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From Displacement to Dignity: Rethinking the Architecture of Shelter as Essential Homes

The jury and the public have had their say — feast your eyes on the winners of Architizer's 12th Annual A+Awards. Subscribe to our Awards Newsletter to receive future program updates.

What are your property priorities? Which non-negotiables guide you when designing homes? What do we actually need in a house?

For 1.6 billion people worldwide, the answer is startlingly simple — better shelter than the inadequate accommodation they currently have. Not least the 103 million globally displaced through war, famine, natural disasters and economic crises living in makeshift homes, from run-down British hotels to frontline refugee camps. A figure that’s growing by the day as humanitarian flashpoints from Afghanistan to South Sudan, Palestine to Ukraine, Venezuela to Rakhine continue to force innocent civilians to abandon all they know and move in the hope of finding safety.

Architects have long been trying to develop alternatives to the temporary accommodation solutions that define refugee camps. Many of these settlements surpass their limited intended shelf life, with the United Nations High Commissioner for Refugees [UNHCR] reporting on generations being born into hastily erected villages, which quickly swell into towns. Countless adults have now spent decades without a permanent place to call their own. Kutupalong, Bangladesh, currently the world’s largest refugee camp, is now home to over 785,000 people.

Entrance to the prototype for Essential Homes by Norman Foster Foundation and Holcim

The Jury Winner in Architecture + Innovation at the 2024 Architizer A+ Awards, the Norman Foster Foundation and Holcim‘s Essential Homes research project is the latest blueprint hoping to change conditions for the better. Presented for the first time at least year’s Venice Architecture Biennale as a full-scale prototype, each 580 square feet (54-square meter) home costs €20,000 to complete, can be adapted to suit a variety of situations, and is created from lightweight, low-cost materials that are easy to produce and transport, and are easy on the environment.

Low-carbon, rollable concrete sheets serve as the external shell, providing robust protection from the elements outside. Modular in design, the concept can be adapted and expanded in response to a multitude of changing needs, with foundations made from recycled construction aggregate materials. A combination of used and decommissioned bits from other projects, putting circularity front-and-centre — a major win given waste from camps is an ecological disaster in itself.

The social and humanitarian impact of the Essential Homes research project is undoubtedly impressive, as are the eco top lines. Each structure will produce 5.9 tonnes of CO2 emissions, a significant reduction — no less than 70% — on the 19.9 tonnes created from an average brick-and-mortar home. Insulation adds to the efficiency rating, with boards and low-carbon aerated concrete foam helping bring down noise pollution and manage interior climate, particularly thermal retention.

But ultimately, where Essential Homes really shine is in their less tangible properties. The zeitgeist of what makes a house a home, and a shelter something more personal. These rightly award-winning designs call to mind numerous iterations of the tiny home, many of which were not conceived to answer demand for emergency refuge following devastating events.

When erected en masse, Essential Homes masterplans begin to look like more familiar suburban residential neighborhoods, permeable pathways connecting each individual residence. Their light-absorbing properties emitting natural luminosity at night, another aspect bringing energy consumption down while contributing towards camp safety after dark — sadly a major issue in many of these self-contained diaspora societies.

Prototype of Essential Homes in a suburban setting with external greening and permeable pathways by Norman Foster Foundation and Holcim

The concept has already evolved from a single occupancy iteration to row house version, proving it could be appropriated for both urgent response needs and the more malignant slow creep of low cost housing shortages evident everywhere from Europe to the Far East, US to sub-Saharan Africa. And it won’t be long until we begin to see what the impact looks like at scale.

Less than two years after its debut in Venice, and following this summer’s working prototype at the Royal Academy of Arts Summer Exhibition in London, Essential Homes are now about to be used in practice. A roll out is planned for South America in 2025, bringing with it an opportunity to turn the dream of a more sustainable, durable and — crucially — dignified place to live for hundreds of thousands of the world’s most vulnerable people into a reality. Perhaps not a cause for celebration — we are still failing to address the root causes catalysing this design — nevertheless this is a shining example of architecture focused on the good of humanity.

The jury and the public have had their say — feast your eyes on the winners of Architizer's 12th Annual A+Awards. Subscribe to our Awards Newsletter to receive future program updates.

The post From Displacement to Dignity: Rethinking the Architecture of Shelter as Essential Homes appeared first on Journal.

Tirana’s Radical Transformation: How Albania’s Capital is Defying Tradition and Rewriting Its Future

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

I’ve only visited Albania once, around 2006 or so, on a family vacation. Having been just a kid, only two things left a lasting impression on me: the beautiful seaside and the sheer number of bunkers scattered everywhere. At the time, it was just an odd observation, but looking back now, it speaks to the country’s lingering signs of its difficult past (it’s safe to say that my conclusion as a kid wasn’t this poetic).

Now, as both an adult and an architect, it’s fascinating to witness Tirana’s fast urban growth and the fact that it’s drawing in renowned architects and firms to create new landmarks. For anyone coming from the Balkans, this kind of rapid transformation feels almost surreal. The region saw significant setbacks in the 1990s, with political instability and economic struggles following the transition from communism. Yet, Tirana is now defying these challenges, leading a new wave of urban development that is rewriting its future.

So, how did this come about? After the fall of Enver Hoxha’s regime in the early 1990s, Albania began to slowly open up to the world, but progress remained gradual. It wasn’t until when the economy started to grow in the 2000s that Tirana’s leadership made urban development a key priority. The focus shifted toward improving the city’s infrastructure, modernizing public spaces and rethinking its layout to meet the needs of a growing population.

This article will take a closer look at the projects and landmarks that aim to redefine Tirana’s skyline and turn it into a modern city on the rise.


Tirana 2030 Master Plan

By Stefano Boeri Architects, Tirana, Albania

First things first — urban planning! Stefano Boeri’s Tirana 2030 Master Plan aims to transform the city with a focus on sustainability and urban greenery. The plan calls for tripling green spaces by planting two million trees in an orbital forest around Tirana, along with new parks, ecological corridors and nature reserves. The idea is to promote vertical growth to free up public spaces in the dense urban center while integrating green areas into the city’s layout.

Boeri’s plan also emphasizes improved public transport, introducing a congestion charge and expanding bus networks to connect key city areas. Additionally, it envisions the creation of new schools and the Park of the World, a square that will host global embassies, reinforcing Tirana’s growing international importance.


Mount Tirana

By CEBRA, Tirana, Albania

Mount Tirana will be the tallest building in Albania at 185 meters, drawing inspiration from the country’s mountainous landscape. Located in central Tirana near the National Historical Museum, the project reflects Albania’s cultural heritage and natural surroundings. The tower will feature housing, commercial spaces, a boutique hotel, offices and restaurants. Its design incorporates terraces with local plants to reduce the need for cooling, while the use of locally sourced materials, like natural stone, minimizes the building’s carbon footprint.

With its mountain-like silhouette, Mount Tirana is envisioned to stand as a symbolic landmark in the city, offering a lively public space at street level that connects with the surrounding park.


The Pyramid of Tirana

By MVRDV, Tirana, Albania

Once a monument built to honor dictator Enver Hoxha, The Pyramid of Tirana has been dramatically transformed by MVRDV into a vibrant cultural hub. Originally a brutalist museum, the deteriorating structure has been repurposed into a space that serves Albania’s youth and cultural life.

The renovation maintains the concrete shell, adding green spaces and a new network of cafes, studios, workshops and classrooms. Half of the spaces will be used by TUMO Tirana, offering free tech education to young Albanians, while the rest will house cafes, studios and other public functions.

Visitors can now climb the Pyramid’s sloping sides or take a lift to the top, while large glass flaps replace old glazing, allowing light and air to flow through the structure. The reborn Pyramid serves as a symbol of Tirana’s transformation, shifting from a relic of dictatorship to a center for creativity and learning.


Multifunctional Tower Tirana

By CHYBIK + KRISTOF, Tirana, Albania

This 272-foot (83-meter) multifunctional complex is set to become a prominent feature of Tirana’s skyline, situated in the heart of the city’s developing Cultural District. This tower, part of the New Boulevard masterplan, is primarily residential, with the lower floors offering office and retail spaces.

Its cascading design, wrapped in red concrete, connects key cultural buildings in the district, including the opera house, art gallery and cultural center. Positioned near River Park, the tower links the urban environment with nearby green spaces. The design emphasizes sustainability with green roof terraces and shaded loggias in the apartments, offering natural solutions for Tirana’s climate. This project is a collaboration between private investors and the city of Tirana, representing a significant step in the city’s continued development.


ODA Tirana

By CHYBIK + KRISTOF, Tirana, Albania


ODA Tirana is yet another project by CHYBIK + KRISTOF, bringing together residential, commercial and public spaces in the heart of Tirana. The development features three towers — two residential and one for offices and a hotel— surrounding a flexible exhibition center. The red concrete façade reflects Albania’s architectural heritage, while green terraces and shaded loggias address the Mediterranean climate.

Positioned between the New Boulevard and Central Park, the design encourages public engagement with a central piazza offering cafés and social spaces. ODA Tirana is a key addition to Tirana’s rapidly evolving skyline.


Hora Vertikale

By OODA Architecture, Tirana, Albania

Hora Vertikale is a new residential project in Tirana that reimagines urban living through a vertical settlement inspired by the ancient Albanian “Hora.” The development features a series of towers designed as a vertical village, set amidst a green park. Sustainability is at the core of the project, with locally sourced materials used to minimize the carbon footprint and support the local economy.

The design consists of seven different types of cubes, each with seven stories, creating a dynamic profile that integrates urban and rural elements. The project prioritizes community engagement, providing amenities for residents and visitors alike. With its unique form and emphasis on sustainability, Hora Vertikale is set to become an iconic addition to Tirana’s skyline.


MET Tirana Residential Building

By Mario Cucinella Architects, Tirana, Albania

A finalist at the WAF Awards 2019 in the Future Projects Residential Category, MET Tirana is a 12-story residential and mixed-use building in the center of Tirana. At 160 feet (49 meters) tall, the project contributes to the city’s urban redevelopment plans, with a focus on maximizing pedestrian access at the ground level.

The tower features a spiraling exterior design with green terraces that provide outdoor spaces for each apartment. The façade, with a mix of transparent and opaque sections, allows for optimal natural light while reducing solar heat. The ground floor opens up to commercial, public and sports facilities, creating a lively public space that connects with the surrounding area.


A City in Transition: From Vision to Reality

The vision for Tirana and all of these bold projects is certainly ambitious, but will they actually come to life?

While some, like Stefano Boeri’s Tirana 2030 Master Plan and the Pyramid of Tirana by MVRDV, are already making progress, others, such as Mount Tirana and ODA Tirana, remain in the design phase. Yet the fact that these plans are in motion is a clear signal: Tirana has caught the attention of renowned architects and design firms worldwide.

The interest from firms like Steven Holl Architects, whose EXPO Albania project recently won an international competition, demonstrates how Tirana is becoming a focal point for bold and innovative architecture. The expo center, with its ecological focus and artistic collaboration, shows how art and sustainability are driving this new wave of urban development.

So while some projects are still on the horizon, the involvement of world-class architects signals that Tirana is no longer a city on the periphery but a key player in the architectural and cultural scene of the Balkans. The Albanian capital is definitely rewriting its future, one landmark at a time.

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

The post Tirana’s Radical Transformation: How Albania’s Capital is Defying Tradition and Rewriting Its Future appeared first on Journal.

The Art of Allure: How Luxury Stores Use Façades to Conceal and Entice

Ema is a trained architect, writer and photographer who works as a Junior Architect at REX in NYC. Inspired by her global experiences, she shares captivating insights into the world’s most extraordinary cities and buildings and provides travel tips on her blog, The Travel Album.

In the competitive world of luxury retail, a store’s façade serves as a silent yet powerful communication tool. More than just a barrier between the outside world and the opulent interiors, the façade is a critical element that defines a brand’s identity and allure. Luxury brands have perfected the art of using façades not only to attract attention but also to craft a narrative of exclusivity and sophistication. This article explores luxury stores’ architectural strategies to conceal and entice, transforming their façades into compelling visual statements that hide and reveal.


The Façade as a Storyteller

Louis Vuitton Ginza Namiki, Tokyo, Japan by AS Co., Peter Marino Architect

Louis Vuitton Ginza Namiki, Tokyo, Japan by AS Co., Peter Marino Architect

Louis Vuitton Ginza Namiki by AS Co., Peter Marino Architect, Tokyo, Japan | Glass by ShenZhen ShenNanYi Glass Product

Every building is designed with a specific purpose in mind, with the contents or products offered inside often changing over time. For instance, clothing stores continuously introduce new collections and products, leading to a constant rotation of items on display. The same is true for car dealerships and jewelry stores, where the merchandise frequently evolves. While the goods inside these stores may change regularly, the building itself remains constant, designed to serve its original purpose year after year. This is why buildings should be designed with a timeless quality, enhancing the brand’s allure rather than detracting from it.

In luxury retail, the façade is the first point of contact between the brand and the consumer. It acts as a storyteller, conveying messages of opulence, craftsmanship and exclusivity. Unlike typical retail spaces, where functionality may overshadow form, luxury stores typically invest significantly in the aesthetics of their exteriors. These façades are not merely entrances; they are architectural expressions that embody the brand’s essence and invite potential customers to explore further.

One of my favorite examples is the Louis Vuitton Flagship Ginza Store in Tokyo, characterized by its translucent glass façade, which mirrors the surrounding cityscape during the day and emits a soft glow at night. The use of glass creates an intriguing sense of mystery, as little can be seen from the outside. Only the corner of the building is open, inviting people to come in and discover what lies within and to experience the interior for themselves. The building’s unique modern design embodies the essence of water with its smooth, undulating surfaces, naturally drawing people’s attention. The shimmering façade draws the eye, captivating passersby with its sparkle and reflections. The glass façade appears to dance with shifting colors, creating a sense of fluidity that is echoed inside with a feature staircase and fixtures, evoking the playfulness and rhythm of water.


Concealment: The Power of Mystery

Dior Miami Façade Miami, FL, United States by BarbaritoBancel Architectes

Have you ever noticed that when you pass by a luxury store, you often can’t see everything inside? Instead, you catch glimpses through carefully curated openings, doorways or windows. The façade may vary, being fully transparent in some sections while opaque in others, enticing you to enter and explore what’s hidden inside. Luxury brands often use the strategy of concealment to create an aura of mystery and exclusivity. By limiting the visibility of the store’s interior, these façades (that are often intriguing and beautiful themselves) generate intrigue, compelling passersby to step inside and discover what lies beyond. This approach capitalizes on the allure of the unknown, making the act of entering the store feel like a privileged experience.

A great example is Dior Miami’s façade, which is composed of sleek, overlapping white panels that resemble the delicate folds of fabric — a subtle nod to the brand’s couture heritage. These panels are arranged in a way that allows for narrow, vertical openings to offer brief glimpses into the store’s luxurious interior. A few large panels on the ground floor, and even fewer on the upper levels are left open to offer glimpses inside the store, hinting at what lies inside. This design choice offers tantalizing glimpses of the interior, sparking curiosity and engagement while maintaining an air of exclusivity unique to the Dior brand and its building.


Enticement: The Play of Transparency

Miu Miu Aoyama, Tokyo, Japan by Herzog & de Meuron

In contrast to the strategy of concealment, some luxury brands use transparency to offer tantalizing glimpses of their interiors. This technique strikes a delicate balance, providing just enough visual access to pique curiosity without revealing everything. Glass, and the way the glass is used creatively, is frequently the material of choice, allowing for a visual connection between the inside and the outside.

This brings me to addressing an architectural detail: mastering light and shadow. A key feature of luxury façades is their intricate manipulation of light and shadow, which creates a dynamic visual experience that evolves throughout the day. By harnessing natural light, designers can help brands craft façades that are visually engaging and sometimes even ever-changing.

The Miu Miu Aoyama store in Tokyo uses an opaque metal façade, giving the building a more intimate quality. The building resembles a partially opened gift box, perfectly suited to conceal the brand’s products while hinting at the excitement of unveiling its contents. The façade serves as a sun-shading device that controls light and shadow, while also providing an engaging visual experience without being over powering. It plays with perspective, revealing and concealing the interior as one moves around the building. Unlike the other examples in this article, the entire ground floor of this building is open, yet maintains a sense of concealment, offering just enough visibility at street level to intrigue pedestrians and entice them to enter. The rounded copper panels on the inside of the building’s façade add warmth and texture, contrasting with the sleek, sharp silver steel corners that appear lifted, as if the edges of the façade have been cut and raised.


The Façade as a Branding Tool

A well-designed façade is an extension of a brand’s identity. Luxury brands use architectural elements to differentiate themselves from competitors and to reinforce their unique brand image. Signature design motifs, colors, and materials become visual shorthand for the brand’s values and aesthetic.

Chanel, for instance, a brand most of us know so well is instantly recognizable by its use of black, white and beige — a color palette that reflects the brand’s commitment to timeless elegance. The clean lines and minimalist aesthetic go beyond Chanel’s branding; they are reflected in Chanel’s façades, which emphasize the brand’s commitment to modernity and simplicity. These design choices ensure that each Chanel store is a distinctive embodiment of the brand’s ethos.


Materials Matter: Conveying Luxury Through Choice

The selection of materials is paramount in the design of any façade. High-end brands choose materials that embody luxury and exclusivity, such as marble, bronze, exotic woods, and occasionally even gold leaf. These materials are chosen not only for their visual impact but also for their tactile qualities, which can evoke an emotional response from customers.

For example, Fendi’s headquarters in Rome is a stunning example of how a luxury brand can blend historical elegance with modern sophistication. Although it is not a retail store, Fendi HQ is an excellent example of how a luxury brand uses architecture and façade design to create a sense of mystery, allure, and enticement. Located in the Palazzo della Civiltà Italiana, also known as the “Square Colosseum,” this iconic building serves as both a cultural landmark and a representation of Fendi’s commitment to preserving and reinterpreting heritage. The building’s façade is characterized by its series of symmetrical arches, a nod to classical Roman architecture, which lends the structure a sense of timelessness and grandeur.

The glass elements provide transparency, offering glimpses into the interior while reflecting the surrounding cityscape, thus creating a dialogue between the past and present. Inside, Fendi has seamlessly integrated luxurious, modern interiors with the building’s historical context. The use of marble, wood, and other high-end materials reflects the brand’s dedication to craftsmanship and luxury, while the open spaces and strategic lighting emphasize the building’s architectural beauty. By combining classical architectural forms with modern design techniques, Fendi HQ encapsulates the essence of the brand—respect for tradition, a passion for innovation, and an unwavering commitment to luxury. This harmonious blend of old and new not only preserves the building’s historical significance but also propels it into the contemporary luxury market, making it a fitting home for one of fashion’s most revered brands.

The jury and the public have had their say — feast your eyes on the winners of Architizer's 12th Annual A+Awards. Subscribe to our Awards Newsletter to receive future program updates.

The post The Art of Allure: How Luxury Stores Use Façades to Conceal and Entice appeared first on Journal.

Should AI Become a Mandatory Part of the Architecture School Curriculum?

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

Since the bloom of artificial intelligence (AI), countless articles have been written on how AI tools are utilized throughout the architectural industry. From architects showcasing their new visuals and drawings using platforms such as Dall-e and Midjourney to firms that collect all sorts of data and create computational AI models that allow them to tackle large-scale projects, it is evident that AI is aggressively shifting the playbook of architectural practice.

On the other hand, AI technology has been a lot quieter on the educational front, with universities gradually introducing it to their curriculum primarily through seminars, workshops and, perhaps less so, through fully evolved courses. In parallel, some academics (and architects in general) fear AI overshadowing the architectural design process, leading to hollow and surface-level designs that impress merely through stunning imagery. So, the question arises: Should universities introduce AI into the architecture school curriculum, and if so, how should it become integrated?

Should it be treated merely as another visualization tool?

Should it become part of the design course?

Should students learn how to use it as a tool for architectural technology?

The following examples outline four different university programs that recently introduced AI into their curricula — some in the most unexpected ways possible.


The University of Edinburgh | ESALA

In the autumn term of 2023, Mark Dorrian and Maria Mitsoula, ran a third year design studio titled AI + Explorations. The unit brief states “We were interested in working inventively with generative image and text interfaces, developing lines of inquiry that didn’t simply cede creative agency to the machine, turning the user into a consumer of what it returned. Instead, we sought to explore approaches that found critical ways of ‘talking to’ the digital apparatus, fastening upon unexpected outcomes and moments of incoherence that opened possibilities for architectural speculation in otherwise apparently seamless images.”

The students had to choose from a list of architecturally “famous” modern houses (Casa Malaparte, Eames House, Villa Tungendhat etc.) and use AI platforms to enact a series of transformations to the original source. Arguably, this process puts a new spin to a precedent study and design research in general by encouraging the “unknown”. Similarly to how experimentation with analogue materials may lead to unprecedented design directions, the unit explored how AI can be used as a research design tool rather than a visualization machine, thus transforming canonic-iconic buildings into irregular spatial conditions — for example an Eames House in which Dostoyevsky resides or Villa Malaparte becoming a prison.


The University of Bath | Department of Architecture and Civil Engineering

In October 2024 the course Artificial Intelligence for Engineering and Design MSc will run for the first time at the University of Bath. It is characterized as a course that is first-of-its-kind, teaching generative design and optioneering skills and delving into the more technical aspects of AI technology. They will explore automation and manufacturing processes as well as the roles of big data, digital twins and the Internet of Things and investigate how they can contribute to the creation of multidisciplinary and sustainable solutions to complex urban and construction problems.


Florida Atlantic University | School of Architecture

FAU School of Architecture is one of the first departments in the US to have integrated AI learning through its five-year BArch program at an advanced level. The first three years focus on the relationship between analogue and digital practices, in order to instill the students an understanding and appreciation for both. The aim is to train them to think about how to make the rules that will lead them to design, rather than the medium through which they will do it. In the final two years of the course, students are introduced to advanced AI technologies such as algorithms, 3D data sets as well as self-organization mapping and are encouraged to design beyond buildings, and instead create processes, systems and workflows to deliver certain results.

School director Joseph Choma states: ‘I’m interested in how the normative starts to embed more innovative research, and how the projective starts to be grounded in more normative constraints.’ In other words, the school takes advantage of the rapid data processing speed AI technology has to offer to not only teach students how to design buildings (i.e. products) but also develop processes and systems through which they design (i.e. research methods).


Institute for Advanced Architecture of Catalonia

Finally, starting in IAAC in the Academic Year 2024/25, the Master in AI for Architecture & the Built Environment is a unique program focusing on environmental sustainability and decarbonizing human activities in the architectural and construction industry. The course is based on real-world applications of AI, encouraging students to collaborate with an array of industries and delve into regenerative design, smart construction, natural ecosystems, carbon neutrality and co-design processes.

Apparently, there is no precedent on how to integrate AI in architecture schools. These four courses tackle AI technology in their own innovative way, from focusing on its technical advantages to using it as a design research tool, all however, proving how imperative it is to start incorporating Artificial Intelligence into architectural education. Still, its most positive aspect lies in the fact that all these universities view AI as an opportunity to enforce research more “aggressively” to the architecture students’ curriculum, a practice which, if implemented correctly, will have a great impact to the future of the architectural industry.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

Featured Image: Created by Architizer using Midjourney AI

The post Should AI Become a Mandatory Part of the Architecture School Curriculum? appeared first on Journal.

30 Best Architecture Firms in London

These annual rankings were last updated on September 13th, 2024. Want to see your firm on next year’s list? Continue reading for more on how you can improve your studio’s ranking.

London is a city that has been forced to redevelop constantly. Like many cities, it has accrued layers of history. However, events like the Great Fire and The Blitz have also torn holes in the urban fabric, necessitating moments of reflection and rethinking. Nowadays, Georgian, Regency and Victorian architecture are intermingled with hulking Brutalist structures, curving glass façades and anonymous steel giants.

Nowadays, the city remains home to preeminent architectural schools such as UCL’s Bartlett School of Architecture. In addition, London’s galleries and museums nurture a design culture with thought-provoking exhibitions about space and society, including the ever-popular Serpentine Pavilion. Meanwhile, as a global metropolis, the British city’s diversity is one of its great strengths, becoming home to a bevy of heavyweight firms and up-and-coming studios whose names are known locally and abroad.

With so many architecture firms to choose from, it’s challenging for clients to identify the industry leaders that will be an ideal fit for their project needs. Fortunately, Architizer is able to provide guidance on the top design firms in London, United Kingdom based on more than a decade of data and industry knowledge.

How are these architecture firms ranked?

The following ranking has been created according to key statistics that demonstrate each firm’s level of architectural excellence. The following metrics have been accumulated to establish each architecture firm’s ranking, in order of priority:

  • The number of A+Awards won (2013 to 2024)
  • The number of A+Awards finalists (2013 to 2024)
  • The number of projects selected as “Project of the Day” (2009 to 2024)
  • The number of projects selected as “Featured Project” (2009 to 2024)
  • The number of projects uploaded to Architizer (2009 to 2024)

Each of these metrics is explained in more detail at the foot of this article. This ranking list will be updated annually, taking into account new achievements of London, United Kingdom architecture firms throughout the year.

Without further ado, here are the 30 best architecture firms in London, United Kingdom:

32. Jamie Fobert Architects

© Jamie Fobert Architects

© Jamie Fobert Architects

Since its inception in 1996, Jamie Fobert Architects has had a reputation for innovative and inspiring architectural design in the residential, retail and arts sectors. The practice has demonstrated a consistent approach to resolving client ambitions and site complexities into a tactile architecture of volume, material and light.

Jamie Fobert Architects has garnered several awards, including the RIBA London Award 2014, the Manser Medal and the RIBA and English Heritage ‘Award for a building in an historic context’. The practice has won three major public commissions for cultural organisations: Kettle’s Yard Gallery; the Charleston Trust; and Tate St Ives.

Some of Jamie Fobert Architects’s most prominent projects include:

The following statistics helped Jamie Fobert Architects achieve 32nd place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Finalist 2
Featured Projects 2
Total Projects 8

31. Rogers Stirk Harbour + Partners

© Rogers Stirk Harbour + Partners

© Rogers Stirk Harbour + Partners

Rogers Stirk Harbour + Partners (RSHP) is an award-winning, international architectural practice based in London. Over three decades, RSHP has attracted critical acclaim with innovative projects across Europe, North America and Asia. The practice is experienced in designing a wide range of building types including: office, residential, transport, education, culture, leisure, retail, civic and healthcare. The quality of its designs has been recognised with some of architecture’s highest awards, including two RIBA Stirling Prizes, one in 2006 for Terminal 4, Madrid Barajas Airport and the other in 2009 for Maggie’s Cancer Care Centre, London. RSHP employs around 180 people in offices across the world – London, Shanghai, Sydney and Madrid.

Some of Rogers Stirk Harbour + Partners’s most prominent projects include:

The following statistics helped Rogers Stirk Harbour + Partners achieve 31st place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Finalist 2
Featured Projects 2
Total Projects 15

30. Allford Hall Monaghan Morris

© Allford Hall Monaghan Morris

© Allford Hall Monaghan Morris

At Allford Hall Monaghan Morris we make buildings that are satisfying to use and beautiful to look at; an architecture that is defined by the experience of users who should be able to understand and use each building with ease and enjoyment.

We design very different buildings, for very different people to use in very different ways and, since our early days in the late 1980s, we have grown from four to over one hundred and fifty people and our budgets from a few thousand to tens of millions of pounds.

Through our wide range of projects we search for the opportunities in every site, budget and programme and pursue a pragmatic, analytical and collaborative working method to produce a responsive, intelligent and delightful architecture.

Some of Allford Hall Monaghan Morris’s most prominent projects include:

The following statistics helped Allford Hall Monaghan Morris achieve 30th place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Finalist 2
Featured Projects 4
Total Projects 16

29. David Chipperfield Architects

© David Chipperfield Architects

© David Chipperfield Architects

David Chipperfield Architects was founded in 1985 and has offices in London, Berlin, Milan and Shanghai. The practice works internationally on cultural, residential and commercial projects providing full architectural and interior design, master planning, product and furniture design services for both public and private sectors. Our diverse built portfolio includes museums and galleries, libraries, apartments, private houses, hotels, offices, master plans, and retail facilities. David Chipperfield Architects has won more then fifty national and international competitions and many international awards and citations for design excellence.

Some of David Chipperfield Architects’s most prominent projects include:

The following statistics helped David Chipperfield Architects achieve 29th place in the 30 Best Architecture Firms in London, United Kingdom:

Featured Projects 4
Total Projects 8

28. Jestico + Whiles

© Jestico + Whiles

© Jestico + Whiles

Jestico + Whiles is an award winning architecture and interior design practice with offices in London and Prague. At the forefront of innovation and design excellence, the practice has won over one hundred national and international awards. We have proven expertise for excellent and sustainable designs across a wide range of sectors, including universities, schools, hotels, housing, cultural facilities, offices, transport infrastructure and retail, many within schemes involving major urban regeneration, refurbishment of historic buildings or low energy designs.

Some of Jestico + Whiles’s most prominent projects include:

The following statistics helped Jestico + Whiles achieve 28th place in the 30 Best Architecture Firms in London, United Kingdom:

Featured Projects 4
Total Projects 8

27. Eldridge London

© Nicholas Guttridge

© Nicholas Guttridge

London architectural practice Eldridge Smerin was established in 1998 and has since relaunched as Eldridge London. Architect Nick Eldridge’s vision continues to inspire the design and material quality of the practice’s recent projects in the UK and abroad defined by a series of cutting-edge houses including the Stirling Prize nominated Lawns project and the House in Highgate Cemetery.

The practice has also completed a number of high profile retail, commercial and cultural projects including interiors for Selfridges Birmingham, Villa Moda Kuwait, O2’s Mobile Applications Development Centre, the Design Council Headquarters, The Business and Intellectual Property Centre and a restaurant at the British Library and the Globe Theatre’s Sackler Studios.

The practice demonstrates a consistent approach to producing intelligent and unique solutions to specific client briefs and often constrained budgets with an unerring attention to detail from concept through to completion.

Some of Eldridge London’s most prominent projects include:

The following statistics helped Eldridge London achieve 27th place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Finalist 1
Featured Projects 4
Total Projects 6

26. FORM studio (previously FORM design architecture)

© FORM studio (previously FORM design architecture)

© FORM studio (previously FORM design architecture)

Architecture has the power to transform environments and quality of life.

FORM studio aims to create places that can be inhabited and experienced by people in a natural and instinctive way. Enjoyable places with a tranquil sense of simplicity, which create a supportive and uplifting backdrop for life.

Individual solutions are developed for our clients which are an intelligent, inventive and sustainable response to the complex matrix of issues that shapes each project. Solutions with a lucidity and apparent simplicity which belie their underlying complexity.

Listening, analysis, discussion and clarification are at the heart of an inclusive approach that recognises the fact that some of the best ideas are generated in the space between people rather than by individuals.

Some of FORM studio (previously FORM design architecture)’s most prominent projects include:

The following statistics helped FORM studio (previously FORM design architecture) achieve 26th place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Winner 1
A+Awards Finalist 1
Featured Projects 4
Total Projects 7

25. Studio Octopi

© Studio Octopi

© Studio Octopi

Studio Octopi is an award winning architecture practice based in central London, UK.

Some of Studio Octopi’s most prominent projects include:

The following statistics helped Studio Octopi achieve 25th place in the 30 Best Architecture Firms in London, United Kingdom:

Featured Projects 5
Total Projects 11

24. WilkinsonEyre

© WilkinsonEyre

© WilkinsonEyre

WilkinsonEyre is one of the world’s leading architectural practices with a portfolio of national and international award-winning projects. Since our inception in 1983, we have built a portfolio of bold, beautiful, intelligent architecture in sectors as diverse as culture, sport and leisure, education, infrastructure, residential, office and large-scale masterplanning. Project highlights include the Guangzhou International Finance Center – one of the tallest buildings in the world, the giant, cooled conservatories for Singapore’s Gardens by the Bay, the new Mary Rose Museum in Portsmouth, the refurbishment of the New Bodleian Library for the University of Oxford and the acclaimed temporary structure of the London 2012 Olympic Games Basketball Arena. Our work is based on an informed use of technology and materials and combines a commitment to the spirit of the new with an awareness of context.

Some of WilkinsonEyre’s most prominent projects include:

The following statistics helped WilkinsonEyre achieve 24th place in the 30 Best Architecture Firms in London, United Kingdom:

Featured Projects 5
Total Projects 21

23. Sheppard Robson Architects

© Sheppard Robson Architects

© Sheppard Robson Architects

The practice’s work is underpinned by fully integrating a sustainable design methodology that balances efficiency and performance with form.
In the practice’s 75-year history, Sheppard Robson has designed award-winning architecture, interior design and masterplanning projects around the world, building a strong reputation across numerous typologies – including office, education, residential, healthcare, science and retail projects.

From our head office in London and studios in Manchester, Glasgow and Abu Dhabi, the founding principles of innovation and sustainability continue to shape the work of the practice and its interior design group (ID:SR), reinterpreted and enlivened by the creative talent of our designers. The work of the practice benefits from an ability to have a constructive dialogue with clients and end-users, as well as collaborating closely with other members of the project team throughout the design and delivery of a project.

Some of Sheppard Robson Architects’s most prominent projects include:

The following statistics helped Sheppard Robson Architects achieve 23rd place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Finalist 1
Featured Projects 5
Total Projects 10

22. 6a architects

© Johan Dehlin

© Johan Dehlin

6a architects was founded by Tom Emerson and Stephanie Macdonald in 2001. They are best known for their contemporary art galleries, educational buildings, artists’ studios and residential projects, often in sensitive historic environments. 6a architects rose to prominence with the completion of two critically acclaimed public art galleries, Raven Row (2009), which won a RIBA Award in 2011, and the expanded South London Gallery (2010). Recently completed projects include a new 68-room hall of residence at Churchill College, Cambridge (2016), which garnered a RIBA Regional East Award (2017), and a new studio complex for photographer Juergen Teller (2016), which was winner of both RIBA London Building of the Year (2017) and a RIBA National Award (2017).

Some of 6a architects’s most prominent projects include:

The following statistics helped 6a architects achieve 22nd place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Finalist 2
Featured Projects 5
Total Projects 6

21. Foster Lomas

London based studio specialising in craft and collaboration to create bespoke architecture and interior design.

Unique to the practice is the pursuit of an architecture which is imaginatively responsive to site and place, whether an urban project or a rural retreat. We carefully craft buildings which are the result of working directly with leading structural engineers, artisans and craftsmen creating buildings which will remain relevant, sustainable and timeless.

Since we established Foster Lomas Architects in 2005 we have developed a broad palette of work from urban penthouses to rural residential houses within heritage landscape areas, which have led to expertise in developing a uniquely sensitive and innovative approach.

Some of Foster Lomas’s most prominent projects include:

The following statistics helped Foster Lomas achieve 21st place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Finalist 2
Featured Projects 5
Total Projects 12

20. Carl Turner Architects

© Carl Turner Architects

© Carl Turner Architects

Carl trained at the Royal College of Art, gaining a first class honours degree and a RIBA Bronze Medal (runner-up) before undertaking an MA at the Royal College of Art in London.The RCA provided a foundation for collaboration and working across platforms with an integrated approach; Carl sees his approach to design and construction as an extension of his time there as a ‘maker’.User-focused design was embedded as a founding principle for practice, through a two year research post for the Helen Hamlyn Research Centre at the RCA, investigating new strategies for wayfinding for BAA plc at Heathrow’s Terminal 5.After working for Norman Foster on the Citibank Tower (Canary Wharf), and Penoyre and Prasad on various community-based projects, Carl formed a partnership (TurnerCastle).

Some of Carl Turner Architects’s most prominent projects include:

The following statistics helped Carl Turner Architects achieve 20th place in the 30 Best Architecture Firms in London, United Kingdom:

Featured Projects 5
Total Projects 5

19. Atelier Chang Ltd

© Kyungsub Shin

© Kyungsub Shin

Atelier Chang is an international design praxis based in South Kensington, London and Zurich since 2011. Our design philosophy is to create innovative design through focusing on the unembellished basics – basics of nature, social behaviour, and urban phenomena. To achieve this absolute simplicity of content through impactful forms takes extra effort in researching the context, a devotion to material and technology, and active interaction with other industries. Currently we work on projects in Asia and Europe at multiple scales of design, covering master plans, architecture, interior design, installations, and products.

Some of Atelier Chang Ltd’s most prominent projects include:

The following statistics helped Atelier Chang Ltd achieve 19th place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Winner 2
Featured Projects 3
Total Projects 4

18. Levitt Bernstein

© Phil Boorman

© Phil Boorman

As architects, landscape architects and urban designers, Levitt Bernstein creates award winning buildings, living landscapes and thriving urban spaces, using inventive design to solve real life challenges. Putting people at the heart of our work, each of our projects is different but the driving force behind every one is the desire to create an environment that is beautiful, sustainable and functional.

Some of Levitt Bernstein’s most prominent projects include:

The following statistics helped Levitt Bernstein achieve 18th place in the 30 Best Architecture Firms in London, United Kingdom:

Featured Projects 6
Total Projects 10

17. Architects of Invention

© Architects of Invention

© Architects of Invention

Architects of Invention (AI) is an award winning international partnership practicing contemporary architecture, urbanism, and design led by Nikoloz Japaridze. To accommodate a range of projects throughout the world, AI maintains offices in London and Tbilisi. Since its establishment in 2010 AI has completed 10 buildings in 10 years and produced more than 100 projects and collaborations.

The practice has good international experience contributing to project in Chile, Switzerland, Germany, Canary Islands, Seychelles, India, Russia, China, Czech Republic, France, UK and Georgia. AI has successfully collaborated with many international clients and consultants. Its core consultants’ teams are established in the UK as well as in Georgia.

Some of Architects of Invention’s most prominent projects include:

The following statistics helped Architects of Invention achieve 17th place in the 30 Best Architecture Firms in London, United Kingdom:

Featured Projects 6
Total Projects 17

16. Hawkins\Brown

© Hawkins\Brown

© Hawkins\Brown

The first time someone decided to mix sweet and salty popcorn, their guests must have been horrified. Minutes later though they would be guzzling the lot. That’s the thing about new combinations – you have to be a bit odd to consider them in the first place, but when they pay off you’re left wondering how you managed before they existed.

Admittedly, this isn’t a usual sort of About page for an architectural practice, but we’re not a usual sort of practice. We believe that projects come alive through uncommon combinations of ideas and people. In fact, we think that’s the only way they really come alive at all.

Some of Hawkins\Brown’s most prominent projects include:

The following statistics helped HawkinsBrown achieve 16th place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Winner 1
Featured Projects 6
Total Projects 19

15. Bennetts Associates

© Bennetts Associates

© Bennetts Associates

Bennetts Associates creates sustainable and enduring architecture. As one of the UK’s leading practices, their diverse portfolio has been celebrated with more than 150 awards over 30 years and covers education, cultural and workplace projects in both the public and private sector, ranging from masterplans to small historic buildings. They are an employee-owned trust of 70 people with studios in London, Edinburgh and Manchester, and have recently earned Building Design’s Higher Education Architect of the Year 2019 Award.

Bennetts Associates also leads in their field in sustainability – in April 2019 they became the world’s first architects to secure Science Based Target approval and commit to the UN’s Climate Neutral Now campaign.

Some of Bennetts Associates’s most prominent projects include:

The following statistics helped Bennetts Associates achieve 15th place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Winner 1
A+Awards Finalist 2
Featured Projects 4
Total Projects 19

14. Buckley Gray Yeoman

© Dirk Lindner

© Dirk Lindner

Formed in 1997, Buckley Gray Yeoman is an award-winning architecture and design practice based in Shoreditch, London. Directed by Matt Yeoman and Paul White, the firm provides pragmatic and deliverable solutions to complex design issues. Founded on the premise that outstanding results require careful planning and an intuitive approach, Buckley Gray Yeoman’s designs adapt and respond to the context of each project to create intelligent and enduring architecture. The practice’s work is driven by the needs and ambitions of its clients.

Some of Buckley Gray Yeoman’s most prominent projects include:

The following statistics helped Buckley Gray Yeoman achieve 14th place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Winner 1
A+Awards Finalist 3
Featured Projects 4
Total Projects 10

13. AL_A

© Francisco Nogueira / Architectural Photography

© Francisco Nogueira / Architectural Photography

Architecture studio AL_A was founded in 2009 by the RIBA Stirling Prize-winning architect Amanda Levete with directors Ho-Yin Ng, Alice Dietsch and Maximiliano Arrocet.

Their designs are conceived not just as buildings, but as urban propositions. Spaces that promote reciprocity between nature and neighbourhood; projects that express the identity of an institution, reflect the ambitions of a place, and hold the dreams of a community.

Recently completed projects include an undergraduate and outreach centre for Wadham College at the University of Oxford and a new centre for the cancer care charity Maggie’s within the grounds of University College Hospital in Southampton.

Some of AL_A’s most prominent projects include:

The following statistics helped AL_A achieve 13th place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Winner 1
Featured Projects 6
Total Projects 10

12. Studio Seilern Architects

© Philip Vile

© Philip Vile

Studio Seilern Architects is a London based international creative practice established in 2006 by Christina Seilern with the intent of producing exceptional architecture that lasts, working across geographies, building sizes and typologies. Our diverse portfolio of built work spans the UK, Europe and Africa.

While we tackle a diversity of projects, it is our conscious decision to keep working on the smaller and larger scales both simultaneously and continuously: from new build to restoration works. Irrespective of size or context, each project we undertake informs another. The smaller scale keeps our pencils sharp on questions of intricate detailing and the unraveling of the human condition both on the living and working fronts.

Some of Studio Seilern Architects’s most prominent projects include:

The following statistics helped Studio Seilern Architects achieve 12th place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Winner 1
A+Awards Finalist 3
Featured Projects 5
Total Projects 9

11. Steyn Studio

© DOOK Photography

© DOOK Photography

Steyn Studio is a collaborative architecture practice. We believe that design has the power to solve problems, inspire, and improve lives and work hard everyday to realise this ambition. We always aim to do this honestly and with the freedom to creatively explore meaningful design solutions. Designs that make a real difference to the end-user and the client; culturally and commercially.

Some of Steyn Studio’s most prominent projects include:

The following statistics helped Steyn Studio achieve 11th place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Winner 4
Featured Projects 4
Total Projects 4

10. Hopkins Architects

Copyright 2007 Paul Tyagi - © Hopkins Architects

Copyright 2007 Paul Tyagi - © Hopkins Architects

Hopkins Architects is an international architectural practice with studios in London and Dubai. Led by its five Principals, the practice’s work is rooted in clear and logical design thinking, a deep understanding of the potential of materials and craft, and consideration of context. A consistent and rigorous approach has resulted in a portfolio of ground-breaking, beautiful and functional buildings across Europe, the US and Asia which have added tangible value for both clients and users.

The practice has designed and delivered a portfolio of renowned, award-winning projects, including Portcullis House at Westminster and the London 2012 Olympic Velodrome.

Some of Hopkins Architects’s most prominent projects include:

The following statistics helped Hopkins Architects achieve 10th place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Winner 1
A+Awards Finalist 1
Featured Projects 8
Total Projects 18

9. Haworth Tompkins

Photo: Philip Vile - © Haworth Tompkins

Photo: Philip Vile - © Haworth Tompkins

Haworth Tompkins is an award-winning British architectural studio united by a commitment to integrity, intellectual quality and the art of making beautiful buildings. Founded in 1991 by Graham Haworth and Steve Tompkins, the rapidly-growing London-based studio consists of 70 people, and specialises in bespoke buildings in the public, cultural, private and financial sectors. Acclaimed projects include the Everyman Theatre, winner of the RIBA Stirling Prize in 2014, Young Vic Theatre, Royal College of Art campus in Battersea, Coin Street housing development and the London Library, for which they received the prestigious American Institute of Architect’s Excellence in Design award. The studio is currently working on a number of highly anticipated schemes including the Theatre Royal Drury Lane, Fish Island Village, Bristol Old Vic and Kingston University.

Some of Haworth Tompkins’s most prominent projects include:

The following statistics helped Haworth Tompkins achieve 9th place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Finalist 2
Featured Projects 9
Total Projects 10

8. Allies and Morrison

© Nicholas Guttridge

© Nicholas Guttridge

We are architects and urbanists. We strive to design beautiful buildings that have long life and can adapt over the generations. We also shape enduring places whether new pieces of city or settlements at any scale. All our projects are concerned with the crafting of every detail and an appreciation for the uniqueness of each context.

As architects, we are known for the rigour of our technical delivery, a commitment to quality, to embedded environmental performance. As urbanists, we are known for developing plans that are flexible and pragmatic, inspirational in vision, responsive to the local climate and character. Based in London and Cambridge, we come from around the world and our diversity is one of our fundamental strengths.

Some of Allies and Morrison’s most prominent projects include:

The following statistics helped Allies and Morrison achieve 8th place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Winner 1
A+Awards Finalist 4
Featured Projects 7
Total Projects 24

7. bureau de change

© bureau de change

© bureau de change

Bureau de Change is an award winning architecture practice founded by architects Katerina Dionysopoulou and Billy Mavropoulos. Its work is a direct product of the founders’ upbringing, passions and experiences – combining the pragmatism and formality of their architectural training with a desire to bring a sense of theatre, playfulness and innovation to the design of spaces, products and environments. The result is a studio where rigorous thinking and analysis are brought to life through prototyping, testing and making.

Some of bureau de change’s most prominent projects include:

The following statistics helped bureau de change achieve 7th place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Winner 1
Featured Projects 10
Total Projects 20

6. Alison Brooks Architects

© Alison Brooks Architects

© Alison Brooks Architects

Founded in 1996, Alison Brooks Architects has developed an international reputation for delivering design excellence and innovation in projects ranging from urban regeneration, masterplanning, public buildings for the arts, higher education and housing.

ABA’s award-winning architecture is born from our intensive research into the cultural, social and environmental contexts of each project. Our approach enables us to develop pioneering solutions for our buildings and urban schemes, each with a distinct identity and authenticity. Combined with rigorous attention to detail, ABA’s buildings have proved to satisfy our client’s expectations and positively impact the urban realm.

Our approach has led ABA to be recognised with both national and international awards including Architect of the Year Award 2012 and Housing Architect of the Year 2012.

Some of Alison Brooks Architects’s most prominent projects include:

The following statistics helped Alison Brooks Architects achieve 6th place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Winner 3
A+Awards Finalist 3
Featured Projects 6
Total Projects 8

5. Squire and Partners

© Squire and Partners

© Squire and Partners

Squire & Partners is an architecture and design practice with experience spanning four decades, earning it an international reputation for architecture informed by the history and culture of where it is placed. Their award winning portfolio, for some of the world’s leading developers, includes masterplans, private and affordable residential, workspace, retail, education and public buildings.

In addition, the practice has a series of dedicated teams for modelmaking, computer generated imaging, illustration, graphics and an established interior design department, which has created a number of bespoke product ranges.

Squire & Partners’ approach responds to the unique heritage and context of each site, considering established street patterns, scale and proportions, to create timeless architecture rooted in its location.

Some of Squire and Partners’s most prominent projects include:

The following statistics helped Squire and Partners achieve 5th place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Finalist 2
Featured Projects 9
Total Projects 49

4. Adjaye Associates

© Adjaye Associates

© Adjaye Associates

Since establishing Adjaye Associates in 2000, Sir David Adjaye OBE has crafted a global team that is multicultural and stimulated by the broadest possible cultural discourse. The practice has studios in Accra, London, and New York with work spanning the globe. Adjaye Associates’ most well-known commission to date, the Smithsonian National Museum of African American History and Culture (NMAAHC), opened in 2016 on the National Mall in Washington DC and was named “Cultural Event of the Year” by The New York Times.

Further projects range in scale from private houses, bespoke furniture collections, product design, exhibitions, and temporary pavilions to major arts centers, civic buildings, and master plans.

Some of Adjaye Associates’s most prominent projects include:

The following statistics helped Adjaye Associates achieve 4th place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Winner 6
A+Awards Finalist 2
Featured Projects 16
Total Projects 37

3. Heatherwick Studio

© Hufton+Crow Photography

© Hufton+Crow Photography

Heatherwick Studio is a team of 180 problem solvers dedicated to making the physical world around us better for everyone.
Based out of our combined workshop and design studio in Central London, we create buildings, spaces, master-plans, objects and infrastructure. Focusing on large scale projects in cities all over the world, we prioritise those with the greatest positive social impact.

Working as practical inventors with no signature style, our motivation is to design soulful and interesting places which embrace and celebrate the complexities of the real world. The approach driving everything is to lead from human experience rather than any fixed design dogma.

The studio’s completed projects include a number of internationally celebrated buildings, including the award-winning Learning Hub at Singapore’s Nanyang Technological University and the UK Pavilion at the Shanghai World Expo 2010. The studio is currently working on 30 live projects in ten countries.

Some of Heatherwick Studio’s most prominent projects include:

The following statistics helped Heatherwick Studio achieve 3rd place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Winner 11
A+Awards Finalist 2
Featured Projects 12
Total Projects 14

2. Foster + Partners

© Foster + Partners

© Foster + Partners

Foster + Partners is a global studio for sustainable architecture, engineering, urbanism and industrial design, founded by Norman Foster in 1967. Since then, he, and the team around him, have established an international practice with a worldwide reputation. With offices across the globe, we work as a single studio that is both ethnically and culturally diverse.

Some of Foster + Partners’s most prominent projects include:

The following statistics helped Foster + Partners achieve 2nd place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Winner 9
A+Awards Finalist 10
Featured Projects 37
Total Projects 94

1. Zaha Hadid Architects

© Zaha Hadid Architects

© Zaha Hadid Architects

Internationally renowned architecture firm Zaha Hadid Architects works at all scales and in all sectors to create transformative cultural, corporate, residential and other spaces that work in synchronicity with their surroundings.

Some of Zaha Hadid Architects’s most prominent projects include:

The following statistics helped Zaha Hadid Architects achieve 1st place in the 30 Best Architecture Firms in London, United Kingdom:

A+Awards Winner 17
A+Awards Finalist 14
Featured Projects 44
Total Projects 68

Why Should I Trust Architizer’s Ranking?

With more than 30,000 architecture firms and over 130,000 projects within its database, Architizer is proud to host the world’s largest online community of architects and building product manufacturers. Its celebrated A+Awards program is also the largest celebration of architecture and building products, with more than 400 jurors and hundreds of thousands of public votes helping to recognize the world’s best architecture each year.

Architizer also powers firm directories for a number of AIA (American Institute of Architects) Chapters nationwide, including the official directory of architecture firms for AIA New York.

An example of a project page on Architizer with Project Award Badges highlighted

A Guide to Project Awards

The blue “+” badge denotes that a project has won a prestigious A+Award as described above. Hovering over the badge reveals details of the award, including award category, year, and whether the project won the jury or popular choice award.

The orange Project of the Day and yellow Featured Project badges are awarded by Architizer’s Editorial team, and are selected based on a number of factors. The following factors increase a project’s likelihood of being featured or awarded Project of the Day status:

  • Project completed within the last 3 years
  • A well written, concise project description of at least 3 paragraphs
  • Architectural design with a high level of both functional and aesthetic value
  • High quality, in focus photographs
  • At least 8 photographs of both the interior and exterior of the building
  • Inclusion of architectural drawings and renderings
  • Inclusion of construction photographs

There are 7 Projects of the Day each week and a further 31 Featured Projects. Each Project of the Day is published on Facebook, Twitter and Instagram Stories, while each Featured Project is published on Facebook. Each Project of the Day also features in Architizer’s Weekly Projects Newsletter and shared with 170,000 subscribers.

 


 

We’re constantly look for the world’s best architects to join our community. If you would like to understand more about this ranking list and learn how your firm can achieve a presence on it, please don’t hesitate to reach out to us at editorial@architizer.com.

The post 30 Best Architecture Firms in London appeared first on Journal.

What if the World Built All the Paper Architecture Proposals?

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

Floating structures, plug-in cities, human pods, flying machines and buildings with walking tentacles. These are only a few of the speculative designs architects throughout the years have developed in an attempt to push the boundaries of the discipline forward and respond to the many challenges the global built environment is facing. From early drawings such as Giovanni Battista Piranesi’s Imaginary Prisons and Jean-Jacque Lecque’s Gate of a Hunting-Ground, speculative or “paper” architecture has been a subject of great experimental “release” since the 18th century.

Even though they stay only on paper, these designs hold such enticing qualities not only due to the impeccable drawings that represent them but also for the fictional stories they tell. Through them, design and construction methods are questioned, and real-world problems are solved, thus becoming a source of inspiration for architects throughout the world. Especially during the 1960s-1970s, avant-garde architects spawned some of the most influential architectural movements of that time.

Lequeu_Gate of a hunting-ground. Project.

Jean-Jacques Lequeu creator QS:P170,Q1684923, Lequeu Tor eines Jagdgelaendes Projekt, marked as public domain, more details on Wikimedia Commons


Archigram

Possibly the most well-known group of speculative architects, Archigram’s unbuilt projects were developed after WWII, in an attempt to reevaluate the way in which people lived in urban centers. Plug-in City and Walking City were some of their most provocative projects, utilizing hypothetical technology to create energy efficient structures that introduced concepts such as movable cities, modular architecture and even nomadic living.


Lebbeus Woods

Geomagnetic Flying Machines. © Estate of Lebbeus Woods

During his career Lebbeus Woods focused on architectural theory and experimentation and co-founded the Research Institute for Experimental Architecture. Although his designs were unshackled by the constraints of the real world, i.e. finance, build-ability and technology, his work deals greatly with existing issues such as rebuilding post-war cities and architecture as a defense mechanism towards political upheavals. The Sarajevo Window for example, is a proposal for a wall and window repair after the Bosnian capital underwent terrorist attacks in the 1990s.


Gaetano Pesce

The Italian architect and designer and his project the Church of Solitude addressed immigration issues and a corporate way of living. When experiencing New York in the 1970s, he witnessed large groups of people living together in ‘helter-skelter’ conditions and thus developed the concept of an underground church fit for introspection, contemplation and a retreat from the city’s institutional culture. Pesce’s excavated landscape became a refuge underneath the imposing, capitalist Manhattan skyscrapers.


We are now a couple of decades later and still; paper architecture hasn’t lost its allure for architects. There have been countless speculative proposals, breathtaking drawings and models as well as an abundance of theoretical and contextual writings that reveal that intent behind these designs.

CJ Lim

Food City is CJ Lim’s most recent project, in which he positions food in the core of national and local governance and influence the way in which a city is both spatially and functionally organized. The architect creates a hypothetical case study showcasing how a secondary environmental/food infrastructure can operate as a sustainable stratum over the city of London.


Bryan Cantley

“Machno-morphic” is one of the characterizations that vividly describes Bryan Cantley’s work, which is comprised of speculative drawings that reflect upon the remains of mechanical realities within the landscapes of Southern California. He delves into the region’s folklore, which mixes dreams of a suburban peace with Spanish Colonialism and mountainous landscapes, proposing future mechanical forms (instruments) that investigate, critique and oftentimes compliment the western industrial setting.


Perry Kulper

Perry Kulper’s proposals reach ‘implausible dimensions’. His drawing practices explore new ways of immersive design, investigating how architecture interacts with its cultural environment. Beyond inventing new modes of architectural representation, Kulper’ work looks at real places, landscapes and contexts and composes an array of possible and unexpected interactions between them.


After exploring examples of paper architecture drawn in the past 50 years, it is safe to say that all these projects, albeit speculative, contain more than a dash of realism in them. They are practical interventions, situated in cities that face real-world challenges and propose solutions that tackle climate change, social housing, immigration, experiential design, food production, industrial production and so much more.

At this point I want to borrow Lebbeus Wood’s quote stating that ‘architecture is always constrained by the reality of technology.’ In other words, building all these paper architecture proposals is not impossible; it is merely a matter of whether technology can keep up with human imagination. The optimist in me believes that if we were to implement these designs with the same liberal manner in which they were conceived, i.e. breaking free from ulterior political and economic motives, architecture would truly and holistically impact our cities, our natural landscape, our resources and even reevaluate the (currently concrete) norms through which humans inhabit the planet.

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

Featured image: Giovanni Battista Piranesi artist QS:P170,Q316307, Piranesi01, marked as public domain, more details on Wikimedia Commons

The post What if the World Built All the Paper Architecture Proposals? appeared first on Journal.

Architectural Anomalies: 8 Times Unexpected Design Choices Created Memorable Buildings

Architizer is thrilled to announce the world' best architecture firms in 2024, all winners of the 12th Annual A+Awards! Want to get your firm in the running next season? Stay up to date by subscribing to our A+Awards Newsletter. 

We each have our word for it: irregular, quirky, odd, eccentric — nuanced, even. There are countless reasons a building is described as “unusual,” and sometimes, if you’re lucky, it’s a compliment.

In most cases, what might at first be seen as an anomaly is an intentional design decision. By introducing unconventional elements to a design, be it material, form or scale, architects can challenge norms to create focal points or express artistic vision. These “anomalies” can become a building’s signature feature, providing a distinct visual identity and creating impact. They are excellent marketing tools and ignite conversations.

Other times, an anomaly arises because of the site; a project might have to change and evolve in response to its location. In doing so, the original design becomes distorted to accommodate the issue. These anomalies are endlessly interesting to architects and designers. It’s fascinating to see how the context of the landscape can define the parameters of human intervention. Sometimes, with all the will in the world, nature prevails, and we must relent and conform, adjusting our designs to accommodate what came before.

Then, of course, there is the anomaly that is created when a design takes a completely unexpected turn, creating something unplanned and imperfect. Most architects seek to smooth out these irregularities, but we’re making the argument that sometimes, though not always (safety first!), we should embrace the imperfections.

As Frank Gehry aptly said, “The creative act is not the province of visionaries alone. It finds expression in the choices we make, in the willingness to improvise, to adapt, to embrace the unexpected.” Unsurprisingly, he’s not wrong. In a world where uniqueness is few and far between and revival and reinterpretation are our lifeblood, perhaps it’s in these imperfections that we will find fresh inspiration and excitement in architecture. The following eight projects are perfect examples of the beauty of imperfection.


The Grand Mulberry

By MA | Morris Adjmi Architects, New York City, New York

Popular Choice Winner, Façades, 12th Annual A+Awards

Photographs by Glen-Gery

The Grand Mulberry is a modern building in traditional clothes. On the corner between Grand and Mulberry Streets in the heart of Little Italy, the design of the contemporary condominium takes its inspiration from the rich heritage of the historic Italianate tenements that are found throughout the surrounding neighborhood.

Traditionally, Italianate tenement buildings featured a tripartite façade that consisted of a base, middle and top with differing details and brickwork used for each portion. Using custom-profiled brick, The Grand Mulberry is wrapped with a pattern of banding to replicate pediment windows, arched windows and a cornice. While the design does not align with the modern positioning of the windows, which is typical of a contemporary building structure, somehow, this offset pattern elevates the overall look of the building, making it stand out and say more.


Urban Discourse Machine

By Darkefaza Design Studio, Yazd, Iran

Photos by Mohammadhossein Hamzehlouei

Darkefaza Design Studio’s unusual project in Yazd reconsiders the role of a building’s façade. Using their expertise, they turned a once undefined exterior into a conversation with the city. Located in the modern Safayieh region, an area where many buildings follow a standard design strategy and appearance, the design began without a clear façade. Yet, over the course of the project it gradually evolved into a structure that uses its very surface to announce its purpose. The result is a building that draws on the historic motifs of Yazd to become a lively and engaging presence its local neighborhood.


LH

By STARH, Varna, Bulgaria

Photos by Dian Stanchev

STARH’s LH apartment building is as confident as it is white — completely. The semi-modern structure is bright and bold amongst the historic architecture that surrounds it. The building’s crisp, white façade of suspended fiber cement panels is a contemporary choice that sits in sharp contrast to the area’s traditional, highly decorative forms. Yet, this new design does not ignore its context. The façade’s rigid grid structure represents, thoughtfully, the original 1923 building, creating a conversation about old and new. In embracing this brave choice, LH adds a fresh layer to Varna’s architectural history, showing a profound respect for the past with a clear vision for the future.


Huizhen High School

By Zhejiang University of Technology Engineering Design Group Co, China

Images provided by WAF23

At Huizhen High School, the concept of “wasting time” is an intentional anomaly at a time where “efficiency first” typically dictates design. This approach turns its back on maximizing space and speed, instead offering its student body a “floating forest” where they can slow down and escape. The innovative design rejects a standard grid layout, scattering classrooms around the forest with perceived abandon. Meandering paths replace straight lines, and open spaces invite exploration, making this campus a rare exception — an environment designed to encourage unstructured, leisurely moments in a demanding academic setting.


Tile House

By The Bloom Architects, Vietnam

Photographs by Hiroyuki Oki

It’s not often a client would be happy to have a hole in their roof. However, in the case of Tile House, it’s a positively positive outcome. In Bao Loc in Vietnam, The Bloom Architects have turned a supposed flaw into a clever feature. With long, dry, sunny days followed by relentless rain, typically, houses in the area are clad in corrugated iron, a practical but uninspired choice. Tile House, however, opts for something different — embracing the natural elements rather than shutting them out. Using a strategically placed “light-wind hole” the house draws in the cool air to help ventilation. It’s a practical and refreshing approach where the outside world is welcomed in without hesitation.


Dalezhiye Kindergarten

By DIKA Architectural Design Center, Leshan, China

Photographs by Arch-Exist Photography

Designed by DIKA Architectural Design Center, Dalezhiye Kindergarten is a reflection of its young inhabitants. A free-form structure, the building appears to emerge naturally from the land, its organic shape an architectural mirror of the region’s mountainous terrain and red sandstone landscape. Rather than imposing itself on the land, the kindergarten becomes part of it. Its form is dictated by the site’s sharp slopes and varying elevations creating a highly dynamic space that feels as though it’s grown out of the earth itself.


Ushimaru Restaurant

By Axel Vansteenkiste Architecture, Sammu, Japan

Photographs by Axel Vansteenkiste

Sometimes, a new addition can completely redefine a building’s presence. Ushimaru restaurant has long been known for its blend of European style and locally sourced cuisine. However, the recent redevelopment by Axel Vansteenkiste Architecture introduces a striking anomaly. The new addition, composed of two distinct volumes, extends the original structure while bringing a bold new look.

One volume, with its sharply pitched roof, opens the lounge to sweeping views of the landscape, while cleverly concealing the adjacent parking area. The other, more discreet, houses the expanded kitchen and service areas. The building’s low profile emphasizes the contrast between the welcoming openness of the lounge and the functional spaces beyond. Clad in reflective silver galvalume, the restaurant is now a contemporary landmark in the countryside.


The Wall Maze of Vi Park

By XING DESIGN, Shanghai, China

Photographs by UK Studio

Why is it we always put the interesting stuff on the inside? Well, at Vi Park, XING DESIGN are changing that. Located in the repurposed Shanghai Greater China Zhengtai Rubber Factory, the new design has a labyrinthine structure on the exterior. The so-called “Wall Maze” connects various offices and terraces spanning the façade, breaking the rigid order of typical office spaces, creating a new environment where work meets play. The maze-like design, with its ups and downs, becomes an unsuspecting experience—one where a casual walk can lead to new conversations or a moment of reflection amid the greenery. From the street, the façade appears playful and puzzling, with a hint of Esher, as paths seemingly cut off or go nowhere.

Architizer is thrilled to announce the world' best architecture firms in 2024, all winners of the 12th Annual A+Awards! Want to get your firm in the running next season? Stay up to date by subscribing to our A+Awards Newsletter. 

The post Architectural Anomalies: 8 Times Unexpected Design Choices Created Memorable Buildings appeared first on Journal.

Urban Canyons: Designing with Narrow Alleyways and Confined Spaces

Ema is a trained architect, writer and photographer who works as a Junior Architect at REX in NYC. Inspired by her global experiences, she shares captivating insights into the world’s most extraordinary cities and buildings and provides travel tips on her blog, The Travel Album.

As urban landscapes evolve and cities grow denser, architects face the unique challenge of designing within the constraints of narrow alleyways and confined spaces, often referred to as “urban canyons.” These areas, characterized by their limited width and high surrounding buildings, present significant design challenges but offer unique opportunities for creative and impactful architectural solutions. Buildings of this nature are particularly intriguing because they diverge from traditional structures that typically feature ample surrounding space. They prompt a deeper consideration of their design and construction, as well as how people navigate and interact within such confined environments. This article will dive into the complexities of designing in these constrained environments and explore innovative strategies that turn limitations into assets, transforming urban canyons into vibrant, functional spaces.


The Challenges of Urban Canyons

skinnySCAR, Rotterdam, Netherlands by Gwendolyn Huisman & Marijn Boterman

Urban canyons often present several intrinsic challenges that architects must navigate. One of the primary difficulties is the scarcity of natural light. The towering walls of adjacent buildings can severely limit daylight penetration, resulting in dimly lit and uninviting spaces. This lack of natural light can make narrow alleys feel claustrophobic and less appealing, impacting both aesthetic quality and the psychological comfort of occupants. Light plays a crucial role in architectural design, influencing mood, functionality and the overall atmosphere of a space.

Another significant challenge is restricted access and circulation. The narrow dimensions of these urban canyons can complicate pedestrian movement and vehicle access. When spaces are confined, movement becomes less fluid, and there may be less room for people to pass each other comfortably. The same issues apply to vehicles. This can lead to congested areas, especially in high-traffic zones, and may hinder the efficient flow of people and goods. The confined nature of these spaces often means that traditional design approaches must be rethought to accommodate both functionality and accessibility.

Furthermore, the small footprint of urban canyons limits the range of possible uses and design interventions. Architects must work within these constraints to optimize the available space, ensuring that it meets the needs of various functions while maintaining a cohesive and practical design. This requires a careful balance of creativity and functionality, pushing the boundaries of conventional design solutions.


Innovative Design Solutions

1. Maximizing Light and Ventilation

House and Garden, Tokyo, Japan by Ryue Nishizawa

To counteract the challenge of limited natural light, architects have developed several innovative strategies. One effective solution is the use of light wells and skylights. Light wells are vertical shafts that allow daylight to penetrate deeper into the building, brightening otherwise shadowed spaces. For example, The House and Garden by Ryue Nishizawa incorporates a series of light wells and vertical gardens that not only bring natural light into the depths of the building but also introduce greenery, enhancing both light and environmental quality. Skylights, which are installed in roofs or upper walls, can similarly flood lower levels with daylight, making spaces feel more open and connected to the outdoors. The integrated garden spaces and terraces that extend the living areas outside, blurs the boundary between indoor and outdoor environments. This allows natural light to be more effectively used and provides additional visual and spatial relief, enhancing the overall livability of the narrow space.

2. Optimizing Space Utilization

The Stack, New York, NY, United States by GLUCK+

The Stack, New York, NY, United States by GLUCK+

The Stack by GLUCK+, New York City, New York

Given the limitations of narrow spaces, architects often turn to vertical design strategies to maximize utility. Multi-level structures and mezzanines effectively expand the functional area within a confined footprint. Urban canyons are not limited to narrow homes squeezed between two buildings; they also encompass larger housing complexes where in cities like New York, space is at a premium. While designing slim homes that utilize vertical space can yield unique and efficient living solutions, this approach is also applicable to multi-unit buildings such as condominiums. In these larger projects, the design often incorporates multiple floors and innovative spatial configurations to maximize the use of a narrow site. This vertical integration enhances both the functionality and livability of the building, demonstrating how thoughtful design can optimize space even in constrained urban environments.

Modular and flexible design solutions also play a crucial role in optimizing space. Modular furniture and movable partitions allow for adaptable use of space, accommodating various functions and activities. A great example of this, is The Stack by GLUCK+. The building illustrates this concept by maximizing the available footprint while maintaining functionality. It incorporates modular elements that turn a narrow plot into a versatile, multi-use space, utilizing innovative spatial configurations like open-plan layouts and integrated storage solutions to maximize functionality within the confined area. These design strategies enable the space to be reconfigured according to changing needs, making it versatile and adaptable.

3. Enhancing Accessibility and Connectivity

High Line New York, NY, United States by Field Operations and Diller Scofidio + Renfro

High Line New York, NY, United States by Field Operations and Diller Scofidio + Renfro

High Line by Field Operations and Diller Scofidio + Renfro, New York City, New York 

Improving accessibility and connectivity is essential for making narrow spaces more functional and user-friendly. Designing pedestrian-friendly pathways involves integrating features such as seating, lighting, and landscaping to create inviting environments. A prime example of successful architectural integration is New York City’s High Line, which transforms a narrow, elevated railway track into a vibrant, green corridor, revitalizing the urban area. I wanted to include this example because it offers a fresh perspective on what an architectural urban canyon can be. Unlike the typical image of buildings squeezed into narrow spaces, this example demonstrates how such environments can be reimagined in innovative ways.

This project not only enhances accessibility but also creates a unique public space that fosters community interaction and engagement. It is integrated into the city’s grid, connecting various neighborhoods and landmarks. The uninterrupted pedestrian path above street level, enhances connectivity by linking previously isolated areas and creating a continuous, accessible route through Manhattan. Maximizing the use of limited space, it successfully enhances functionality by creating an elevated, accessible pathway through a densely built urban environment. Its design functions as both a recreational space and a practical city route. By incorporating ramps, elevators and multiple access points, it ensures user-friendliness and accessibility for everyone, including those with disabilities. This thoughtful design not only enhances the overall user experience but also promotes inclusivity. Additionally, by connecting various parts of the city, the High Line demonstrates how improving accessibility can enhance urban connectivity, linking different neighborhoods and points of interest to create a more cohesive and navigable urban environment.


Creating Aesthetic Appeal

Starbucks Coffee at Dazaifutenmangu Omotesando Dazaifu, Japan by Kengo Kuma and Associates

Addressing the aesthetic quality of narrow spaces is crucial for making them appealing and engaging. I want to highlight one of my favorite examples by Kengo Kuma: an exceptionally unique Starbucks building in Japan. This design beautifully illustrates how focusing on the aesthetic quality of narrow spaces can make them both captivating and engaging. The design utilizes a distinctive façade of wooden slats that wrap around the interior of the narrow building. This not only provides visual interest but also creates a sense of warmth and texture. The natural wood contrasts with the surrounding urban environment, allowing the building to stand out while still skillfully complementing its context.

The building’s design incorporates both vertical and horizontal elements to break up the narrow space visually. The wooden slats are arranged in a way that adds depth and dimension, creating a dynamic interplay of light, shadow and various textures. This technique helps to mitigate the sense of constriction often associated with narrow spaces. The use of natural materials and the building’s subtle yet striking design contribute to its visual appeal, making it a standout feature in a densely built environment. By addressing the aesthetic quality through innovative material use, light integration, and thoughtful design elements, the Starbucks Coffee at Dazaifutenmangu Omotesando transforms a narrow space into a visually compelling and engaging environment within its dense urban context.


Designing in narrow alleyways and confined urban spaces presents distinct challenges that demand innovative and thoughtful solutions. This article aimed to redefine the concept of an urban canyon by showcasing diverse and unique examples and by addressing critical issues such as light, space utilization, accessibility, and aesthetics. Architects can transform these constrained spaces into vibrant and functional environments by utilizing the strategies discussed to demonstrate that even the most constrained spaces can be reimagined to enhance urban livability and contribute to the overall character of the city. Embracing these design opportunities not only addresses the challenges of confined spaces but also enriches the urban experience, turning limitations into assets and creating dynamic, engaging environments.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

The post Urban Canyons: Designing with Narrow Alleyways and Confined Spaces appeared first on Journal.

Icons of Innovation: 6 Cultural Catalysts Bridging People and Place

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Cultural projects serve as more than just physical spaces; they embody collective identity, history and the evolving narratives of our communities. From the grand halls of theaters to the intricate layouts of museums, these spaces reflect the diversity of human experience and the role architecture plays in shaping how we engage with art, history and culture. The significance of such projects has never been greater as they continue to inspire, educate and bring people together across boundaries.

For this year’s A+ Awards, architects and designers have again been recognized for exceptional cultural designs pushing the boundaries of form, function and innovation. This year’s winners showcase an array of projects that redefine the cultural landscape, elevating the experience of art and how to engage with the community. Across cultural centers, concert halls, theaters and museums, major trends are emerging that emphasize sustainability, inclusivity and accessibility. This year’s award-winning designs highlight how cultural architecture can lead the way in fostering a deeper connection between people and place.


Prepared Rehmannia Root Crafts Exhibition Hall

By LUO studio, Xiuwu County, Jiaozuo, China

Jury Winner, Cultural and Expo Centers, 12th Annual A+Awards

Xiuwu County in Henan Province, historically known as Huaiqing Prefecture, is renowned for its production of traditional Chinese medicinal herbs, including the highly valued Rehmannia root (“Shu Di Huang”). In Houyanmen Village, the county has prioritized rural industrial revitalization, with the Ice Chrysanthemum Plantation and the Prepared Rehmannia Root Crafts Exhibition Hall serving as key examples.

Supported by government funding, these facilities employ local red bricks and engineered wood frames, blending traditional craftsmanship with modern construction techniques to create durable, spacious structures that honor the village’s architectural heritage. LUO studio’s innovative design for the exhibition hall integrates local materials and ecological considerations, challenging conventional industrial park construction methods while promoting the integration of agriculture, tourism and education in the region.


Skamlingsbanken Visitor Centre

By CEBRA, Kolding, Denmark

Popular Choice Winner, Cultural and Expo Centers, 12th Annual A+Awards

The visitor center at Skamlingsbanken, a historic site in southern Denmark, is designed to blend seamlessly with its glacial landscape, reflecting the area’s rich history of democratic events and natural beauty. Built into the rolling hills, the center serves as both a gateway to the surrounding nature and a space for exhibitions on Skamlingsbanken’s past.

The architecture, inspired by the landscape, features local materials like wood and terrazzo, creating an earthy, introspective environment. A collaborative effort expanded the protected area around the center, ensuring the preservation of local biodiversity with a custom grass mixture to support native species.


Théâtre de Verdure

By Lemay, Montreal, Canada

Jury Winner, Hall / Theater, 12th Annual A+Awards


The redevelopment of the Théâtre de Verdure, originally opened in 1956, has transformed it into an inviting, year-round venue that harmoniously blends architecture and landscape. The project includes a new building, redesigned stage, amphitheater, and public spaces, all using modern materials that honor the theater’s original modernist design.

The structure’s transparent, open design creates a seamless connection between the theater and its natural surroundings, allowing it to comfortably host up to 2,500 people for major outdoor events while remaining sensitive to the enchanting site it inhabits.


Perelman Performing Arts Center

By REX, New York City, New York

Popular Choice Winner, Hall / Theater, 12th Annual A+Awards

The Perelman Performing Arts Center (PAC NYC) is a key cultural landmark and the final public element of the World Trade Center master plan. This dynamic venue hosts music, theater, dance, opera and film, with a design that enhances artistic creativity and offers patrons ever-changing experiences. The building’s elegant form, wrapped in translucent marble, appears solid by day and reveals its vibrant interior at night.

PAC NYC features three adaptable theaters with seating configurations ranging from 90 to 950, allowing for diverse stage formats. The structure, designed to overcome complex underground constraints, is supported by seven super columns and protected from external vibrations, ensuring uninterrupted performances. The façade’s 4,896 marble-glass panels, arranged in a biaxially symmetric pattern, add to the building’s striking aesthetic.


Richard Gilder Center for Science, Education, and Innovation

By Studio Gang, New York City, New York

Jury Winner, Museum, 12th Annual A+Awards

The Richard Gilder Center for Science, Education, and Innovation at the American Museum of Natural History in New York enhances public understanding of science through experiential architecture. The design creates over 30 connections among 10 buildings, improving functionality and visitor flow with a new accessible entrance on Columbus Avenue. The building’s central five-story atrium, inspired by natural geologic formations, opens to natural light and invites exploration.

The Center features an insectarium, butterfly vivarium, the Collections Core with over 3 million specimens, and immersive exhibits like Invisible Worlds. The Gilder Center’s vertical design reduces energy use, with a high-performance envelope and passive cooling strategies that reflect the Museum’s commitment to the natural world.


Qujiang Museum of Fine Arts Extension

By Neri&Hu Design and Research Office, Xi’An, China

Popular Choice Winner, Museum, 12th Annual A+Awards

The Qujiang Museum of Fine Arts in Xi’an, located near the Giant Wild Goose Pagoda, was designed by Neri&Hu as a monolithic urban monument. Serving as an architectural icon and cultural anchor at the museum’s East Entry, the design carefully integrates with the surrounding urban fabric.

The building consists of four parts: a partially sunken concrete base that retains original museum spaces and adds new retail functions, a Sculptural Walk enclosing circulation, an elevated podium platform, and a monumental structure. Escalators within a sculptural form lead visitors from the ground plaza to the underground museum, creating a dramatic entry experience.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

The post Icons of Innovation: 6 Cultural Catalysts Bridging People and Place appeared first on Journal.

Groundbreaking Design: The Belgian Architecture Firm Rewriting the Future of Subterranean Dwelling

Underground living holds many negative connotations. Obscurity, claustrophobia, darkness. Yet, despite the premium we put on natural light and fresh air, there are benefits to subterranean habitation. Underground spaces benefit from thermal insulation against heat and cold, and building beneath the earth’s surface could help preserve ecosystems in the open air. What if we could embrace the benefits of subterranean dwelling while ameliorating the shortcomings? The Belgian design firm Claerhout–Van Biervliet Architects has a radical plan to do just this. The craziest part? Their prototype for the Periscope House could become a reality.

The project’s intricate complexity almost defies conventional design descriptions; it not only challenges common expectations of what architecture can and should do but also asks us to rethink the utility of imposing a dichotomy between physical and virtual realms, which are already merged in our lived realities. In short, the Periscope House — which is built completely below terrain level yet features a large central patio and a contour of outdoor space —  addresses common issues associated with underground environments by introducing a dynamic system of movable double mirrors. These mirrors, functioning as periscopes, can be adjusted to bring natural light and expansive views into the heart of the subterranean dwelling, transforming the typically dark and oppressive atmosphere into a verdant oasis.

During the day, solar-powered mechanisms elevate the mirrors, while at night, they retract, blending back into the landscape. This dual-purpose design also supports sustainability by utilizing gravitational energy, which is converted into mechanical energy to generate power (the upper mirror doubles as a plant container for hanging vegetation), integrating green infrastructure with cutting-edge technology. Most crucially, the project’s thesis is that the periscope system is “more than a reflection of reality. It revolutionizes our perception by entirely displacing it.”

In this exclusive interview, Architizer’s Managing Editor, Hannah Feniak, sits down with with Xaveer Claerhout, cofounder and architect at Claerhout–Van Biervliet Architects, to uncover the ideas, inspirations and details behind the visionary design and to explore how a radical proposal is also a buildable reality and a plausible vision for the future.

Hannah Feniak: Congratulations on winning your first A+Award! What does this kind of recognition mean for your firm, and how does it aid in developing your practice?

Xaveer Claerhout: It is an important endorsement for us. Our architectural firm Claerhout – Van Biervliet is engaged daily in designing and realizing architectural projects. These projects are continuously tested against reality. With Metamorphic Art Studio — our artistic and creative studio, which operates from within our architectural firm — we, together with our son and visual artist Adriaan Claerhout, conceive and develop innovative concepts such as the Periscope project on our own initiative. The common thread here for nearly two decades now has been our conviction that artifacts in the near future will partially be able to physically metamorphose, meaning that they will have the capacity to transform and adapt.

In 2008, we launched the principle of this ‘Metamorphic Architecture’ in conjunction with an exhibition of our first manifest movie, ‘Kinetower,’ and the first metamorphic prototypes of transforming lamps in Verona (Italy). Today, this A+Award indicates that the Periscope project is relevant and appreciated by both a specialized architectural jury and a global audience of architecture enthusiasts.

View over landscape on level -1: upper mirror up/lower mirror up 

No view over landscape: upper mirror down/lower mirror up | PERISCOPE – reality displacement as space enhancer and energy storage device by Claerhout – Van Biervliet Architects, Concept | Popular Choice Winner, Unbuilt Private House (L > 3000 sq ft) | Visualizations by Adriaan Claerhout

HF: Your portfolio largely consists of context-driven residential designs with striking geometric and textural elements. How would you define your firm’s architectural approach and design philosophy?

XC: This is true for our specific architectural assignments we have realized so far with our architectural firm Claerhout – Van Biervliet. We have clients who approach us for a tailor-made building for their specific program and context. We create their house, apartment, retreat or office with an organic and flowing feeling and functionality, where light and space play the key role. Our driving force is creating spaces that inspire happiness and well-being.
Within Metamorphic Art Studio, we are looking for more archetype-driven solutions and innovations. The aim is not only to conceive but to also effectively realize these innovations as much as possible through integration into context-driven architectural designs.

We have become convinced through designing and developing many transformative prototypes, metamorphic light fixtures, buildings and artworks that there is an archetypal relationship between open forms and a lot of light and air — and vice versa. Some of our metamorphic artifacts, such as the artwork named ‘Cuts’ and the lamp named ‘New York,’ make part of the permanent collection of the Museum Centre Pompidou in Paris since 2016. Artifacts that can transform and metamorphose their shape in order to adapt to the needs of the moment are often intuitively and universally understood. Buildings come to life and open up in order to receive light and air where and when needed and can then close up again as if they were an organism.

Right: Upper mirror down, building closed | Left: Upper mirror up, building accessible

Upper mirror up; view over the landscape | PERISCOPE – reality displacement as space enhancer and energy storage device by Claerhout – Van Biervliet Architects, Concept | Popular Choice Winner, Unbuilt Private House (L > 3000 sq ft) | Visualizations by Adriaan Claerhout

HF: Your A+Award-winning project, PERISCOPE, imagines a semi-subterranean structure that uses retractable mirrors to bring light and atmosphere below grade to create a microclimate. What inspired — or, led you to develop — this project?

A combination of several elements:
• The primal idea of retreating and being protected by a hole in the ground is a typically pandemic thought that triggered our imagination.
• The COVID-19 crisis gave us time to conceive and develop this innovative concept.
• The increasing scarcity of building land often results in enormous basements that nevertheless need to house primary living and working functions but always suffer from dreary ‘basement architecture’ with a lack of light and view.
• By extrapolating the idea of retractable periscope mirrors on an architectural scale, light and view can be brought to underground levels, solving the above issue.
• The basic fascination of finding solutions to discreetly nesting a building in a valuable natural environment.
• The challenge of reactivating a Roman or Palladian building scheme by making it four-dimensional and adaptive.
• Finally, the intriguing challenge of combining the centuries-old periscope system to bring light and view to a subterranean level with a gravity battery.

We have tried to bring all these elements together in a synergetic way. The short film, featured at the top of this article, illustrates how an underground building can come to life.

Left: Upper mirror down/lower mirror up, providing a view over the inner gardens | Center: Upper mirror rising  | Right: Upper mirror up

Upper mirror up/lower mirror -2, providing a view over the landscape for level -2 | PERISCOPE – reality displacement as space enhancer and energy storage device by Claerhout – Van Biervliet Architects, Concept | Popular Choice Winner, Unbuilt Private House (L > 3000 sq ft) | Visualizations by Adriaan Claerhout

HF: With its dynamic solar-powered framework, imagined as a “space enhancer,” PERISCOPE presents an architecture that blurs the distinction between the physical and virtual realms — a phenomenon we experience daily. Why do you think it is important that architects explore this concept?

The physical reality is increasingly cannibalized by virtual reality. The latter tries more and more to compete with the ‘static’ physical world. It is Metamorphic Art Studio’s aspiration to provide a counterbalance by focusing on virtualizing the physical reality. Hence our fascination to make this physical reality four-dimensional cinematographic or metamorphic through art, design and architecture. This opens up a new truly dynamic world. Architecture designed and functioning as a living organism where all parts will have to interact extremely sparingly and efficiently. The tools are already available: Parametrics to design skin and bone architecture and by implementing mechatronica, Metamorphics to make this architecture smart.

HF: Conceptual projects are key for firms to hone their design approaches and fine-tune visualization styles. What role do “paper projects” like this one play in your studio’s culture?

In our view, Periscope is not a ‘paper project’ that fits within a utopian tradition. It is a visual 4-dimensional manifesto that opens up a world of possibilities and longs to be built in order to prove its case. The project goes beyond being an innovative concept, since the technical aspects and feasibility have already been elaborated quite extensively. Our goal is to find a client with vision, combined with a skilled team of executors in order to create magic, push boundaries and bring this project to life in this shape or another.

Left: Lower mirror descending | Right: View over the landscape, lower mirror down

Angle view of the upper mirror up and the lower mirror up, reflecting the inside | PERISCOPE – reality displacement as space enhancer and energy storage device by Claerhout – Van Biervliet Architects, Concept | Popular Choice Winner, Unbuilt Private House (L > 3000 sq ft) | Visualizations by Adriaan Claerhout

HF: What are some of the key aspects of the process of creating PERISCOPE that will impact your built output moving forward?

A periscope is bidirectional. From underground, the view over the landscape suddenly comes inside. But what is underground is suddenly also displayed above ground. Art or car collections can be stored underground and displayed above ground when desired. Geologically interesting layers or archaeological findings can be made visible at a higher level. The mirrors can also be tilted, varying the field of view. We are currently designing a ritual building where the mirrors transition from the earthly to the heavenly. The mirrors can also become screens and bring digital content. In other words, architecture in the sharp middle between the virtual and the physical world, or in Platonic terms the Periscope as a cave explores the difference between reality and shadow. Within a broader context, the Periscope project indicates that we are always looking to discover new design paths so we can create interesting buildings.

HF: If you had one piece of advice to architecture firms considering entering the A+Awards next year, what would it be?

An opportunity not to be missed!


To see more of Claerhout – Van Biervliet Architects’ visionary work, visit the firm’s in-depth Architizer profile, and be sure to explore the work of Metamorphic Art Studio and Adriaan Claerhout Studio as well.

This article was produced in partnership with Claerhout – Van Biervliet Architects as part of an A+Awards special feature series. Top image: PERISCOPE – reality displacement as space enhancer and energy storage device by Claerhout – Van Biervliet Architects, Concept | Popular Choice Winner, Unbuilt Private House (L > 3000 sq ft) 

The post Groundbreaking Design: The Belgian Architecture Firm Rewriting the Future of Subterranean Dwelling appeared first on Journal.