housing. The public benefit corporation coordinates engineers, builders, coders, policy advocates and lending partners to provide urgently needed housing solutions in the world’s most disaster-prone countries. Shifting power to families since 2004, Build Change has safeguarded over $4.7 billion in housing infrastructure assets across Latin America, the Caribbean and Asia-Pacific, improving the lives of over 1.17 million people by building new or retrofitting more than 230,000 buildings at the cost of $58 per safer person.

Architecture 2030’s Lisa Richmond caught up with Ariana Karamallis, Build Change’s Global Advocacy and Development Associate, to talk about what they do and what’s ahead in the work towards community resilience in the context of climate change.

Photo of a home being retrofitted courtesy of Build Change

Lisa Richmond: Build Change designs disaster-resilient housing and schools in developing nations and changes construction practices and regulations to promote safer buildings. When and why did you add climate change and decarbonization as topline considerations in your work?

Ariana Karamallis: At our core, Build Change is about shifting power to those most affected by natural disasters. Beyond designing housing and schools, we transform systems for regulating, financing, building and improving informal housing across the Global South. Retrofitting existing housing has been a core piece of our work since the 2010 Haiti earthquake, when we saw the opportunity to retrofit damaged buildings to produce safe, permanent housing more quickly. Since then, buildings in Nepal, the Philippines, Colombia and beyond have been strengthened at a fraction of the cost of building new.

Retrofitting is not just an investment in a building but in a community and the people that live there. By retrofitting somebody’s existing house, they get to retain a meaningful asset. Most of our retrofitting work includes habitability improvements – ventilation, improved lighting, improved water and sanitation. Sometimes it includes the addition of a second story, adding space and income generating opportunities through rental units or home based businesses. We have emotional connections to our homes as well. In cases where the alternative may be relocating, there are a lot of social and economic benefits to people getting to stay where they live.

Decarbonization entered the picture for us a bit more recently. Over the last few years we began to ask ourselves if we could quantify the environmental benefits of retrofitting. Our research applied established methods for calculating emissions associated with building materials and construction to our housing improvement programs. This work culminated last year with the publication of Saving Embodied Carbon through Strengthening Existing Housing, providing compelling evidence that improving existing housing significantly avoids carbon emissions. We estimate there’s an opportunity to save 4.8 gigatons of CO2 emissions globally while addressing the more than 268 million inadequate houses.

Photo of a Colombia site visit courtesy of Build Change

LR: Most of the growth in global floor area over the next few decades will occur in the rapidly developing regions where Build Change works, places where growth is necessary to meet the basic needs of growing populations. Your work is trying to meet basic needs while staying within our planetary boundaries. How does Build Change think about balancing these two imperatives?

AK: We have to view this through a justice lens. Globally, those who contributed the least to the climate crisis are those most vulnerable to its impacts. We cannot compromise on delivering resilient housing, clean water, safe sanitation services and access to safe schools and hospitals. Nor should these communities pay the price of living, working or learning in buildings that are less resilient.

Luckily, retrofitting offers a practical solution. Millions of people worldwide do not need a new home, they need a disaster-resilient home. By improving existing unsafe housing, we can build less while addressing the needs of those lacking these basics.

Of course, there are some people for whom retrofitting is not an option. For the millions living in homes too informal to retrofit, new homes will have to be built, most likely incrementally by the residents themselves. In these cases, we must ensure that all those in the housing value chain are equipped to build resilient homes, ensuring durable buildings that reduce waste.

Photo of a retrofitted home courtesy of Build Change

LR: Your research reports emphasize the lack of hard data around embodied carbon, particularly in the Global South. Why is that data important, and what are some strategies to make it more standardized and readily available?

AK: Lack of hard data around embodied carbon in existing, informally built housing is one of the major challenges in undertaking housing improvement projects or retrofits, especially in the Global South. Life cycle assessments (LCAs) in these settings should be standardized and publicly reported to assess the relative benefits of different housing programs, for both post-disaster and preventative strengthening. Good data can serve as a useful resource for publicly funded projects to demonstrate the environmental impacts. This can also make it easier for investors into privately owned housing to demonstrate the overall positive impact of the investment.

Photo of a brick maker in Indonesia courtesy of Build Change

LR: You work extensively in the informal economy, where much of the housing is self-built. Does vernacular architecture model useful technology to accelerate climate action?

AK: In many contexts, informal, self-built housing has already been adapted for local culture and climate, using building materials that are locally available. This generally reduces costs and takes into consideration historic climate conditions such as heat.

However, with rising rates of urbanization, some of these methods have been lost, while others require structural reinforcements to provide added safety. We can invest a small amount of embodied carbon in strengthening and improving these homes, to prevent a complete loss of embodied carbon should that home be reduced to a pile of rubble during an earthquake, blown away in a windstorm, or converted to greenhouse gasses during a fire.

Build Change advocates for small changes to existing ways of building using locally available materials and commonly preferred architecture. One example is Nepal. They’ve been able to use quite a bit of the traditional masonry techniques and technology and reinforce that to make the homes disaster resilient.

Photo of a home courtesy of Build Change

LR: Architecture 2030 has seen you in action at the UN Climate Summits (COPs), advocating for changes to the way we build. How is the COP process a lever for policy change?

AK: The next decade will be critical in addressing gaps in climate commitments. With the next round of updates to Paris Agreement Nationally Determined Contributions (NDCs) due in 2025, the moment is ripe for integrating ambitious goals into climate planning. Governments should include housing upgrades within their national climate plans, as well as provisions for building code upgrades. 

Retrofitting existing housing is an adaptation strategy as the impacts of climate change become more frequent and acute.  From the mitigation side, strengthening existing housing saves embodied carbon.  If you look at Africa as one example, there are millions of needed homes that either don’t yet exist or are inadequate. If we can retrofit some of those rather than build new, the embodied carbon savings will be immense. 

Photo of construction work in Haiti courtesy of Design Build


Lisa Richmond, Hon. AIA, is a Senior Fellow with Architecture 2030 and a thought leader on climate and the built environment. Through Climate Strategy Works, Lisa supports clients in strategic planning, concept development, strategic communication and brand positioning within the UNFCCC global climate dialogues. She was a delegate and speaker at three recent UN climate summits: COP26 in Glasgow, COP27 in Sharm-el-Sheikh and COP28 in Dubai.


The jury and the public have had their say — feast your eyes on the winners of Architizer's 12th Annual A+Awards. Subscribe to our Awards Newsletter to receive future program updates.

The post The Future of Architecture: Changing How Housing Is Built in the World’s Most Disaster-Prone Countries appeared first on Journal.

The Evolution of Model Making: A Decade of Innovation and Transformation

Ema is a trained architect, writer and photographer who works as a Junior Architect at REX in NYC. Inspired by her global experiences, she shares captivating insights into the world’s most extraordinary cities and buildings and provides travel tips on her blog, The Travel Album.

Model making has always been a cornerstone of architectural practice, serving as a tangible representation of our visions and designs. Reflecting on my journey in the architecture industry over the past six years, I’ve witnessed an incredible evolution in the techniques and technologies we use to bring our concepts to life. From the meticulous hands-on crafting of physical models to the integration of advanced digital tools, model making has undergone a remarkable transformation, reshaping the way we design and communicate our ideas.


The Lazy Way?

Thinking back to my time in undergraduate studies, there was always a clear distinction between the students who excelled at handcrafting models and those who struggled. I remember the countless hours spent waiting for access to the laser cutter just to ensure our floor plates and façade screens were cut with precision. One vivid memory stands out: a friend telling me that using the laser cutter was the “lazy way” of making models.

But was it really lazy? Or was it a smart approach to leveraging technology to expedite the model-making process? Using the laser cutter taught us to prepare, model and create accurate files — all skills that have become crucial in the industry. Embracing this technology wasn’t about avoiding hard work; it was about adapting to new tools that enhance our ability to bring our designs to life with greater efficiency and precision. At the time, we didn’t even really realize it.


A Hands-On Craft

Organic Farm Hebei, China by ARCHSTUDIO

Organic Farm Hebei, China by ARCHSTUDIO

Organic Farm by ARCHSTUDIO, Hebei, China

Model making in architecture has its roots deeply embedded in manual craftsmanship. Historically, architects relied on simple tools and materials like cardboard, balsa wood and foam board to create detailed physical models. These models were not only essential design aids but also powerful communication tools, enabling architects and clients to visualize and interact with proposed spaces. Clients often find physical models more engaging than renderings and drawings, as they can touch, examine and better understand the design. This tactile experience brings them closer to the reality of the design, making model making an incredibly effective way to involve clients in the architectural process.

In architecture school, the art of model making was a cornerstone of our education. We spent countless hours in the workshop, meticulously cutting, gluing and assembling intricate models by hand. This hands-on approach instilled in us the values of precision, patience and spatial thinking. There was something uniquely satisfying about watching our ideas materialize in three dimensions, even if it meant occasionally gluing our fingers together or nicking a fingertip with an X-Acto knife. At the time, creating those hand-crafted models involved a great deal of blood, sweat and tears — quite literally.


Cutting By Hand

Over the past decade, the landscape of model making has transformed dramatically. When I entered the workforce as an intern over six years ago, my primary responsibility was model making. The firm I worked for was renowned for producing countless models to express their vision, but I imagine many interns had similar experiences. I spent hours in the model shop, meticulously cutting thousands of tiny contextual houses out of foam, trying my best to be as accurate as possible. I came up with methods to ensure every stick of balsa wood was precisely the same length so columns would stand uniformly. I often found myself holding pieces together for long periods of time, waiting for the glue to set… How things have changed since then…

At that time, we had just started using laser cutters, but they weren’t very advanced. To be honest, it wasn’t very safe or healthy either. The spaces housing the laser cutters were so poorly ventilated that we would sit in rooms filled with fumes for hours, not giving it much thought… No wonder we all felt dizzy by the end of the day.


The Arrival Of The 3D Printer

Interstice, London, United Kingdom by Alessandro Isola Ltd.

Interstice, London, United Kingdom by Alessandro Isola Ltd.

Interstice by Alessandro Isola Ltd., London, United Kingdom

It wasn’t until five or six years later that the 3D printer truly came into its own, revolutionizing model making and prototyping. Suddenly, the hundreds of tiny houses we used to painstakingly cut by hand over weeks could be printed in a day. The introduction of 3D printing was a game-changer for model making. This technology has allowed us to create highly detailed and accurate models with unprecedented ease. Complex geometries, such as curved surfaces and intricate details that were once difficult to achieve by hand, can now be printed with precision, and within minutes. The ability to quickly iterate and produce multiple versions of a model has significantly enhanced our design process, enabling us to explore various options and refine our concepts more effectively.

Programs like Rhino, SketchUp and Revit have revolutionized the design and modeling process, allowing us to create and manipulate digital models with exceptional accuracy. These programs seamlessly integrate with 3D printing technologies, making it easy to print designs directly from the software. They have bridged the gap between the virtual and physical realms, enabling us to convert digital models into physical ones through 3D printing, laser cutting and even CNC milling with remarkable precision.


Combining the Physical and Digital

The integration of digital and physical model making has unlocked new possibilities for architects. Hybrid models, which blend traditional craftsmanship with digital fabrication, have become increasingly popular. For example, we can 3D print a complex structure and then enhance it with hand-crafted details, achieving a level of detail and realism that was previously unattainable. In fact, I believe those are the best models — the ones with perfectly printed contextual buildings, precisely laser-cut roads and sidewalks, and detailed touches like trees and other small elements added by hand.

It’s amusing to hear how those who used to make models by hand often look back with a sense of nostalgia and say, “You should have seen how tough we had it back in the day.” Of course, modern model making comes with its own set of challenges. You still need to understand how to construct a model, know what goes where, and carefully plan the building process. While new technologies streamline the process, they also introduce their own complexities. The craft of model making is still something that must be learned and not everyone masters it easily. Nowadays, the room for error lies more in the 3D modeling phase; once you input the correct design into the printer, the model will typically come out as expected (assuming the printer functions properly). The challenge has shifted from physically creating the model to ensuring the accuracy of the digital design and assembling the components rather than creating them.


The Incredible Transformation

Super Docking - Brooklyn Navy Yards by Planetary ONE

Super Docking - Brooklyn Navy Yards by Planetary ONE

Super Docking – Brooklyn Navy Yards by Planetary ONE, New York City, New York

Having observed the architecture industry evolve over the past six years, I find it fascinating to witness and be part of this transformation. We are still evolving, but the rapid shift from hand-made models to the current level of precision and sophistication is incredible. The transition from traditional to digital model making has not only enhanced our design capabilities but also expanded our creative horizons. While I still deeply appreciate the tactile experience of crafting models by hand, I embrace the efficiency and precision that modern technologies offer.

Indeed, you can often pinpoint when a model was made just by looking at it. There’s a clear distinction between those that were hand-crafted in the past and those produced with modern technology. Looking ahead, I’m excited about the ongoing advancements in model making. The evolution over the past decade has been truly transformative. From its origins as a hands-on craft to the integration of cutting-edge technologies, model making has continuously adapted to meet the evolving needs of the modern architect.


If you’re a student or a young professional, what are your thoughts on this topic? Did you find handcrafting models challenging or enjoyable? How do you feel about the ease that modern technologies bring to model making? And despite these advancements, what new challenges have emerged with having such sophisticated tools at your disposal?

The post The Evolution of Model Making: A Decade of Innovation and Transformation appeared first on Journal.

The New Canon: 5 Standout Techniques that Dominate Contemporary Architectural Photography

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

Once a niche field, architectural photography is now a crucial part of the design world. Today, it plays a key role in shaping global understandings of architecture and transforming how we perceive and engage with buildings.

That being said, in this day and age, architectural photography encompasses way more than simply capturing the physical structure of buildings. It has also become an essential tool for telling the story of a building, illustrating its design narrative and showcasing its unique qualities. In a sea of digital images, the job of today’s architectural photographer is also distinct from those of the film generation, who were producing work for print journals and books, as opposed to press releases and algorithms. Moreover, high-quality architectural photography is now a decisive component for winning architecture awards, gaining recognition and successfully promoting architectural projects.

As architectural tendencies have shifted towards more complex, dynamic and human-centered designs, the techniques and approaches in architectural photography have evolved to match. Photographers are pushing the boundaries of traditional techniques, embracing new technologies and creative approaches to capture the essence of these innovative designs. Looking at the highlights of this season’s A+Awards Winners, these tendencies are reflected in the works of architectural photographers who shot winning projects.


1. Populated Places: Animating Architecture

One of the most significant shifts in photography lately has been the embrace of candid, real-life shots. Consider the average Instagram feed — there are probably a lot fewer over-planned, over-edited photos and instead, more and more photos that seem like they’ve effortlessly captured a moment.

This tendency translates into professional photography as well (architectural photography included). Instead of photographing empty buildings devoid of life, more architectural photographers choose to capture their subjects in use, with people interacting within and around them.

Iwan Baan is renowned for bringing this more documentary-like approach into the architectural mainstream beginning with his pioneering collaboration with Rem Koolhaas. The Dutch photographer’s most recent work for A+winning projects definitely upholds the high standards he has set. Baan is known for challenging the long-standing tradition of capturing buildings as isolated and static. Instead, he aims to showcase the activities taking place within and around the structures he shoots, portraying them in use.

Casa Lohr by Veinte Diezz Arquitectos, Mérida, Mexico | Photo by Manolo R. Solis.

Many photographers take this approach further by shooting in motion, resulting in images with blurry figures. This technique can make the architecture feel more three-dimensional and dynamic, adding a sense of depth and realism. While this style might not appeal to everyone, it offers a fresh perspective by emphasizing the lived experience within architectural spaces.


2. Cinematic Photography: Embracing Distinct Moods

When browsing through Architizer’s A+Awards Winners Gallery, another pattern stands out: an increasing number of photos are embracing cinematic techniques. Cinematic photography aims to evoke emotional and sensory experiences, creating a specific atmosphere through lighting, color and composition. When the subject is architecture, it does much the same — capturing the mood and ambiance of a space.

The Hat House by Tina Bergman Architects, Sweden | Photo by Jim Stephenson Architectural Photography + Films

The Hat House by Tina Bergman Architects, Sweden | Photo by Jim Stephenson Architectural Photography + Films

A great example is The Hat House by Tina Bergman Architects, located in the calm forests of Sweden, captured by Jim Stephenson. He uses warm lighting and natural colors to evoke a sense of comfort and connection with nature. The photos capture the cozy and welcoming environment of the house, doing a great job of portraying what it would feel like to be there.

YOFC Headquarters by Gensler, Wuhan, China | Photo by RAWVISION Studio

Similarly, Gensler’s YOFC Headquarters shot by RAWVISION Studio uses warm, golden illumination against the cool tones of the evening cityscape, highlighting the building amidst a quiet urban setting.

This tendency enriches our appreciation of architectural spaces, making them more relatable and memorable by telling the story of a building through its mood and atmosphere. Just by looking at a photo, you can practically feel what it’s like to be in a particular space or building.


3. Organized Maximalism: Layered Compositions Over Minimalistic Details

You might have noticed the subtle (or on second thought, maybe not so subtle) resurgence of maximalism in design.

While minimalism definitely had its moment, it’s safe to say that ornament is no longer a crime (and hopefully awful puns aren’t either). As architects and designers welcome back color, texture and complexity, architectural photographers are embracing more complex, layered compositions as opposed to detail-focused shots.

The Abrahamic Family House by Adjaye Associates, Abu Dhabi, United Arab Emirates | Photo by Deed Studio-UAE.

In the past, we often saw close-up images highlighting simplicity and clean lines. These shots focused on a few select elements, isolating them to emphasize architectural purity and design precision. Nowadays, the so-called “organized maximalism” has reached architectural photography as well.

Instead of isolating details, photographers are capturing richer, more textured views by incorporating multiple layers and elements into the frame. This approach showcases the interplay between materials, forms, light and shadow, creating a dynamic and engaging visual narrative.

By including a variety of elements—like people, furnishings and natural features—these photos convey a sense of depth and complexity. It’s about showing how different parts of a building relate to each other and their surroundings, offering a more holistic view of the architecture.

The House of Courtyards by VDGA Studio, Dubai, United Arab Emirates | Photo by Ema Peter Photography.

Ema Peter captures this incredibly well in her winning shot for the cover of Architizer: The World’s Best Architecture this year. In the image, she balances architectural elements with natural features and human presence. The photo showcases the warm texture of the building materials, the play of light and shadow and the calming presence of water reflecting the surroundings. The inclusion of a person adds scale and a sense of life, while the carefully framed layers guide the viewer’s eye through the space, emphasizing the depth and richness of the design. This not only brings out the beauty of the architecture but also tells a story about how the space is used and experienced.

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4. Retro Revival: Embracing Vintage Aesthetics

Tower 15 by OODA Architecture, Leça da Palmeira, Portugal | Photo by Fernando Guerra.

Tower 15 by OODA Architecture, Leça da Palmeira, Portugal | Photo by Fernando Guerra.

One of the most memorable photos from this year’s A+Winners is Fernando Guerra’s shots for OODA’s Torre 15&1. Guerra uses high contrast to bring out the building’s repetitive patterns and clean lines. The deep shadows cast by the balconies create a sense of depth and rhythm, making the structure stand out dramatically.

There’s something distinctly retro about this approach. Perhaps it’s the way these photos evoke the graphic quality of classic poster art, where bold lines and stark contrasts were used to make powerful visual statements. Guerra’s style often leverages this high-contrast approach to make architectural forms pop, giving even the most rigid structures a sense of fluidity and dynamism. His work consistently showcases how light can transform buildings, making the mundane appear extraordinary.

MAISON BRUMMELL MAJORELLE by Studio Bergendy Cooke, Marrakesh, Morocco | Photo by Emily Andrews

This retro aesthetic in architectural photography taps into a sense of nostalgia, bringing a vintage feel to modern structures. By using techniques similar to classic film photography and poster art, photographers can evoke a timeless quality in their images. This style highlights the elegance and enduring appeal of architectural designs, making them feel both historic and contemporary. The vintage look adds visual interest and connects viewers to the past, creating a stronger emotional connection with the architecture.


5. Contrast, Depth and Drama

In a market saturated with images, high-contrast photography is quickly gaining traction as a way to stand out.

In architectural photography, this translates to highlighting specific elements and structural details, creating striking silhouettes and a dynamic interplay of light and shadow. High-contrast photography brings the structural details and materials of buildings to life. Shadows carve out the textures and light defines the forms, adding a compelling visual narrative to the spaces. This approach works particularly well with monochromatic structures, where the absence of color makes the contrast even more pronounced.

Red Box by Mix Architecture, Nanjing, China | Photo by Arch-Exist Photography

Red Box by Mix Architecture, Nanjing, China | Photo by Arch-Exist Photography

Beautifully captured by on of China’s leading architectural photography firms, Arch-Exist, Mix Architecture’s A+Award-winning project is a great example of how contrast can do wonders for monochromatic spaces. The use of high contrast in these interior shots accentuates the rich textures and sharp lines of the red concrete, transforming the space into a scene with a cinematic quality. The shadows and light filtering through the perforations in the walls add depth and a touch of mystery, making the architecture feel alive, dynamic and far from two-dimensional.


Framing the Future

The recent shifts in architectural photography bring a refreshing evolution, allowing photographers to portray buildings in more authentic and engaging ways. From capturing candid interactions to evoking the mood and atmosphere of a space, these new tendencies add depth and richness to architectural imagery. And as they continue to develop, we can’t help but feel excited about what the future holds for architectural photography.

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

The post The New Canon: 5 Standout Techniques that Dominate Contemporary Architectural Photography appeared first on Journal.

Is Freelance Architecture the Future of the Industry?

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

Following the Covid-19 pandemic, the US freelancing workforce skyrocketed, growing by 22% in the past couple of years. Especially after trends such as remote work, the digital nomad lifestyle and the establishment of personal brands gradually became the norm rather than the exception, freelancing is no longer seen as a temporary gig but rather as a viable — and sometimes even more exciting — option in many professions, offering a more flexible schedule and even the potential to make more money.

Still, how does freelancing directly apply to architects and, more importantly, does it deal with the many challenges that the profession and its working culture currently face? Being part of the University of Edinburgh’s architecture department, I have been involved in many discussions with students who, even though enjoy studying architecture, they do not wish to practice it. Apart from the many issues constantly being raised regarding the architectural industry — i.e., low salaries, long hours, competitive working environments — another recurring concern is the lack of creativity, especially in entry-level positions.

01_CameoCourt_Centerfield Studio

Cameo Court by Centerfield Studio,  Lake Oswego, Oregon | Jury Winner, Best Sole Practitioner, 12th Annual A+Awards

A typical working structure in a small or medium sized firm consists of a project architect that usually guides the concept and the early-stage design, followed by a team of junior architects, who are primarily in charge for producing the necessary drawings for the project. While not always the case, this task includes countless hours of repetitive drafting, technical work and annotation that often make young architects lose any interest in the actual profession. A response to this is the recent business model of a firm becoming established as an architectural collective, which is an innovative form of a limited company that is employee owned.

However, what is the common denominator with freelancing architects and this new form of architectural practice? It is the idea of ownership and accountability; not in the actual sense of owning shares in a company but rather being responsible and engaged in all aspects of an architectural project, from the creative conceptual parts to the mundane contracts and the endless technical detailing. In other words, whether an architect works as a freelancer or in an architectural collective, they become responsible for their own professional development and create their own individual approach towards architecture.

02_Z House_NOA Studio

Z House by NOA Studio, Beijing, China

In parallel, there is an endless debate on whether architectural education efficiently prepares students for working in practice. Many architects argue that universities focus on design or theory, completely disregarding the necessary “practical” skills, for example knowledge in construction, contract procurement, site visit documentation etc. However, I would argue that these are merely the supporting tools that drive the process of a project forward.

With architecture being a multi-faceted discourse, in which architects are free to experiment and eventually choose how they themselves are going to approach a project, education should encourage diverse and creative thinking (both conceptual as well as technical) rather than equipping students with textbook knowledge. In fact, the current education model fits perfectly with an architectural industry comprised of freelancers. More specifically, the studio culture in universities encourages collaborative work and communication without any hierarchical structure, fostering a vigorous exchange of ideas as well as methods of making. Could this then become the new norm in practice, negating the role of the project architect (and their team) and instead establishing a network of free-thinking, “equal” professionals regardless of their experience?

01_Park-Avenue-Penthouse-gne-Architecture

Park Avenue Penthouse by gne Architecture, New York, United States | Popular Choice Winner, Best Sole Practitioner, 12th Annual A+Awards

It is likely that this sounds like a utopian vision and admittedly, there will be many voices arguing that are “too many architects and not enough work” or “the lack of expertise in younger practitioners will be catastrophic for the construction industry.” Nevertheless, with the recent technological advancements and the emerging mindset change regarding working culture, the architectural profession is in need for an upgrade.

Starting from the endless artificial intelligence tools that have been developed, architects are able to produce and communicate concepts in second as well as efficiently respond to building regulations along with the environmental, social and economic conditions found in specific contexts. However, what is even more impressive is the array of new databases gradually being established to create open source platforms for architects, thus democratizing the profession. Companies are developing cloud systems where architects can store all their work — from architectural details they have designed to the contracts or technical descriptions they have used and even their early conceptual sketches. As a result, through this new mode of partnership, even the most inexperienced architects can have access to years’ worth of information, without having to draft endless window schedules or go through infinite site checklists.

The challenges found in the current architecture industry are quite complex, however, perhaps this new freelancing movement could hold the key to a more open and fast moving profession. This shift may foster a more dynamic and transparent collaboration, enhancing a sense of ownership and accountability among architects and reigniting their passion for their work.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

Featured Image: Z House by NOA Studio, A+Awards 2024, Special Mention 

The post Is Freelance Architecture the Future of the Industry? appeared first on Journal.

Paradise Found: 5 Artful Examples of Place-Based Hotel and Resort Design

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

Hotel and resort design combines luxury, comfort and cultural immersion. For this year’s Architizer A+ Awards program, the projects recognized in the Hotels and Resorts category are setting new benchmarks for excellence in the hospitality industry. These are not just buildings; they are experiences meticulously crafted to captivate and rejuvenate visitors from around the globe.

What sets these award-winning designs apart is their intrinsic connection to place. From tropical paradises to urban sites, each hotel and resort is a manifestation of its surroundings. The architects behind these projects blend local materials, diverse aesthetics and new innovations to create spaces that resonate with both the locale and the global traveler. These projects demonstrate that the best hotel and resort designs go beyond opulence and comfort. They embody a narrative of place, offering an authentic and enriching experience that leaves a lasting impression on visitors. Join us as we delve into new architecture that has rethought hospitality design this year.


Murka Hotel (Phase II)

By Thinking Design, Wenzhou, China

Popular Choice Winner, Hotels and Resorts, 12th Annual A+Awards

Murka Hotel is part of a rural revitalization initiative aimed at attracting urban citizens to the countryside and encouraging young locals to return and contribute to their hometown’s development. Nestled on a south-facing slope, the building complex features staggered blocks that blend seamlessly with the mountains. Using local rocks for the buildings and retaining walls creates a visually cohesive extension of the natural environment, paying homage to traditional culture and harmonizing with the village context.

The design includes a restaurant with preserved trees that penetrate the roof, giving diners the sensation of being in a forest. Two buildings around large rocks house a shared restaurant and bar, using the rocks as visual focal points and structural supports. Old-timber beams and a roof adorned with wild grass add nostalgic elements. Guest rooms, built alongside a tranquil stream, feature private courtyards and overpasses for entry. Maintaining fair-faced concrete finishes and incorporating variously sized courtyards, the design floods the space with natural light, enhancing the serene atmosphere. Locally sourced rocks, reclaimed timber, and expansive French windows connect the interior to the valley landscape, offering a tranquil escape from urban life.


MAISON BRUMMELL MAJORELLE

By Studio Bergendy Cooke, Marrakesh, Morocco

Jury Winner, Hotels and Resorts, 12th Annual A+Awards

The Maison’s architecture reinterprets Arabic elements with a fresh perspective, drawing inspiration from Marrakech’s rich history without replicating it. The design’s sculptural form nods to the ancient rampart walls of the Marrakech Medina, with openings that transition into private interiors, much like a sandcastle or sculpture. Deep recesses, reminiscent of traditional Mashrabiya screens, ensure bedroom privacy and create terraces that connect to the surrounding gardens.

Embracing Morocco’s artisanal heritage, the design incorporates local materials and craftsmanship in innovative ways. Exterior walls of the recesses are finished in Tadlelakt, a polished plaster that contrasts with the rough Pisé exterior. Inside, terrazzo in grey and pink is used extensively, defining spaces and creating basins and baths within bedrooms. Bejmat handmade tiles adorn lower public spaces and the terrace, enhancing the seamless flow. The building, spread over three floors, features a lower level that mimics a traditional Riad’s courtyard, housing the lounge, dining area, kitchen, pool and a Hammam with a plunge pool.


Kona Village Resort

By Walker Warner, Hawaii

Situated on the island of Hawaii, Kona Village offers a truly unique Hawaiian experience rooted in centuries-old culture and tradition. This reimagined resort, spread over 81 acres, draws inspiration from the rich history and local sensibilities of the ancient Ka??p?lehu. Every aspect of the property has been designed to honor the essence of the original resort, showcasing a deep respect for the natural environment and cultural heritage.

Under the architectural leadership of Greg Warner and Mike McCabe from Walker Warner, Kona Village now features 150 traditional guest hale, the new Asaya Spa, and five dining options, including the cherished Shipwreck and Talk Story bars from the original resort. The resort’s dedication to sustainability is evident, with several buildings achieving LEED Gold certification and the entire property powered by solar energy. Additionally, an on-site cultural center enriches visitors’ understanding of the area’s profound natural and cultural significance.


Radisson BLU Ka?

By Ye?im Kozanl? Architecture & Interior Design, Antalya, Türkiye

This Radisson Hotel project is tied to Ka?, a district of Antalya known for its turquoise sea, natural beauty and historical ruins. The design began with an analysis of the region’s topographic and cultural areas. Inspired by ancient Lycian granaries and the monumental architecture of Antiphellos, the design incorporates natural stone façade cladding, traditional tiles and wooden joinery. The goal was to offer a lodging experience that feels private and comfortable, akin to the comfort of one’s home, while providing beautiful social opportunities in common areas without losing touch with greenery, nature and simplicity.

The project respects the region with its low-rise, spacious and human-scale designs that blend with the natural environment. Emphasis is placed on natural ventilation and air conditioning features, using earth tones to reflect the local colors and textures. Landscaping with the region’s natural vegetation in pathways and common spaces ensures a continuous connection with nature. Radisson Hotel Ka? is more than a hotel; it’s an experience where guests can immerse themselves in the spirit, history and nature of Ka?.


FORT & PORT

By Heesoo Kwak + IDMM Architects, Yeosu-si, South Korea

FORT & PORT offers stunning views to the northwest and southwest. The northwest view showcases Yeosu City around Jonggo-Mountain, with Marae-Mountain and Jasan Park along the coastal plain. The southwest view contrasts Seguji Village with the South Sea, creating an attractive city skyline. Known for its beautiful night sea, Yeosu became a prominent marine tourist destination in 2012, highlighted by Odongdo Island, maritime bridges and the Dolsan strait.

The complex layout includes a tower-type zone for enjoying city views and a single accommodation zone for recreation. The tower zone features a reception room, city-view accommodations and terraces for outdoor dining and parties. The exterior spa mass facing the terrace ensures privacy and offers a unique facade. The lounge cafe and swimming pools are accessible to both guests and cafe users, with the rooftop designed to provide panoramic views like a ship’s deck. The lower level of the cafe features an Infinity Pool with views of the city’s skyline, while the surrounding areas offer spaces for sunbathing and recreation, allowing guests to enjoy the vibrant sunset over Yeosu.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

The post Paradise Found: 5 Artful Examples of Place-Based Hotel and Resort Design appeared first on Journal.

Paradise Found: 5 Artful Examples of Place-Based Hotel and Resort Design

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

Hotel and resort design combines luxury, comfort and cultural immersion. For this year’s Architizer A+ Awards program, the projects recognized in the Hotels and Resorts category are setting new benchmarks for excellence in the hospitality industry. These are not just buildings; they are experiences meticulously crafted to captivate and rejuvenate visitors from around the globe.

What sets these award-winning designs apart is their intrinsic connection to place. From tropical paradises to urban sites, each hotel and resort is a manifestation of its surroundings. The architects behind these projects blend local materials, diverse aesthetics and new innovations to create spaces that resonate with both the locale and the global traveler. These projects demonstrate that the best hotel and resort designs go beyond opulence and comfort. They embody a narrative of place, offering an authentic and enriching experience that leaves a lasting impression on visitors. Join us as we delve into new architecture that has rethought hospitality design this year.


Murka Hotel (Phase II)

By Thinking Design, Wenzhou, China

Popular Choice Winner, Hotels and Resorts, 12th Annual A+Awards

Murka Hotel is part of a rural revitalization initiative aimed at attracting urban citizens to the countryside and encouraging young locals to return and contribute to their hometown’s development. Nestled on a south-facing slope, the building complex features staggered blocks that blend seamlessly with the mountains. Using local rocks for the buildings and retaining walls creates a visually cohesive extension of the natural environment, paying homage to traditional culture and harmonizing with the village context.

The design includes a restaurant with preserved trees that penetrate the roof, giving diners the sensation of being in a forest. Two buildings around large rocks house a shared restaurant and bar, using the rocks as visual focal points and structural supports. Old-timber beams and a roof adorned with wild grass add nostalgic elements. Guest rooms, built alongside a tranquil stream, feature private courtyards and overpasses for entry. Maintaining fair-faced concrete finishes and incorporating variously sized courtyards, the design floods the space with natural light, enhancing the serene atmosphere. Locally sourced rocks, reclaimed timber, and expansive French windows connect the interior to the valley landscape, offering a tranquil escape from urban life.


MAISON BRUMMELL MAJORELLE

By Studio Bergendy Cooke, Marrakesh, Morocco

Jury Winner, Hotels and Resorts, 12th Annual A+Awards

The Maison’s architecture reinterprets Arabic elements with a fresh perspective, drawing inspiration from Marrakech’s rich history without replicating it. The design’s sculptural form nods to the ancient rampart walls of the Marrakech Medina, with openings that transition into private interiors, much like a sandcastle or sculpture. Deep recesses, reminiscent of traditional Mashrabiya screens, ensure bedroom privacy and create terraces that connect to the surrounding gardens.

Embracing Morocco’s artisanal heritage, the design incorporates local materials and craftsmanship in innovative ways. Exterior walls of the recesses are finished in Tadlelakt, a polished plaster that contrasts with the rough Pisé exterior. Inside, terrazzo in grey and pink is used extensively, defining spaces and creating basins and baths within bedrooms. Bejmat handmade tiles adorn lower public spaces and the terrace, enhancing the seamless flow. The building, spread over three floors, features a lower level that mimics a traditional Riad’s courtyard, housing the lounge, dining area, kitchen, pool and a Hammam with a plunge pool.


Kona Village Resort

By Walker Warner, Hawaii

Situated on the island of Hawaii, Kona Village offers a truly unique Hawaiian experience rooted in centuries-old culture and tradition. This reimagined resort, spread over 81 acres, draws inspiration from the rich history and local sensibilities of the ancient Ka??p?lehu. Every aspect of the property has been designed to honor the essence of the original resort, showcasing a deep respect for the natural environment and cultural heritage.

Under the architectural leadership of Greg Warner and Mike McCabe from Walker Warner, Kona Village now features 150 traditional guest hale, the new Asaya Spa, and five dining options, including the cherished Shipwreck and Talk Story bars from the original resort. The resort’s dedication to sustainability is evident, with several buildings achieving LEED Gold certification and the entire property powered by solar energy. Additionally, an on-site cultural center enriches visitors’ understanding of the area’s profound natural and cultural significance.


Radisson BLU Ka?

By Ye?im Kozanl? Architecture & Interior Design, Antalya, Türkiye

This Radisson Hotel project is tied to Ka?, a district of Antalya known for its turquoise sea, natural beauty and historical ruins. The design began with an analysis of the region’s topographic and cultural areas. Inspired by ancient Lycian granaries and the monumental architecture of Antiphellos, the design incorporates natural stone façade cladding, traditional tiles and wooden joinery. The goal was to offer a lodging experience that feels private and comfortable, akin to the comfort of one’s home, while providing beautiful social opportunities in common areas without losing touch with greenery, nature and simplicity.

The project respects the region with its low-rise, spacious and human-scale designs that blend with the natural environment. Emphasis is placed on natural ventilation and air conditioning features, using earth tones to reflect the local colors and textures. Landscaping with the region’s natural vegetation in pathways and common spaces ensures a continuous connection with nature. Radisson Hotel Ka? is more than a hotel; it’s an experience where guests can immerse themselves in the spirit, history and nature of Ka?.


FORT & PORT

By Heesoo Kwak + IDMM Architects, Yeosu-si, South Korea

FORT & PORT offers stunning views to the northwest and southwest. The northwest view showcases Yeosu City around Jonggo-Mountain, with Marae-Mountain and Jasan Park along the coastal plain. The southwest view contrasts Seguji Village with the South Sea, creating an attractive city skyline. Known for its beautiful night sea, Yeosu became a prominent marine tourist destination in 2012, highlighted by Odongdo Island, maritime bridges and the Dolsan strait.

The complex layout includes a tower-type zone for enjoying city views and a single accommodation zone for recreation. The tower zone features a reception room, city-view accommodations and terraces for outdoor dining and parties. The exterior spa mass facing the terrace ensures privacy and offers a unique facade. The lounge cafe and swimming pools are accessible to both guests and cafe users, with the rooftop designed to provide panoramic views like a ship’s deck. The lower level of the cafe features an Infinity Pool with views of the city’s skyline, while the surrounding areas offer spaces for sunbathing and recreation, allowing guests to enjoy the vibrant sunset over Yeosu.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

The post Paradise Found: 5 Artful Examples of Place-Based Hotel and Resort Design appeared first on Journal.

Timber Tech: MGA’s Google HQ Offers a Total Vision for New Green Architecture

The jury and the public have had their say — feast your eyes on the winners of Architizer's 12th Annual A+Awards. Subscribe to our Awards Newsletter to receive future program updates.

Right now, the British Standards Institute (BSI), Colombia’s ICONTEC, and experts from around 170 national standards agencies have a huge job on their hands. An independently verifiable system for measuring net zero needs to be presented at COP30 next year, and the lay of the land today is a mixture of confusion, chaos and confidence tricks. At best, the ‘carbon market’ has had a turbulent time over the past decade. Meaningless credits have done enough to damage trust in a sector most people have never fully understood, and even buying legitimate offsets raises massive questions about overall legitimacy. 

How can we ever hope to rebalance our planet’s atmospheric content, necessary for it to continue supporting life over the coming millennia, if we’re not actually addressing the root cause? Instead, we’re paying into piecemeal projects as part of a broader corporate social responsibility directive, which is also part of a sales angle. Without sounding cynical, it’s easy to feel very cynical. 

However, a singular truth is always worth remembering — everything we build from here on should use as few resources as possible, using the most environmentally friendly materials and processes. This is an approach the famously climate-aligned MGA | Michael Green Architecture took for Google’s new home in Sunnyvale, California. A strikingly angular five-story office building, like the BSI, faced a monumental challenge helping bring down the sizeable footprint of a tech giant while also setting new standards in the architecture industry  — for biophilic and structural design, construction techniques, material sourcing and carbon reduction.

Google Borregas by MGA | Michael Green Architecture, Sunnyvale, California | Jury and Popular Choice Winner, Architecture +Workspace; Jury Winner, Architecture + Wood, 12th Annual A+Awards

The pilot project is the fruit of five years of rigorous research and development alongside Google, in collaboration with SERA Architects and XL construction. A departure from its typical steel, glass and concrete neighbors in Silicon Valley, MGA has used mass timber, timber-glass, cross-laminated timber and glulam throughout their LEED Platinum structure (materials we’ve featured numerous times in projects boasting comparatively low embodied carbon). Overall, a whole-building life cycle analysis has shown that the project’s global warming potential is 47% lower than the baseline and 96% lower when biogenic carbon sequestration is accounted for.

An ‘envelope’ filter system featuring closed-cavity skin, wooden blinds and high performance glass means temperature and light levels are responsive and climate control comes with a reduced energy footprint. Analysis of energy and daylighting informed the building massing and façade at a 35% reduction from baseline. The amount of natural light flooding in also forms part of wider biophilic design principles primarily employed for staff welfare and wellbeing — another being the siting, in a quiet landscape of local fauna, with the intention of building a connection between employees and nature. Again, it’s a case of what’s better for the planet is better for us, too.

Google Borregas by MGA | Michael Green Architecture, Sunnyvale, California | Jury and Popular Choice Winner, Architecture +Workspace; Jury Winner, Architecture + Wood, 12th Annual A+Awards

As MGA Principal Natalie Telewiak put it, the project “promotes health, connects to nature, and addresses the global need for repeatable, affordable, and sustainable new buildings.” This scalable solution is an ambitious effort on the part of the Vancouver-based firm to create a prototype for more sustainable — in an expanded and conscientious use of the term — workplaces in the future.

Natural materials are blended perfectly with views over surrounding landscapes the building actively complements with its earthy, timber look and feel. Cantilevers create covered areas, speaking to the less uniform aesthetics we find everyday in nature. This variety is mirrored on the inside, where mixed single and double height areas connect through a four story atrium. Here, daylight is again used to maximum effect with a timber-glass skylight accentuating the feeling of not quite being indoors.

Google Borregas by MGA | Michael Green Architecture, Sunnyvale, California | Jury and Popular Choice Winner, Architecture +Workspace; Jury Winner, Architecture + Wood, 12th Annual A+Awards

Reuse and circularity are also high on the agenda, serving as a reminder that redesigning, redeveloping and renovating alone are not enough to redeem a carbon-addicted industry; while better than demolition, an entirely new way of thinking about sustainability is required. So many buildings desperately need bringing up to modern efficiency and sustainability standards, and if not done in a future-oriented manner, retrofitting will surely be required again later on. Not so at Google Borregas; the tech company’s commercial flagship has essentially been future-proofed.

Floor plans are made to be fully reconfigured and so can be adapted to suit myriad purposes and phases of the business cycle, a decision that speaks to the green agenda as much as an understanding that in industries like tech staffing levels can fluctuate wildly. New departments will be born, deep recessions will hit again in the future.

Timber detailing at Google Borregas by MGA | Michael Green Architecture, Sunnyvale, California | Jury and Popular Choice Winner, Architecture +Workspace; Jury Winner, Architecture + Wood, 12th Annual A+Awards

There are greater challenges at play here, too. MGA’s blueprint reflects a major corporation taking responsibility for the footprint of its estate, and the mental and physical health of staff — values that are both symbolized and enacted in the building’s plan and functions. Of course, the fusing of nature with technology is also symbolic. These ideas can sometimes feel at odds with multinational globalized business culture as a whole, and if there’s a lot of ground to make up in the court of public opinion for companies with more GDP than entire nations, there’s an even bigger hill to climb in terms of perceptions of environmental accountability.

At Google, this is particularity pronounced. The onset of AI has sent energy consumption soaring across the sector, and according to Bloomberg the company is now warming the planet 48 times faster than it was in 2019 — a rate which, without serious interventions, is only going to increase exponentially as a relativity nascent tech field becomes increasingly mainstream and widely used. The firm’s plan to run on 100% green energy by 2030 is just one example of steps being taken, as is the new approach to carbon budgeting.

Atrium inside Google Borregas by MGA | Michael Green Architecture, Sunnyvale, California | Jury and Popular Choice Winner, Architecture +Workspace; Jury Winner, Architecture + Wood, 12th Annual A+Awards

Yet, this year, for the first time since 2007, Google is no longer carbon neutral. Given the rapid rise in its energy use, it’s alarming to think the company could have claimed such status until this year, emphasizing how skewed current net zero measurements can be. The decision at board level to stop using offsets and instead deal with actual emissions, with Google Borregas contributing to this reduction, definitely isn’t the norm. But it is also a shrewd move.

One of the reasons the BSI and its affiliates are working on a net zero standardization is because of the complexity of gauging corporate impact. Without a standard we will never accurately set targets. And if that standard is fit for purpose, once it has been adopted there will be few options left for companies other than direct reduction.

Though MGA has long been a leader in addressing architecture’s green shortcomings, by taking a holistic approach to sustainability by addressing embodied and operational carbon, energy reduction and renewables, Google Borregas provides a repeatable template for flexibility and long life that, just like the tech giant whose headquarters it houses, also sets new standards for their peers in the architecture industry.

The jury and the public have had their say — feast your eyes on the winners of Architizer's 12th Annual A+Awards. Subscribe to our Awards Newsletter to receive future program updates.

The post Timber Tech: MGA’s Google HQ Offers a Total Vision for New Green Architecture appeared first on Journal.

25 Best Architecture and Design Firms in Paris

Paris is arguably one of the most romanticized cities in Europe and potentially the world. Its architectural history is rich, influenced by an array of architectural styles — from being the birthplace of Gothic structures to the renowned Belle Époque and the Art Deco movement. During the 19th century, one of the biggest urban planning programs was initiated by Napoleon III and directed by architect Georges-Eugène Haussmann: the city’s medieval neighborhoods were demolished, creating wider boulevards, new infrastructural systems as well as uniform façades aimed at dealing with Paris’s overcrowding, diseases and criminality rates.

In the 1980s, the “grands travaux” concept reimagined the city once more by introducing contemporary landmarks that have “moved” Paris to the next millennium, turning it into a hub of architectural innovation. Today, by blending historic preservation with contemporary design, famous architects like Frank Gehry and Herzog & de Meuron have added new, modern landmarks, including the futuristic Fondation Louis Vuitton and the strikingly modern Tour Triangle, that respond to the current architectural, social and environmental setting.

With so many architecture firms to choose from, it’s challenging for clients to identify the industry leaders that will be an ideal fit for their project needs. Fortunately, Architizer is able to provide guidance on the top design firms in Paris based on more than a decade of data and industry knowledge.

How are these architecture firms ranked?

The following ranking has been created according to key statistics that demonstrate each firm’s level of architectural excellence. The following metrics have been accumulated to establish each architecture firm’s ranking, in order of priority:

  • The number of A+Awards won (2013 to 2024)
  • The number of A+Awards finalists (2013 to 2024)
  • The number of projects selected as “Project of the Day” (2009 to 2024)
  • The number of projects selected as “Featured Project” (2009 to 2024)
  • The number of projects uploaded to Architizer (2009 to 2024)

Each of these metrics is explained in more detail at the foot of this article. This ranking list will be updated annually, taking into account new achievements of Paris architecture firms throughout the year.

Without further ado, here are the 25 best architecture firms in Paris:


25. Architecturestudio

© Architecturestudio

© Architecturestudio

Architecturestudio is an international architecture, urban planning and interior design practice founded in 1973, with offices in Paris, Shanghai and Zug. It brings together, around 13 partners, a multidisciplinary team of 150 people of 25 different nationalities. Its commitment to promoting architecture is reflected in a collective work that has won numerous distinctions. Architecturestudio is founded on shared knowledge and dialogue to increase the creative potential of a collective design. This approach promotes a plural understanding of the world, which achievements for more than forty years on 5 continents allow it to respond to the major challenges of the 21st century.

Architecturestudio relies on a wide expertise of projects carried out to develop its conceptual approach, responding to specific challenges for each case study.

Some of Architecturestudio’s most prominent projects include:

The following statistics helped Architecturestudio achieve 25th place in the 25 Best Architecture Firms in Paris:

Featured Projects 5
Total Projects 15

24. Antonini Darmon Architects

© Laurent Desmoulins

© Laurent Desmoulins

We founded the agency Antonini Darmon Architects in Paris in 2006. Our creative system was born from the partnership of two complementary yet different personalities. We aim to propose an original architectural interpretation, where each project follows a path having its own identity and dynamics. Our architecture is contextual: functionality, rigor and sobriety are combined in order to transform the project into an object of beauty. We are more especially dedicated to the new architectural and urban stakes involved with sustainable development.

Some of Antonini Darmon Architects’s most prominent projects include:

The following statistics helped Antonini Darmon Architects achieve 24th place in the 25 Best Architecture Firms in Paris:

A+Awards Finalist 1
Featured Projects 5
Total Projects 10

23. Avenier Cornejo Architectes

© Avenier Cornejo Architectes

© Avenier Cornejo Architectes

Miguel Cornejo was born in Santiago, Chile and studied architecture in France (Paris Malaquais). He worked for Mathias Klotz (Santiago, Chile), Francois Roche (R & Sie (n)) and with other agencies such as XTU Paris, Jacques Ferrier & Galiano & Simon. Christelle Avenier, graduated from the School of Architecture Malaquais Paris and subsequently worked in various agencies including Deremer Architect Douglas (San Francisco, USA) & Mathias Klotz (Santiago, Chile).

After graduating with honors, they were short listed for the Robert Auzelle prize «Lumières de la Ville» and won funding from Electra (EDF) in 2000 for a project in Valparaiso, Chile. Christelle Avenier and Miguel Cornejo founded an architecture agency (SARL) together in 2008. Their approach is inventive, without preconceptions or prejudices.

Some of Avenier Cornejo Architectes’s most prominent projects include:

The following statistics helped Avenier Cornejo Architectes achieve 23rd place in the 25 Best Architecture Firms in Paris:

A+Awards Finalist 1
Featured Projects 6
Total Projects 7

22. Chartier Dalix

© Chartier Dalix

© Chartier Dalix

ChartierDalix, architecture is envisaged as a built system combining the means to welcome life, poetry, and the commons. Whatever the purpose of the building, our main objective is to offer generous spaces, a quality of life and pleasurable places to be in. In our opinion, architecture is above all linked to the senses, to the human and to nature, it accompanies society and participates in its evolution.

We are convinced that it is important to strengthen the commons, just as in an ecosystem where everything plays a role. As in a garden, there is always something more to do for those who come.

Some of Chartier Dalix’s most prominent projects include:

The following statistics helped Chartier Dalix achieve 22nd place in the 25 Best Architecture Firms in Paris:

A+Awards Finalist 1
Featured Projects 6
Total Projects 10

21. CUT architectures

© CUT architectures

© CUT architectures

Our practice as a 4 hands design studio started in 2005 and we founded our company CUT architectures in 2008. CUT, 3 letters standing for our aim to contrast deeply with the conformist Parisian Architectural practice and the expected positions and trends. Breaking the boundaries between architecture, urbanism, interior design & art we are taking the inherent qualities of every of these fields in order to initiate inspiring hybrid projects.

We don’t make hierarchical distinctions between an art installation, a piece of furniture, a shop, a flat, a set design, a house or a building and put the same effort with the same process: we first search for the optimal plan layout and the most effective section and we then implement the material which is the key to a project for us. Through material we create, reinterpret, divert, innovate.

Stainless steel, expanded metal or wood take part of the aesthetic aspect of a building as much as they are important for their inherent properties. This close relation to the material, the building elements and building processes are the guaranty of our knowledge of construction costs and the keeping of a budget.

We have a strong knowledge in project management from our former professional careers which we used and developed for our own practice. We are working on projects for municipalities and public housing developers.

Some of CUT architectures’s most prominent projects include:

The following statistics helped CUT architectures achieve 21st place in the 25 Best Architecture Firms in Paris:

Featured Projects 6
Total Projects 11

20. BFV ARCHITECTES

© BFV ARCHITECTES

© BFV ARCHITECTES

BFV Architectes is an architecture studio funded by Jean Bocabeille, Olivier Fassio and Jean-Brice Viaud.This acronym stands for more than 20 years of experience. It embodies both a historical continuity and a strong desire to grow together and broaden the scope of action. The idea of creating a new practice was obvious to the three men, as much as their will to keep building a consistent, efficient and meaningful kind of architecture. Bocabeille, Fassio and Viaud’s projects have been carried out either as collective journeys ([BP] Architectures, Plan01 or Fassio-Viaud Architectes) or individual adventures (Jean Bocabeille Architecte).

Some of BFV ARCHITECTES’s most prominent projects include:

The following statistics helped BFV ARCHITECTES achieve 20th place in the 25 Best Architecture Firms in Paris:

Featured Projects 6
Total Projects 13

19. Architecture Patrick Mauger

© D. Boy de la Tour

© D. Boy de la Tour

The agency contributes to the transformation of the city, designing buildings that enrich life by multiplying their possible uses. The fields of activity are highly varied, ranging from urban spaces with studies to modify the reception areas in the Cité des Sciences et de l’Industrie and the northern Vilette esplanade (definition study) to interior architecture and design for the new layouts of the Louvre museum restaurants and delivery of the first “monolith”, inspired by an lfood on the terraces of the Richelieu wing. Through their uses, contexts and budgets, the projects reveal a strong personality and are characterised by the emphasis on materials, such as marble powder on a honeycomb structure and Corian for the Louvre, or The Arte Povera treated wood for the CROUS centre in Mabillon.

Some of Architecture Patrick Mauger’s most prominent projects include:

The following statistics helped Architecture Patrick Mauger achieve 19th place in the 25 Best Architecture Firms in Paris:

Featured Projects 6
Total Projects 20

18. Dorell.Ghotmeh.Tane / Architects (DGT)

© Dorell.Ghotmeh.Tane / Architects (DGT)

© Dorell.Ghotmeh.Tane / Architects (DGT)

DORELL.GHOTMEH.TANE / ARCHITECTS is a partnership founded in January 2006 in Paris and practicing Architecture, Urbanism and Space Design.

Some of Dorell.Ghotmeh.Tane / Architects (DGT)’s most prominent projects include:

The following statistics helped Dorell.Ghotmeh.Tane / Architects (DGT) achieve 18th place in the 25 Best Architecture Firms in Paris:

A+Awards Finalist 3
Featured Projects 5
Total Projects 9

17. PCA-STREAM

© PCA-STREAM

© PCA-STREAM

The PCA-STREAM agency brings together 90 architects, urban planners, designers, and engineers, capable of responding to the complex challenges of the contemporary world. PCA is the architecture and urban planning agency, STREAM, a unique transdisciplinary research program to which more than 150 researchers from around the world contribute, and whose work is widely disseminated and applied in PCA’s large-scale projects.

Some of PCA-STREAM’s most prominent projects include:

The following statistics helped PCA-STREAM achieve 17th place in the 25 Best Architecture Firms in Paris:

A+Awards Winner 1
A+Awards Finalist 1
Featured Projects 5
Total Projects 16

16. Dubuisson

© Dubuisson

© Dubuisson

Dubuisson is an architecture agency, based in Paris, Nice and Nantes. With an international and multidisciplinary team, it has around fifty employees: architects, interior des igners and engineers.The complementarity and transversality of its skills guarantee a project of high architectural quality, integrated and sustainable. Dubuisson designs and supports projects in all environments – tertiary, housing, retail, facilities – and in all dimensions of architecture: from town planning to furniture.

Some of Dubuisson’s most prominent projects include:

The following statistics helped Dubuisson achieve 16th place in the 25 Best Architecture Firms in Paris:

A+Awards Winner 1
A+Awards Finalist 1
Featured Projects 8
Total Projects 19

15. NZI Architectes

© NZI Architectes

© NZI Architectes

We founded the NZI ARCHITECTES agency in 2012. Our association is based on a project approach by creative, complementary and participatory experimentation. Fervent activists for environmental innovation, our work is based on the search for contextual urban insertions, paying constant attention to sustainable development. We are lucky to be able to work on atypical programs that range from participatory housing to straw construction, but also from wood construction to the recycling of offices into housing.

This journey, enriched by the diversity of solutions we experience on programs, requires us to be combative to get out of the pre-established standards. Our work is oriented towards the exploration of other and innovative techniques.

Some of NZI Architectes’s most prominent projects include:

The following statistics helped NZI Architectes achieve 15th place in the 25 Best Architecture Firms in Paris:

A+Awards Winner 1
A+Awards Finalist 2
Featured Projects 4
Total Projects 5

14. GARDERA-D

© GARDERA-D

© GARDERA-D

GARDERA-D is a pluridisciplinary architecture agency established in Paris and Biarritz, France. The agency explores a wide scope of investigation and responds to a varied demand for projects, ranging from architecture (housing, workplaces, teaching, equipment ) to interior design and object design.

Each project is approached and studied in a specific way, according to an approach based specifically on a particular attention to usages of buildings and the search for an optimum level in the relationship between architecture and location.

Some of GARDERA-D’s most prominent projects include:

The following statistics helped GARDERA-D achieve 14th place in the 25 Best Architecture Firms in Paris:

Featured Projects 6
Total Projects 8

13. PETITDIDIERPRIOUX

© Sergio Grazia

© Sergio Grazia

Cédric Petitdidier and Vincent Prioux founded Petitdidierprioux Architectes in 2004. With more than forty staff and two offices in Paris and Lyon, PPX has completed more than forty projects, with just as many currently in development and in construction. Through its work, PPX has garnered expertise in residential housing, consistently striving for social mixing and ‘pleasurable density’ in an effort to reconcile individual and collective housing, including for high-rise buildings. Each project delivers thoughtful consideration of typological variations and the notion of comfort, through particular attention to context, orientation, materials and energy use.

PPX makes understanding any new situation the starting point of its process, and approaches each project free of preconceptions, always with a fresh, yet seasoned perspective.

Some of PETITDIDIERPRIOUX’s most prominent projects include:

The following statistics helped PETITDIDIERPRIOUX achieve 13th place in the 25 Best Architecture Firms in Paris:

A+Awards Winner 1
A+Awards Finalist 1
Featured Projects 4
Total Projects 13

12. Mikou Design Studio

© Mikou Design Studio

© Mikou Design Studio

Mikou Design Studio is a place of creation and experimentation in architecture and its inter-disciplinary cross-fertilisation. We work in a continuous workshop spirit with a multidisciplinary team of architects, engineers, graphic artists, scenographers and town planners from very different cultural backgrounds. Every project is an excuse for re-questioning and redefining the meaning of a brief, a function, and an urban, social and human context, in order to invent new ways of living, places for sharing and gathering that are more sensitive and more sensual, and which stimulate feelings. Our aim is to get away from preconceptions of form and function in order to transmit more and better.

Some of Mikou Design Studio’s most prominent projects include:

The following statistics helped Mikou Design Studio achieve 12th place in the 25 Best Architecture Firms in Paris:

Featured Projects 7
Total Projects 14

11. STUDIO RAZAVI + PARTNERS

© STUDIO RAZAVI + PARTNERS

© STUDIO RAZAVI + PARTNERS

Our work rests on a fundamental principal: the mediation between engineering & architectural culture. It is our belief that successful designs can only materialize by fully synthesizing building technology and architectural sensitivity. Our approach to space is hence determined by a rigorous understanding of existing relationships between technique and culture, free of stylistic limitations, open to context.

Our designs cover a wide spectrum or architectural services from interiors to master planning services for clients in both the public and private sectors. Operating as one firm with two offices (Paris and New York) our portfolio of works spans from Europe to the Americas and includes residential, corporate, hospitality, civic, transportation, and mixed-use projects.

Some of STUDIO RAZAVI + PARTNERS’s most prominent projects include:

The following statistics helped STUDIO RAZAVI + PARTNERS achieve 11th place in the 25 Best Architecture Firms in Paris:

A+Awards Winner 1
A+Awards Finalist 1
Featured Projects 6
Total Projects 16

10. Nomade Architectes

© Nomade Architectes

© Nomade Architectes

Raphaël Chivot, Matthieu Laviolle and Vincent Le Garrec – open-neck shirts and no Rolexes – are self-made men. An early schoolboy encounter was important; a sail together across the Atlantic, decisive. An agency was born first from camaraderie, then friendship: Nomade… all clear on the horizon and open-mindedness at a maximum. Which means, no borders. Between Paris and Vannes (its two locations) the agency specializes in all projects. And it works everywhere. Nomade moves and grows.

Ideas swarm in the inventive minds of some thirty faithful co-workers who have taken to organizing themselves around centers of interest, from design to the worksite via research, communication and even computer science.

Some of Nomade Architectes’s most prominent projects include:

The following statistics helped Nomade Architectes achieve 10th place in the 25 Best Architecture Firms in Paris:

Featured Projects 7
Total Projects 15

9. Atelier Roberta

© Atelier Roberta

© Atelier Roberta

Roberta is a creature with three heads. Three backgrounds, three skills, three landscape practices united in a single vision of the project. Roberta pays very specific attention to sites and territories. She relies on her intuition and extensive field experience to open up new avenues for further study. She likes to travel, by train or by road. Every project is new. Roberta has no preconceptions, and hates recipes. She always asks herself the question of practicality, how to bring a designed project to life, and how to make it her own. She is also sensitive to new materials and technologies, and to innovations taking place on the other side of the border.

Some of Atelier Roberta’s most prominent projects include:

The following statistics helped Atelier Roberta achieve 9th place in the 25 Best Architecture Firms in Paris:

A+Awards Winner 2
Featured Projects 7
Total Projects 12

8. Moussafir Architectes

Born on October 15, 1957 in Katanga (ex-Belgian Congo) to an architect father. Family origins in Rhodes and Salonika. First architectural memories of the family home in Elisabethville, designed by Julian Elliott in 1957 and published in Udo Kultermann’s “New Architecture in Africa”. Studied architecture and art history under Roland Schweitzer, Yves Lion and Alain Pélissier at the Ecole d’Architecture de Paris-Tolbiac and Daniel Arasse at the Université Paris I Sorbonne. DPLG in 1993, founded Moussafir Architectes the same year, after 10 years of training and practice with Christian Hauvette, Henri Gaudin, Dominique Perrault and Francis Soler. First interior design projects (Apostrophe and IGAS headquarters, administrative departments of the Conseil d’Etat), then participation in numerous cultural competitions, alone or in association.

Some of Moussafir Architectes’s most prominent projects include:

The following statistics helped Moussafir Architectes achieve 8th place in the 25 Best Architecture Firms in Paris:

A+Awards Winner 2
A+Awards Finalist 1
Featured Projects 7
Total Projects 6

7. Franklin Azzi Architecture

© Franklin Azzi Architecture

© Franklin Azzi Architecture

Franklin Azzi and his practice, founded in 2006, develop a transversal approach stimulated by the intertwining of different views and disciplines. In constantly working on architecture, interior architecture, design and contemporary art, he develops a way of designing and building that is applicable to all scales and typologies of space.

From urban micro-architecture such as embodied by the Eiffel Kiosque and its prefabricated structure, to towers in Dubai and Paris, via conversions of existing buildings such as the Alstom market buildings in Nantes, his interventions are based on a quest for sustainability to meet the needs of all users.

Some of Franklin Azzi Architecture’s most prominent projects include:

The following statistics helped Franklin Azzi Architecture achieve 7th place in the 25 Best Architecture Firms in Paris:

A+Awards Winner 1
A+Awards Finalist 2
Featured Projects 9
Total Projects 27

6. LAN Architecture

(c) Jean-Marie Monthiers - © LAN Architecture

(c) Jean-Marie Monthiers - © LAN Architecture

LAN Architecture was founded by Benoit Jallon and Umberto Napolitano in 2002. The agency’s name echoes the partners’ intentions directly.  LAN is precisely the acronym of Local Architecture Network and it refers to the local design network applied and developed through specific field skills, experts and authors attending on the projects.The double nationality of LAN enables to bridge different European countries. In 2004 LAN architecture work was selected by the French Culture Minister for the “Nouveaux Albums des Jeunes Architectes” for its potential and talent. In six years time, the agency has earned a reputation and won competitions both in France and abroad.

Some of LAN Architecture’s most prominent projects include:

The following statistics helped LAN Architecture achieve 6th place in the 25 Best Architecture Firms in Paris:

Featured Projects 9
Total Projects 25

5. Hamonic+Masson & Associés

© Sergio Grazia

© Sergio Grazia

Hamonic+Masson & Associés is Gaëlle Hamonic, Jean-Christophe Masson and, since 2014, Marie-Agnès de Bailliencourt, partner. The firm was founded in 1997, and was nominated for the Mies van der Rohe award in 2001 and awarded the Nouveaux Albums de la Jeune Architecture (Naja) in 2002.

The agency came to the attention of the general public in 2003 with the design of the Maison Métal, exhibited in the Parc de la Villette. This event placed it at the confluence of art and architecture, a flexible space that allowed for some exciting adventures and inaugurated a series of exhibitions and scenographies: co-curator of the French Pavilion at the Venice Biennale in 2008 as part of the French Touch collective, Cité de l’Architecture et du Patrimoine, etc.

Some of Hamonic+Masson & Associés’s most prominent projects include:

The following statistics helped Hamonic+Masson & Associés achieve 5th place in the 25 Best Architecture Firms in Paris:

Featured Projects 10
Total Projects 16

4. h2o architectes

© Julien Attard

© Julien Attard

h2o architectes is an office of creative architectural design also specializing in the restoration of ancient monuments. It is lead by three architects: Charlotte Hubert architect dipl. DPLG and historical preservation architect, Jean-Jacques Hubert architect dipl. DPLG founder of the office and Antoine Santiard architect dipl. EPFL who joined in 2008.

Established as a firm in 2005, the leading architects have had multiple collaborations since 2000. They have executed projects and won international competitions both as independent architects as well as for other major architects (Bruno Decaris, Jakob+MacFarlane, Bernard Tschumi). h2o works on a wide scope of projects and scales including historical monuments and sites, urban planning, architecture and design.

Some of h2o architectes’s most prominent projects include:

The following statistics helped h2o architectes achieve 4th place in the 25 Best Architecture Firms in Paris:

Featured Projects 10
Total Projects 17

3. FREAKS freearchitects

© FREAKS freearchitects

© FREAKS freearchitects

freearchitects is a Paris-based architecture firm lead by three architects favouring prospection, research and experimentation through projects and building process practices from small scale art installations to large scale architecture competitions. Although nowadays their built projects are mostly located in France, FREAKS’s partners have lived and experienced a wide range of abroad working contexts such as San Francisco, Tokyo, Beijing, Berlin, Mumbai, Singapore & Istanbul.

Some of FREAKS freearchitects’s most prominent projects include:

The following statistics helped FREAKS freearchitects achieve 3rd place in the 25 Best Architecture Firms in Paris:

A+Awards Finalist 1
Featured Projects 13
Total Projects 19

2. Atelier Zündel Cristea

© Atelier Zündel Cristea

© Atelier Zündel Cristea

Officially established in January of 2001, today AZC includes around thirty people organized into four areas: design, research, construction, and administration of projects. Our teams are made up of young architects from all over the world, as the diversity of our own respective Swiss-American and Romanian origins has brought us to an understanding of the interest in crossing cultures and transgressing boundaries. Consequently, the efficiency and creativity of our firm are bolstered by a constant effort in observing what’s going on elsewhere, in striving to work outside our country, in taking an interest in differences.

Each of our projects are embodied by a strategy of qualitatively occupying sites, without preconceptions regarding their geographic location, their programmatic requirements, or their scale.

Some of Atelier Zündel Cristea’s most prominent projects include:

The following statistics helped Atelier Zündel Cristea achieve 2nd place in the 25 Best Architecture Firms in Paris:

A+Awards Winner 1
Featured Projects 13
Total Projects 50

1. Atelier du Pont

© Atelier du Pont

© Atelier du Pont

Atelier du Pont is a multipolar agency that combines public and private projects, architecture and town planning, interiors and exteriors, and reinvents itself with each new commission and encounter, developing an individual response to each specific context. This is a creative, serious, subtle interplay using a wide variety of colours, materials and styles to create spaces that are appropriate and imaginative, both outside time and of their time, life-enhancing for their users and inspiring for their designers. Since the agency was established, it has completed a range of public facilities all over France and built a large number of housing projects for social funding agencies and private property developers.

Some of Atelier du Pont’s most prominent projects include:

The following statistics helped Atelier du Pont achieve 1st place in the 25 Best Architecture Firms in Paris:

A+Awards Winner 1
A+Awards Finalist 3
Featured Projects 16
Total Projects 30

Why Should I Trust Architizer’s Ranking?

With more than 30,000 architecture firms and over 130,000 projects within its database, Architizer is proud to host the world’s largest online community of architects and building product manufacturers. Its celebrated A+Awards program is also the largest celebration of architecture and building products, with more than 400 jurors and hundreds of thousands of public votes helping to recognize the world’s best architecture each year.

Architizer also powers firm directories for a number of AIA (American Institute of Architects) Chapters nationwide, including the official directory of architecture firms for AIA New York.

An example of a project page on Architizer with Project Award Badges highlighted

A Guide to Project Awards

The blue “+” badge denotes that a project has won a prestigious A+Award as described above. Hovering over the badge reveals details of the award, including award category, year, and whether the project won the jury or popular choice award.

The orange Project of the Day and yellow Featured Project badges are awarded by Architizer’s Editorial team, and are selected based on a number of factors. The following factors increase a project’s likelihood of being featured or awarded Project of the Day status:

  • Project completed within the last 3 years
  • A well written, concise project description of at least 3 paragraphs
  • Architectural design with a high level of both functional and aesthetic value
  • High quality, in focus photographs
  • At least 8 photographs of both the interior and exterior of the building
  • Inclusion of architectural drawings and renderings
  • Inclusion of construction photographs

There are 7 Projects of the Day each week and a further 31 Featured Projects. Each Project of the Day is published on Facebook, Twitter and Instagram Stories, while each Featured Project is published on Facebook. Each Project of the Day also features in Architizer’s Weekly Projects Newsletter and shared with 170,000 subscribers.

 


 

We’re constantly look for the world’s best architects to join our community. If you would like to understand more about this ranking list and learn how your firm can achieve a presence on it, please don’t hesitate to reach out to us at editorial@architizer.com.

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