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Office of the Future: 6 Ways Architects Worldwide Are Flipping the Workplace Model

The jury and the public have had their say — feast your eyes on the winners of Architizer's 12th Annual A+Awards. Subscribe to our Awards Newsletter to receive future program updates.

In a rapidly evolving world, office design is undergoing a transformative shift that reflects new approaches to creating spaces where people can thrive. The winners of this year’s A+ Awards have set a new benchmark for workplace environments, showcasing approaches that not only respond to contemporary needs but also anticipate the future of work. From flexible layouts that support hybrid working models to biophilic designs that foster well-being, these A+Award-winning projects highlight the creative solutions architects are employing to redefine the modern office.

One of the most significant trends in this year’s winners is the emphasis on flexibility and adaptability. As companies navigate the complexities of remote and in-person work, the demand for versatile spaces that can easily be reconfigured has never been higher. Architects are responding with innovative designs that include modular furniture, dynamic workstations, and multi-purpose areas, enabling businesses to adapt their spaces quickly and efficiently to changing needs.

Designers are also incorporating biophilic design principles; this year’s award-winning offices feature abundant natural light, gardens, and sustainable materials that create healthier, more inspiring work environments. The A+ winners demonstrate that the future of office design is not just about aesthetics or functionality but about creating spaces that support well-being and foster a sense of community.


Choice Headquarters

By Plan Associates, Chiang Mai, Thailand

Popular Choice Winner, Office – Low Rise (1 – 4 Floors), 12th Annual A+Awards

Choice Headquarters is located in Amphoe Mueang, Chiang Mai, surrounded by cultural treasures like Long-kao (rice harvest houses), the Wall of Chiang Mai, and traditional Thai terraces. These elements are thoughtfully integrated into the modern architecture, which features a simple plan with a four-story reinforced concrete structure centered around a courtyard that brings natural sunlight into the building.

The entrance hall is elevated for natural ventilation, and a grand staircase transitions between the first-floor plaza and the open space on the second floor, serving as a multi-purpose area for office activities, relaxation, meetings, and seminars. The space is oriented to optimize wind flow and sun shading, with the core area on the west side and long-use spaces like offices and meeting rooms on the north, south, and east sides. The column-free design creates a flexible open area, and the main staircase encourages exercise. The workspace is a mix of informal and formal spaces, fostering creativity and adaptability.


Lumber 4

By Oslotre Arkitekter, Kristiansand, Norway

Jury Winner, Office – Mid Rise (5 – 15 Floors), 12th Annual A+Awards

“Lumber 4” is a six-floor commercial and office building with a recessed ground floor for commercial use and five upper floors dedicated to office spaces. The structure features mass timber construction, with glued laminated timber columns and beams, and floors made from a composite of CLT and concrete. This slim, efficient floor system spans long distances while meeting fire and acoustic requirements. The building includes diagonals on the ground floor for better vehicular access and utilizes the existing communication core from adjacent phases for lateral stability and access to office floors.

An atrium with a mass timber internal staircase is introduced between the third and fourth floors, showcasing prominent wood elements that provide warmth in winter and cooling in summer. The façade consists of prefabricated curved pine elements treated with green paint, with straight eaves creating curved shadows on the panels. Over time, the paint will weather, resulting in a dynamic façade with lighter and darker sections. The building uses wood fiber insulation and fire-treated pine cladding.


KNEM Offices

By b720 Fermín Vázquez Arquitectos, Barcelona, Spain

Popular Choice Winner, Office – Mid Rise (5 – 15 Floors), 12th Annual A+Awards

The KNEM Offices are located on a plot that was once part of the former jute spinning mill of Hermanos Godó, known as “El Cànem.” The façade of the existing building facing Doctor Trueta Street, included in the Architectural Heritage Protection Plan, has been preserved. The program is distributed in three volumes: two blocks facing the streets and a central block that joins them through a large landscaped patio.

A continuous masonry plinth runs along the perimeter, unifying the three volumes into a single programmatic and formal body. Two glass boxes, screened with an aluminum lattice evoking the weaving of jute fibers, are supported and raised on this plinth. This design contrasts the industrial past with the contemporary elements of the new building. The blocks facing the street offer large, flexible office spaces thanks to strategically located vertical cores and a post-tensioned concrete structure. The central block comprises smaller duplex-type offices open to the central passageway, reminiscent of the old industrial workshops that once populated Poblenou.


Huamu Lot 10

By Kohn Pedersen Fox Associates, Shanghai, China

Jury Winner, Office – High Rise (16+ Floors), 12th Annual A+Awards

To create a sustainable mixed-use urban environment that invites tenants and visitors to experience nature and art in an active setting, Huamu Lot 10 showcases a new form of participatory urbanism. The project features three office towers and a future museum situated around a central grand plaza, landscaped with lush greenery, water features, and meandering walkways. This plaza, activated by surrounding cultural programming, is designed to accommodate large-scale artwork.

Each of the three towers is efficiently planned and rationally massed to make a strong statement and adapt to future contexts. The glass curtain wall façades provide panoramic views and ample natural light, with strong horizontal elements emphasizing rigidity. Subtle cantilevers at uniform heights create a visually connected Sky Gallery, an iconic gesture above the neighborhood. At night, these cantilevered elements are illuminated to highlight Huamu Lot 10. Stepped gardens on roofs and terraces offer verdant outdoor gathering spaces with sweeping city views.


Uniview Headquarters

By GOA (Group of Architects), Zhejiang, China

Popular Choice Winner, Office – High Rise (16+ Floors), 12th Annual A+Awards

Uniview Headquarters represents a modern, technology-driven corporate environment designed for efficiency, dynamism and functional integration. Nestled in Hangzhou’s high-tech industry zone, it extends to the southern tip of an urban landscape axis. A large sunken garden within the site connects to an urban park, serving as the district’s public green core. The headquarters’ west interface features a sweeping curve that embraces nature, while the south and east maintain a neat design, aligning with the surrounding cityscape.

The headquarters includes a 22-story administrative office tower, an eight-story R&D center, and a service and leisure hub at the base. A covered ground-level corridor facilitates smooth navigation and efficient access for staff and visitors. Designed to foster an open and vibrant atmosphere for over 5,000 employees, the R&D center offers a flat, expansive floor space on each level, connecting intimately with the functionality below. The basement serves as a leisure hub with a cafeteria, fitness center, library, café, and retail spaces.


Duntax Office

By 6717studio, Ho Chi Minh City, Vietnam

Jury Winner, Low Rise (1 – 4 Floors), 12th Annual A+Awards

Duntax Office, located in the Tan Phu District of Ho Chi Minh City, sits at an intersection with an open view but uninspiring surroundings. The construction faces challenges from global warming and environmental pollution, and the investor desired rapid completion with structural durability and city-landscape integration. The initial idea for the building was to use lightweight structures integrated with green patches and environmentally-friendly features, creating a modern workplace with an inspiring and serene atmosphere, detached from the hurried urban life.

The structure features smooth curves instead of sharp corners, offering distinct designs from different perspectives, making it stand out. Irregular greenery enhances the building’s appeal and charm. The staircase is positioned at the west end to maximize space and block heat, while workplaces are placed at the front for better lighting and views. Inspired by traditional Vietnamese architecture, the terrace includes a garden, pond, and canopy, blurring the line between indoors and outdoors.

The jury and the public have had their say — feast your eyes on the winners of Architizer's 12th Annual A+Awards. Subscribe to our Awards Newsletter to receive future program updates.

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Retail Redefined: 6 Ways Architects Are Reconceptualizing Consumer Spaces

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This year’s A+ Awards have brought to the forefront retail and shopping projects that redefine the boundaries of commercial architecture. Celebrating ingenuity, innovation and an acute sensitivity to the evolving consumer landscape, the winning projects exemplify how design can transform how we shop. From storefronts that seamlessly blend with their environments to sprawling retail complexes that invite exploration, these projects are not only beautiful but also setting new benchmarks for immersive design.

Many of the following projects are designed to be more than just places of commerce; they are envisioned as hubs that foster social interaction and contribute to the urban fabric. This year’s winners have created spaces that resonate with their users, encouraging repeat visits and long-term engagement. Highlighting a range of styles and concepts, the A+Award-winners offer a glimpse into the future of commercial architecture. Whether through integrated technology, adaptive reuse of historic buildings, or inventive layouts, these projects demonstrate that the possibilities in retail design. As we delve into the details of each winning project, it becomes clear that the future of shopping is not just about the transaction but about creating memorable experiences.


Apple Battersea

By Foster + Partners, Battersea, Greater London, England, United Kingdom

Jury Winner, Retail, 12th Annual A+Awards

Apple Battersea features a modular design. Prefabricated solid timber avenues accommodate themed avenue bays and counter-based services within a universal framework. The design includes an Apple Pickup station, a reimagined Genius Bar for face-to-face support, and a customer experience area for visitors to try and customize devices. An energy-efficient displacement air strategy delivers conditioned air through the base of the avenues, creating a comfortable environment for staff and visitors.

To extend the store’s life and reduce its carbon footprint, the system can be easily modified, repaired and reassembled to adapt to future needs, using fewer petrochemical and carbon-intensive materials. The ceiling features biogenic acoustic baffles, minimizing the use of metals, while the bio-resin terrazzo flooring incorporates biopolymers, reducing the need for chemical resins. The store runs on 100 percent renewable energy and is carbon neutral. It integrates universal design principles, offering varied table and seating heights, wheelchair access, and portable hearing loops. The project respects the historic Grade II listed landmark by retaining central brick columns and using a material palette that harmonizes with the heritage-driven approach, balancing the historic with contemporary uses.


Komonokaen

By Tatsuya Kawamoto + Associates, Japan

Popular Choice Winner, Retail, 12th Annual A+Awards

For Komonokaen, the goal was to create a new landmark in Mie Prefecture by integrating two sites across the road into a seamless landscape featuring a florist, plant shop, and café. Located in a tourist area, the project places the building in a U-shape, making the road feel like part of the garden. This design encourages visitors to feel as if they are already within the space even as they pass by. The glass façade and continuous eaves create an inviting, accessible environment, promoting continuity between the interior and exterior. The interior is designed as an open space without partition walls, utilizing a “stacked beam” method to construct long beams on-site, ensuring the use of locally available lumber and craftsmanship.

Local craftsmen played a pivotal role in the project, reflecting the client’s vision of creating a community-driven landmark. Materials were sourced and crafted locally, including 20,000 pieces of natural stone laid by a single craftsman and custom-mixed plaster for the interior. Rough stones were installed throughout the building, and an old piece of wood was repurposed for the entrance door, showcasing the ingenuity and dedication of the local artisans. Over five years, this collaborative effort resulted in a unique and enduring landmark for the town, embodying the client’s and craftsmen’s shared vision.


SKP Chengdu

By SYBARITE, Chengdu, China

Jury Winner, Commercial > Shopping Center, 12th Annual A+Awards

SKP Chengdu, a landmark in luxury mixed-use masterplanning, is the first blueprint of its kind for fashion, technology and art. This holistic and collaborative project by Sybarite, realized with partners Field Operations and Arup, seamlessly integrates contemporary luxury and next-generation luxury. The site features a blend of urban park and underground buildings, connected by avenues of hospitality, experience, and lifestyle, creating a sense of interconnectedness.

Spanning mixed-use retail and hospitality, SKP Chengdu reflects SKP’s commitment to scale and growth. The design, rooted in local cultural empathy, evolves the architectural codes established a decade ago, marked by ‘The SKP Curve’. The customer journey, themed “Parallel World,” links the park with the architecture, offering an experience-led utopian world. Field Operations’ landscape design celebrates Chengdu’s cultural diversity, linking sunken retail spaces with public realms, putting nature at the forefront of the retail experience.


The Commons Saladaeng

By Department of ARCHITECTURE, Bangkok, Thailand

Popular Choice Winner, Shopping Center, 12th Annual A+Awards

The Commons Saladaeng, the second development from the Commons family, is a vibrant venue for various F&B outlets and other activities in Bangkok’s historic Saladaeng neighborhood. Named after a red pavilion from the past, the design pays homage to this history with red rubber corrugated sheets, chosen for their acoustic properties and visual nod to the old train station roof. The building features eight small gables, reflecting past architectural scales, supported by a specially designed M-shaped roof structure that balances the sentimental scale of the past with modern operational needs.

A large ficus tree at the front of the site is the focal point, with the building’s facade curving away to minimize disturbance while emphasizing the tree’s presence. The middle volume is an open-air public space oriented towards the tree, offering a comfortable microclimate. Nearly 30% of the building footprint is a “Common Ground,” a large open-air public space that connects various levels of the building. This space features large steps with platforms, seating, and planting, equipped with industrial fans for continuous low-velocity ventilation.


Apparatus

By Buckley Gray Yeoman, London, United Kingdom

Jury Winner, Showrooms, 12th Annual A+Awards

Apparatus is focused on lighting and objects, and has expanded to Europe with a new showroom in London. The showroom is designed by BGY ID in collaboration with Apparatus Artistic Director Gabriel Hendifar. The 4,000-square-foot retail space spans two levels in a Grade II listed building. The design reimagines a boutique store, blending contemporary influences with cultural heritage. A key requirement was a minimal, flexible setting, achieved through an accessible ceiling made with an aluminum honeycomb core and finished with bespoke plaster. The square motif on the ceiling extends to the walls with circular detailing, and the main walls feature artistic plasterwork.

The ground floor features a chalk-like space with materials displaying gentle patina and bespoke net drapery that diffuses sunlight. Classical architectural influences appear in non-structural columns and geometric motifs. A stone portal leads to a staircase with a sweeping curve clad in v-grooved lacquered walnut burl panels. A brass handrail wrapped in hand-stitched suede and matching brass stair nosings add to the elegance. As visitors descend, the palette shifts from lighter tones to taupe and chocolate, with a velvet ceiling, deep plush carpet, and bronzed mirror paneling providing a backdrop on the lower level.


Wangbangyo

By On Architects Inc, Ulsan, South Korea

Popular Choice Winner, Showrooms, 12th Annual A+Awards

The late Jeongheui Shin revived the lost tradition of Joseon sabals (ceramic bowls) from the Joseon dynasty, creating the renowned “Ido Tea Bowls” and yellow tea bowls recognized in Japan. He studied Korean glaze and soil, reconnecting and developing Korea’s ceramic heritage. His son, Yongkyun Shin, continues this legacy by adhering to traditional methods, with a focus on Deombeong Buncheong pottery. His works reflect the calm and simplicity of traditional Korean life, harmonizing with nature.

In Wangbang Village, Samdong, a historical site for Buncheong ware production, Wangbangyo has established a new café and exhibition hall. This project aims to integrate ceramics with nature, showcasing them outdoors to blend with the natural surroundings. The design features eight walls that connect the mountains, symbolizing human-made cracked glaze over nature. This innovative approach creates a connection between interior and exterior spaces, encouraging visitors to explore their inner worlds while appreciating tea and ceramics. The minimalist architecture, influenced by the artisan’s sensibility, embodies the philosophy of enjoying and contemplating the void and fullness of life.

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The post Retail Redefined: 6 Ways Architects Are Reconceptualizing Consumer Spaces appeared first on Journal.

Peep Show: 4 Beautiful Buildings Designed To Showcase What’s Inside

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

If people-watching were a sport, I’m certain I’d be a gold medalist. That might have you raising an eyebrow or two, but stick with me here. The thing about humans is that we’re nosey. You can use the word curious if you’d like to be polite about it, but nosey works for me. There’s just something about seeing other people going about their daily lives and wondering where they are rushing off to and who they might be meeting. Is it somewhere fun? We just can’t help ourselves but wonder. It’s why reality TV is so popular; it’s why all the best cafes are on plazas. It’s even the reason apps like Instagram exist. We just like to see what’s going on in other people’s lives.

Unfortunately, there is often one very large obstacle that gets in the way of our unabashed curiosity. Those big, solid hunks of mass that our eyes just can’t seem to penetrate. Walls. Pesky walls hide any number of interesting things. Well, fret no more. It would appear that we, the nosey ones, are not alone, and these A+ Award-winning architects are more than happy to show us their inner workings. Each of the following projects has been designed in a way that invites the viewer to look deeper and ask the question, “Do we really need so many walls?”


Théâtre de Verdure

By Lemay, Montréal, Canada

Jury Winner, Hall / Theater, 12th Annual A+Awards

The Théâtre de Verdure first became a working outdoor theatre in 1956. Since then, it has hosted many wonderful performances. Its recent redevelopment, a new four-season concept, aims to strengthen the building’s relationship with its inner park location, honoring its beautiful natural surroundings and responding to them with sensitive interventions.

By making the main stage building lighter and opening up the sides and the rear, the architects have created an environment where landscape and architecture can comfortably coexist. They have reduced the stage’s visual impact on the park while intelligently incorporating the surrounding natural beauty into the performances that will take place on the outdoor stage. Glimpses of tree life and the evolving nature can be seen from within the stage — a decision that facilitates a beautifully immersive experience for performers and viewers alike. Additionally, as a through-and-through space, the simple stage’s entire depth is vastly apparent and can now be used to its full potential for shows that can gather a crowd of thousands of people.


Skew House

By DANILO DANGUBIC ARCHITECTS, Pancevo, Serbia

Popular Choice Winner, Multi Unit Housing – Mid Rise (5-15 floors), 12th Annual A+Awards

Photos by Miloš Martinovi?

Skew House in Pancevo is very much about its façade. It is a residential building made up of twenty-four units of varying sizes. On the inside, the building is modest and streamlined, with a conventional layout and color scheme. The exterior, however, is where the showing-off happens.

Equipped with sliding façade panels, the building is eye-catching and ever-changing. Offering both aesthetic appeal and intelligent practical benefits, the terracotta-tone panels are designed to slide and be adjusted by residents to control lighting and privacy. The perforated panels can be stacked, opened or lined up individually to achieve various levels of connection or disassociation to the outside, not simply to achieve a certain look but as a way of adjusting the internal temperature or level of daylight entering each of the apartments. This seemingly simple design feature assists in creating a comfortable climate for its individual inhabitants. It is a fantastic building that is effortlessly flexible and adaptable at a moment’s notice.


John A. Paulson Center

By KieranTimberlake and Davis Brody Bond, a Page Company, New York City, New York

Jury Winner, Higher Education and Research Facilities, 12th Annual A+Awards

Photos by Connie Zhou / JBSA

Finding adequate space in Manhattan is never easy. However, when you do, it’s always a good idea to make the most of your incredible surroundings, and that is exactly what KieranTimberlake, the architects in charge of creating New York University’s newest building, the John A. Paulson Center, have done.

Not far from Washington Square Park, the new building, designed to optimize interactions between various student groups and academic disciplines, fully takes advantage of its 360-degree relationship with the surrounding neighborhood. In a surprising move, the architects have chosen to place the building’s main circulation routes along the transparent perimeter of the structure, with all classrooms and instructional spaces at the center of the building. This unconventional but incredibly successful design choice gifts faculty and students with one-of-a-kind city views as they navigate the building, truly making the most of its remarkable location.

To passersby, the design has become a feature of interest. This unusual layout choice gives outside observers a sense of the activity going on within the building, connecting it to the rest of the city and encouraging the casual encounters and intellectual exchanges that are at the center of the NYU experience. From above, overlooking buildings can see a series of green roofs and outdoor terraces that brighten the upper landscape and help accentuate a connection with nature as well as the campus inhabitants.


Komonokaen

By Tatsuya Kawamoto + Associates, Japan

Popular Choice Winner, Retail, 12th Annual A+Awards

Photographs by ToLoLo Studio

At face value, Komonokaen is a florist, a plant shop and a café. Yet, the place is so much more than a simple retail space. It is an integral part of its neighborhood, a landmark space within its hometown that strives to welcome visitors to linger and lounge in its tourist-heavy location.

Consisting of two structures separated by a road, the architects, Tatsuya Kawamoto + Associates, have taken great care to combine two sites into one experience with continuity and finesse. Positioned in a U-shape, the two buildings give the impression of one continuous property despite being two plots. The open-plan store has been designed specifically to attract passers-by and draw them off their path while encouraging them to meander through the tranquil space and explore.

Very few internal walls have been used in the design in a quest to remove barriers and strengthen the relationship between the indoors and outdoors. This idea is strengthened by the vibrant gardens that surround the building. By incorporating nature around and through the building, the architects have ensured the dissecting road becomes part of the building and customer journey, not an interruption. The design succeeds in creating an open and welcoming environment that feels cohesive and pleasant.

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

The post Peep Show: 4 Beautiful Buildings Designed To Showcase What’s Inside appeared first on Journal.

Building on the Edge: Can Antarctic Architecture Guide Global Sustainable Design?

The jury and the public have had their say — feast your eyes on the winners of Architizer's 12th Annual A+Awards. Subscribe to our Awards Newsletter to receive future program updates.

Recent temperatures at Cape Shirreff have rested at around 14 Fahrenheit (-10 Celcius). But once 55 miles per hour (89 kilometers) wind gusts are taken into account, it’s felt more like -16.6 Fahrenheit (-27 Celcius). Extreme cold by anyone’s standards, this couldn’t sound further removed from the hottest ever day recorded on Earth — Monday July 25th — when global thermostats averaged 16.3 Fahrenheit (17.15 Celcius). This beat the previous record, which had been set just 24 hours earlier. 

Yet sub-zero climates are where global heating is the strongest. Speaking with British polar explorer Felicity Aston MBE earlier this year about her all-female, four-year expedition to the Arctic, B.I.G. (Before It’s Gone), she painted a bleak picture. The project, which initially aimed to measure microplastics in sea ice, had to be completely reimagined because it’s becoming impossible to reach the North Pole on skis as once-frozen oceans become increasingly unstable and defrosted. 

Antarctica is experiencing similar phenomena on the other side of our planet. Since 1950, this snowbound continent has seen average annual temperatures rise by 37.4 Fahrenheit (3 Celcius), more than anywhere else in the Southern Hemisphere, triggering a collapse of ice shelves that is gathering pace. This is the frontline of a climate crisis unfolding in real-time, and we need scientists here to fully understand what’s happening and what that might mean for the rest of us. Suffice to say, though, building in this remote environment is tough, let alone constructing something that can endure brutal elements over long periods of time.

Holt Watters Field Camp by Colorado Building Workshop at the University of Colorado, Denver and Bespoke Project Solutions, Antarctica

Holt Watters Field Camp, at Cape Shirreff, is an essential base for scientific study in the region. Here, the Antarctic Ecosystems Research Division of NOAA Fisheries has been studying the dynamics, behavior, diet and overall health of native seabirds and pinnipeds. But after 20 years, the facilities were deteriorating and in desperate need of an upgrade. Enter the Colorado Building Workshop at the University of Colorado, Denver, and Bespoke Project Solutions, who worked together to deliver a solution. 

The designs are defined by resilience and functionalism. Spanning 2,000 square feet (185 square meters), the main campus comprises three prefabricated buildings with no component larger than 1 by 4 by 16 feet. This meant they could be transported into place on zodiac dinghies, and no more than four people were needed to lift any single part. Thanks to these lightweight properties, the entire facility was assembled during a single austral summer —the two month period that is the only time of year when such work would be possible. The pre-fabrication strategies also sought to virtually eliminate all construction waste.

Holt Watters Field Camp by Colorado Building Workshop at the University of Colorado, Denver and Bespoke Project Solutions, Antarctica

Sections of the new Holt Watters Field Camp arrive by zodiac dinghy by Colorado Building Workshop at the University of Colorado, Denver and Bespoke Project Solutions, Antarctica

Completed early-2024, Holt Watters Field Camp now comprises two buildings standing side-by-side, their offset gable roofs collecting vital rainwater — the only fresh water source available for the scientists. A third structure runs behind that pair, acting as a wind fence to stop snow building up in the courtyard, while the roof is topped with a P.V. array, providing clean solar energy to power operations.

The complex is not only self-sufficient in terms of resources, it has also been created with minimal maintenance as a priority thanks to light-interfering color stainless steel cladding covering the roof and walls — 75% of this material is recycled content. Meanwhile, the interior uses water-resistant Meranti plywood, hiding thick insulation that provides a comfortable working environment. 

The blueprint succeeds because of its simplicity. Antarctica is an unforgiving place that doesn’t suffer fools gladly, nor overly complex designs. Anything being erected here needs to be finished efficiently, meaning without superlatives, with every aspect and element serving a tangible purpose that contributes to a greater mission.

The main campus at Holt Watters Field Camp takes form by Colorado Building Workshop at the University of Colorado, Denver, and Bespoke Project Solutions

This simplicity is born out of necessity, of course, but ironically it’s also an approach that could, should, and is increasingly informing the most sustainable architecture across the globe. Use only what you need is a long-forgotten mantra humans would do well to reintroduce into common parlance. 

A few degrees further south, and the British Antarctic Survey has also received significant investment in the past 12 months through the Antarctic Infrastructure Modernisation Programme. The UK’s Rothera Research Station is in the process of an extensive upgrade, with a milestone reached just last month as a 32-year-old airstrip was fully resurfaced and brought back online.

The new Discovery Building at Rothera Research Station by Hugh Broughton Architects and British Antarctic Survey, Antarctica 

Rock from a previous project on the same peninsula was used for as much of the work as possible, significantly cutting overall impact by reducing the amount of virgin materials involved and transportation footprints. Draining has been improved around the base to boost resilience, and again solar technology is utilized to provide clean, self-sufficient power. A new Discovery Building, dedicated to science, benefits from high levels of internal insulation, offering a protected, warm workspace for teams.

This project is made even more remarkable due to the fact joiners, electricians and other tradespeople drafted for the improvements have ‘wintered’ with the on-site team, working on internal aspects during months when the skies never get light, and the weather is beyond challenging. It’s a huge order to ask of anyone, but the importance of these efforts cannot be understated.

Just as Aston discovered through the aptly-titled B.I.G. expedition, the extremities of our planet are bearing the brunt of human-driven climate change, and thanks to their deceptively vulnerable nature, will be the first places on the planet to change irrevocably because of our behavior. With this in mind, ensuring the uninterrupted, continued study of these regions, while they still exist as we currently know them, must be a scientific imperative. The architects throwing their weight behind such initiatives are also pioneering more sustainable design approaches that architects worldwide would benefit from heeding.

The jury and the public have had their say — feast your eyes on the winners of Architizer's 12th Annual A+Awards. Subscribe to our Awards Newsletter to receive future program updates.

The post Building on the Edge: Can Antarctic Architecture Guide Global Sustainable Design? appeared first on Journal.

Branching Out: 5 A+Award-Winning Projects Featuring Forest-Inspired Design

Architizer is thrilled to announce the world' best architecture firms in 2024, all winners of the 12th Annual A+Awards! Want to get your firm in the running next season? Stay up to date by subscribing to our A+Awards Newsletter. 

Within an ancient camphor tree lives Totoro. With pointed ears and an unmistakable grin, the towering grey figure is the guardian spirit of the forest. Since the ’80s, Hayao Miyazaki’s “My Neighbor Totoro” has been somewhat of a cultural phenomenon, and the film’s supporting character, Totoro, a forest-dwelling entity, has become a truly iconic figure in Japanese culture and across the rest of the world. It may be the cuddly creature’s expressive face and gentle nature that make him so beloved, but it is Totoro’s deep connection with nature, captured so beautifully in the 1988 animation, that leaves viewers of the film contemplating their own relationship with nature.

“My Neighbor Totoro” invites its viewers into a stunning world where humanity and nature coexist in balance. The film stands out for focusing on creating an atmosphere of wonder and tranquility through its drawings and soundscapes as much as its storyline. The movie reminds us that magic and serenity can be found throughout the natural world and that we should cherish and care for it as Totoro does for his forest.

This sense of obligation to and love for nature has inspired the following A+Award-winning architects to take a leaf straight out of Totoro’s book (or off his head) by embracing the natural surroundings of their projects and celebrating the beauty of the trees that dwell there. These five projects stand out as true champions of nature that would surely put a smile on the faces of Satsuki and Mei Kusakabe. Just as Totoro’s presence brings peace and joy, these brilliant projects create spaces that champion the beauty of living in harmony with nature, combining modern design with the ancient beauty of forests.


Harudot By Nana Coffee Roasters

By IDIN Architects, Tambon Samet, Thailand

Jury Winner and Popular Choice Winner, Restaurants (L >1000 sq ft), 12th Annual A+Awards

Photographs by  DOF SkyGround

Harudot is a café located in the town of Chonburi, Thailand. The name “Haru” translates to “Spring” in Japanese, referring to “new beginning” and “growth,” while “Dot” symbolizes a “starting point.” From the exterior, the building, clad in black timber, is striking and dominating, sharply extruding from its surroundings. It is distinctly modern yet has an air of traditionalism. Inside, the space is calming, bright and surprisingly huge. Its vastness seems to cocoon visitors under its pine gables with their warm hues. Sweeping curved openings bring a sense of movement to the relatively sharp-looking building, and it makes the space feel like it could be a living thing in itself.

Trees are integral to the design, and many varieties feature prominently inside and out. However, the central focus is a large bottle tree (baobab) that sits pride of place. The gigantic tree is placed in an inner courtyard, where the architects have opened the gable roofs in a way that makes it appear as though the impressive tree is pushing its way out through the building’s apex. This clever design gives a sense that the tree was planted long ago and is breaking out of the roof while also giving the beautiful tree the space and light it needs to flourish.


Mawhitipana House

By MacKayCurtis, Auckland, New Zealand

Jury Winner, Private House (S 1000 – 2000 sq ft), 12th Annual A+Awards

Photographs by Simon Wilson

Mawhitipana House is the perfect example of a home that integrates with its natural surroundings. The owners of this stunning property wanted to make the most of the views over Mawhitipana Bay below while flooding their homes with as much sunlight as possible. Additionally, they wanted large outdoor living areas that they could use to relax outside as much as possible, and it does so perfectly.

The home has a relatively small footprint (compared to the land it is on) and tucks comfortably back into its steep site. It juts out on top of glazed walls that look to hold the timber box sleeping structure in mid-air while the timber cladding, in its varied thicknesses and shades, reflects the rhythm of the surrounding forestry. The area around the property is covered in mature protected P?hutukawa trees, which form a large dominant green canopy, keeping the hoe comfortably ambient. Mawhitipana House feels like it belongs in this location, not dominating the landscape but becoming part of it.


River Bend Residence

By Lake|Flato Architects, New Braunfels, Texas

Jury Winner, Private House (M 2000 – 4000 sq ft), 12th Annual A+Awards

Photographs by Casey Dunn ?

Like Mawhitipana House, River Bend Residence is envisioned as a home that embraces the outdoors and respects its natural surroundings. It is comprised of four structures, each with its own function: living, sleeping, art studio and carport. Surprisingly for a development this large, only six trees were removed to build the property.

Each building was carefully positioned to minimize the number of trees that needed to be taken away during construction. The two primary structures are located on a relatively steep slope and are supported by piers, with only the back third of the buildings sitting on the ground. This allowed for minimal excavation, reducing the impact on the site and its existing wildlife.

Simple in form and finish, the home, intended to be a retreat for a retired couple, focuses on maximizing light and minimizing maintenance. A gorgeously striped back intervention that does just enough and no more to become an unfussy and elegant home wrapped in nature.


Upper House

By KOICHI TAKADA ARCHITECTS, South Brisbane, Australia

Jury Winner, Multi-Unit Housing, High Rise (16+ Floors), 12th Annual A+Awards

Photograph by Tom Ferguson

Photograph by Scott Burrows

Sustainability is at the core of Upper House, a multi-residential project by Koichi Takada Architects. The building achieves a 5-Star Green Star rating and employs both passive and active Environmental Sustainable Design strategies, with features like a 40kL rainwater tank for irrigation, extensive landscaping to reduce heat-island effect and a 20% reduction in water consumption.

The bold architecture celebrates Brisbane’s natural beauty and draws inspiration from the native Moreton Bay Fig tree, replicating its organic structure with architectural ribbons that meander down the unique façade. The building, with its impressive form, is topped with a natural timber pergola and tropical rooftop oasis and claims to be setting a new standard in multi-residential design, where connection to nature, quality of design, resident wellbeing and environmental sustainability each align.

Throughout, FSC-certified Siberian larch glulam timber was sustainably sourced and chosen for its durability and longevity in Australian weather conditions. The timber purlins are designed beautifully to shade the rooftop facilities and protect users against the harsh summer sun in a dramatic way.


Totoro House

By ROSSETTI+WYSS ARCHITEKTEN, Gunzwil, Beromünster, Switzerland

Jury Winner, Multi-Unit Housing, Low Rise (1 – 4 Floors), 12th Annual A+Awards

Photographs by Juerg Zimmermann

Finally, a direct ode to the big fluffy grey guy, Totoro House. The building by ROSSETTI+WYSS ARCHITEKTEN takes its inspiration from the rawness and attitude of the natural forest. Restrained in its use of materials, the architects have chosen raw, uncoated and imperfect finishes that will patina over time to give the building a sense of being a living structure.

The building is regarded as an unusual design for the area of Gunzwil in Switzerland, and so it stands out as unique and daring in form and finish. However, the architects have, in their wisdom, retained some of the traditional elements that are typical of the surrounding architecture. Timber canopies wrap around the structure, extending the interior outwards to create private outdoor spaces that also help to reduce the impact of the strong wind and weather that is common to the location.

Totoro House is a stunning example of a building that isn’t afraid to embody the simplistic foundations of nature and truly reflects the calming existence of its namesake.

Architizer is thrilled to announce the world' best architecture firms in 2024, all winners of the 12th Annual A+Awards! Want to get your firm in the running next season? Stay up to date by subscribing to our A+Awards Newsletter. 

The post Branching Out: 5 A+Award-Winning Projects Featuring Forest-Inspired Design appeared first on Journal.

Paradise Found: 5 Artful Examples of Place-Based Hotel and Resort Design

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

Hotel and resort design combines luxury, comfort and cultural immersion. For this year’s Architizer A+ Awards program, the projects recognized in the Hotels and Resorts category are setting new benchmarks for excellence in the hospitality industry. These are not just buildings; they are experiences meticulously crafted to captivate and rejuvenate visitors from around the globe.

What sets these award-winning designs apart is their intrinsic connection to place. From tropical paradises to urban sites, each hotel and resort is a manifestation of its surroundings. The architects behind these projects blend local materials, diverse aesthetics and new innovations to create spaces that resonate with both the locale and the global traveler. These projects demonstrate that the best hotel and resort designs go beyond opulence and comfort. They embody a narrative of place, offering an authentic and enriching experience that leaves a lasting impression on visitors. Join us as we delve into new architecture that has rethought hospitality design this year.


Murka Hotel (Phase II)

By Thinking Design, Wenzhou, China

Popular Choice Winner, Hotels and Resorts, 12th Annual A+Awards

Murka Hotel is part of a rural revitalization initiative aimed at attracting urban citizens to the countryside and encouraging young locals to return and contribute to their hometown’s development. Nestled on a south-facing slope, the building complex features staggered blocks that blend seamlessly with the mountains. Using local rocks for the buildings and retaining walls creates a visually cohesive extension of the natural environment, paying homage to traditional culture and harmonizing with the village context.

The design includes a restaurant with preserved trees that penetrate the roof, giving diners the sensation of being in a forest. Two buildings around large rocks house a shared restaurant and bar, using the rocks as visual focal points and structural supports. Old-timber beams and a roof adorned with wild grass add nostalgic elements. Guest rooms, built alongside a tranquil stream, feature private courtyards and overpasses for entry. Maintaining fair-faced concrete finishes and incorporating variously sized courtyards, the design floods the space with natural light, enhancing the serene atmosphere. Locally sourced rocks, reclaimed timber, and expansive French windows connect the interior to the valley landscape, offering a tranquil escape from urban life.


MAISON BRUMMELL MAJORELLE

By Studio Bergendy Cooke, Marrakesh, Morocco

Jury Winner, Hotels and Resorts, 12th Annual A+Awards

The Maison’s architecture reinterprets Arabic elements with a fresh perspective, drawing inspiration from Marrakech’s rich history without replicating it. The design’s sculptural form nods to the ancient rampart walls of the Marrakech Medina, with openings that transition into private interiors, much like a sandcastle or sculpture. Deep recesses, reminiscent of traditional Mashrabiya screens, ensure bedroom privacy and create terraces that connect to the surrounding gardens.

Embracing Morocco’s artisanal heritage, the design incorporates local materials and craftsmanship in innovative ways. Exterior walls of the recesses are finished in Tadlelakt, a polished plaster that contrasts with the rough Pisé exterior. Inside, terrazzo in grey and pink is used extensively, defining spaces and creating basins and baths within bedrooms. Bejmat handmade tiles adorn lower public spaces and the terrace, enhancing the seamless flow. The building, spread over three floors, features a lower level that mimics a traditional Riad’s courtyard, housing the lounge, dining area, kitchen, pool and a Hammam with a plunge pool.


Kona Village Resort

By Walker Warner, Hawaii

Situated on the island of Hawaii, Kona Village offers a truly unique Hawaiian experience rooted in centuries-old culture and tradition. This reimagined resort, spread over 81 acres, draws inspiration from the rich history and local sensibilities of the ancient Ka??p?lehu. Every aspect of the property has been designed to honor the essence of the original resort, showcasing a deep respect for the natural environment and cultural heritage.

Under the architectural leadership of Greg Warner and Mike McCabe from Walker Warner, Kona Village now features 150 traditional guest hale, the new Asaya Spa, and five dining options, including the cherished Shipwreck and Talk Story bars from the original resort. The resort’s dedication to sustainability is evident, with several buildings achieving LEED Gold certification and the entire property powered by solar energy. Additionally, an on-site cultural center enriches visitors’ understanding of the area’s profound natural and cultural significance.


Radisson BLU Ka?

By Ye?im Kozanl? Architecture & Interior Design, Antalya, Türkiye

This Radisson Hotel project is tied to Ka?, a district of Antalya known for its turquoise sea, natural beauty and historical ruins. The design began with an analysis of the region’s topographic and cultural areas. Inspired by ancient Lycian granaries and the monumental architecture of Antiphellos, the design incorporates natural stone façade cladding, traditional tiles and wooden joinery. The goal was to offer a lodging experience that feels private and comfortable, akin to the comfort of one’s home, while providing beautiful social opportunities in common areas without losing touch with greenery, nature and simplicity.

The project respects the region with its low-rise, spacious and human-scale designs that blend with the natural environment. Emphasis is placed on natural ventilation and air conditioning features, using earth tones to reflect the local colors and textures. Landscaping with the region’s natural vegetation in pathways and common spaces ensures a continuous connection with nature. Radisson Hotel Ka? is more than a hotel; it’s an experience where guests can immerse themselves in the spirit, history and nature of Ka?.


FORT & PORT

By Heesoo Kwak + IDMM Architects, Yeosu-si, South Korea

FORT & PORT offers stunning views to the northwest and southwest. The northwest view showcases Yeosu City around Jonggo-Mountain, with Marae-Mountain and Jasan Park along the coastal plain. The southwest view contrasts Seguji Village with the South Sea, creating an attractive city skyline. Known for its beautiful night sea, Yeosu became a prominent marine tourist destination in 2012, highlighted by Odongdo Island, maritime bridges and the Dolsan strait.

The complex layout includes a tower-type zone for enjoying city views and a single accommodation zone for recreation. The tower zone features a reception room, city-view accommodations and terraces for outdoor dining and parties. The exterior spa mass facing the terrace ensures privacy and offers a unique facade. The lounge cafe and swimming pools are accessible to both guests and cafe users, with the rooftop designed to provide panoramic views like a ship’s deck. The lower level of the cafe features an Infinity Pool with views of the city’s skyline, while the surrounding areas offer spaces for sunbathing and recreation, allowing guests to enjoy the vibrant sunset over Yeosu.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

The post Paradise Found: 5 Artful Examples of Place-Based Hotel and Resort Design appeared first on Journal.

Paradise Found: 5 Artful Examples of Place-Based Hotel and Resort Design

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

Hotel and resort design combines luxury, comfort and cultural immersion. For this year’s Architizer A+ Awards program, the projects recognized in the Hotels and Resorts category are setting new benchmarks for excellence in the hospitality industry. These are not just buildings; they are experiences meticulously crafted to captivate and rejuvenate visitors from around the globe.

What sets these award-winning designs apart is their intrinsic connection to place. From tropical paradises to urban sites, each hotel and resort is a manifestation of its surroundings. The architects behind these projects blend local materials, diverse aesthetics and new innovations to create spaces that resonate with both the locale and the global traveler. These projects demonstrate that the best hotel and resort designs go beyond opulence and comfort. They embody a narrative of place, offering an authentic and enriching experience that leaves a lasting impression on visitors. Join us as we delve into new architecture that has rethought hospitality design this year.


Murka Hotel (Phase II)

By Thinking Design, Wenzhou, China

Popular Choice Winner, Hotels and Resorts, 12th Annual A+Awards

Murka Hotel is part of a rural revitalization initiative aimed at attracting urban citizens to the countryside and encouraging young locals to return and contribute to their hometown’s development. Nestled on a south-facing slope, the building complex features staggered blocks that blend seamlessly with the mountains. Using local rocks for the buildings and retaining walls creates a visually cohesive extension of the natural environment, paying homage to traditional culture and harmonizing with the village context.

The design includes a restaurant with preserved trees that penetrate the roof, giving diners the sensation of being in a forest. Two buildings around large rocks house a shared restaurant and bar, using the rocks as visual focal points and structural supports. Old-timber beams and a roof adorned with wild grass add nostalgic elements. Guest rooms, built alongside a tranquil stream, feature private courtyards and overpasses for entry. Maintaining fair-faced concrete finishes and incorporating variously sized courtyards, the design floods the space with natural light, enhancing the serene atmosphere. Locally sourced rocks, reclaimed timber, and expansive French windows connect the interior to the valley landscape, offering a tranquil escape from urban life.


MAISON BRUMMELL MAJORELLE

By Studio Bergendy Cooke, Marrakesh, Morocco

Jury Winner, Hotels and Resorts, 12th Annual A+Awards

The Maison’s architecture reinterprets Arabic elements with a fresh perspective, drawing inspiration from Marrakech’s rich history without replicating it. The design’s sculptural form nods to the ancient rampart walls of the Marrakech Medina, with openings that transition into private interiors, much like a sandcastle or sculpture. Deep recesses, reminiscent of traditional Mashrabiya screens, ensure bedroom privacy and create terraces that connect to the surrounding gardens.

Embracing Morocco’s artisanal heritage, the design incorporates local materials and craftsmanship in innovative ways. Exterior walls of the recesses are finished in Tadlelakt, a polished plaster that contrasts with the rough Pisé exterior. Inside, terrazzo in grey and pink is used extensively, defining spaces and creating basins and baths within bedrooms. Bejmat handmade tiles adorn lower public spaces and the terrace, enhancing the seamless flow. The building, spread over three floors, features a lower level that mimics a traditional Riad’s courtyard, housing the lounge, dining area, kitchen, pool and a Hammam with a plunge pool.


Kona Village Resort

By Walker Warner, Hawaii

Situated on the island of Hawaii, Kona Village offers a truly unique Hawaiian experience rooted in centuries-old culture and tradition. This reimagined resort, spread over 81 acres, draws inspiration from the rich history and local sensibilities of the ancient Ka??p?lehu. Every aspect of the property has been designed to honor the essence of the original resort, showcasing a deep respect for the natural environment and cultural heritage.

Under the architectural leadership of Greg Warner and Mike McCabe from Walker Warner, Kona Village now features 150 traditional guest hale, the new Asaya Spa, and five dining options, including the cherished Shipwreck and Talk Story bars from the original resort. The resort’s dedication to sustainability is evident, with several buildings achieving LEED Gold certification and the entire property powered by solar energy. Additionally, an on-site cultural center enriches visitors’ understanding of the area’s profound natural and cultural significance.


Radisson BLU Ka?

By Ye?im Kozanl? Architecture & Interior Design, Antalya, Türkiye

This Radisson Hotel project is tied to Ka?, a district of Antalya known for its turquoise sea, natural beauty and historical ruins. The design began with an analysis of the region’s topographic and cultural areas. Inspired by ancient Lycian granaries and the monumental architecture of Antiphellos, the design incorporates natural stone façade cladding, traditional tiles and wooden joinery. The goal was to offer a lodging experience that feels private and comfortable, akin to the comfort of one’s home, while providing beautiful social opportunities in common areas without losing touch with greenery, nature and simplicity.

The project respects the region with its low-rise, spacious and human-scale designs that blend with the natural environment. Emphasis is placed on natural ventilation and air conditioning features, using earth tones to reflect the local colors and textures. Landscaping with the region’s natural vegetation in pathways and common spaces ensures a continuous connection with nature. Radisson Hotel Ka? is more than a hotel; it’s an experience where guests can immerse themselves in the spirit, history and nature of Ka?.


FORT & PORT

By Heesoo Kwak + IDMM Architects, Yeosu-si, South Korea

FORT & PORT offers stunning views to the northwest and southwest. The northwest view showcases Yeosu City around Jonggo-Mountain, with Marae-Mountain and Jasan Park along the coastal plain. The southwest view contrasts Seguji Village with the South Sea, creating an attractive city skyline. Known for its beautiful night sea, Yeosu became a prominent marine tourist destination in 2012, highlighted by Odongdo Island, maritime bridges and the Dolsan strait.

The complex layout includes a tower-type zone for enjoying city views and a single accommodation zone for recreation. The tower zone features a reception room, city-view accommodations and terraces for outdoor dining and parties. The exterior spa mass facing the terrace ensures privacy and offers a unique facade. The lounge cafe and swimming pools are accessible to both guests and cafe users, with the rooftop designed to provide panoramic views like a ship’s deck. The lower level of the cafe features an Infinity Pool with views of the city’s skyline, while the surrounding areas offer spaces for sunbathing and recreation, allowing guests to enjoy the vibrant sunset over Yeosu.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

The post Paradise Found: 5 Artful Examples of Place-Based Hotel and Resort Design appeared first on Journal.

Foundations of Excellence: 6 Instances of Institutional Architecture at Its Finest

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

Design holds the power to enrich the lives of communities and people around the world. For this year’s Architizer A+ Awards program, projects were submitted across institutional architecture that stand out for their profound impact on how they bring people together. These buildings encompass an array of libraries, schools, community centers and civic buildings — spaces integral to the fabric of cities. In an era marked by rapid urbanization and societal shifts, the relevance of exceptional institutional architecture has never been more pronounced. These structures not only provide essential services but also foster community, inclusivity and innovation.

The A+ Awards highlight the most inspiring and innovative architectural projects from around the globe. This year’s winners in the institutional architecture category exemplify some of the best in contemporary design. From state-of-the-art educational facilities to inviting community hubs, these projects showcase a commitment to accessibility and beauty. Each design also reflects a deep understanding of the unique needs and aspirations of the communities they serve. Discover a few of the winners below,  and see the full list of human-centric designs here.


Kresge College Expansion at the University of California, Santa Cruz

By Studio Gang, Santa Cruz, California

Popular Choice Winner, 12th Annual A+Awards, Higher Education and Research Facilities

Located in a redwood forest in northern California, Kresge College has been an experiment in student-driven education since 1971. Originally designed by Charles Moore and William Turnbull, the “hill town” campus features a playful village anchored by a winding pedestrian street where students could practice participatory democracy and explore new ways of living and learning. Fifty years later, Studio Gang’s campus expansion plan aims to rejuvenate this experimental environment while making it more inclusive and connected to the surrounding university and landscape.

The expansion includes four new buildings — three residential halls and an academic center — that complement the original design’s rectilinear, angular language with a more organic one of curvature and porosity. These buildings are carefully sited to preserve redwood trees and integrate with the natural topography. The project extends the original pedestrian street into a loop path, incorporating accessible pathways and connecting the campus with the surrounding forest and university. Enhancements to the historic runnel system improve stormwater management, while the redwood canopy and operable windows optimize passive cooling and ventilation.


Dich Vong Hau Kindergarten

By Sunjin Vietnam Joint Venture Company, Hanoi, Vietnam

Popular Choice Winner, 12th Annual A+Awards, Kindergartens

This 20-year-old suburban school, now within an urban growth area, has been restored to meet modern land use planning standards and updated teaching requirements. Originally a two-story building in poor condition with limited amenities and no play areas, the structure lacked the necessary facilities for contemporary education. The redesigned school retains the original framework but adds a third story with a steel frame coated in plastic wood, embracing a “students as the center” philosophy.

Two additional four-story blocks are being constructed on the west side, creating a secure central playground that serves as the school’s main skylight and promotes cross-ventilation. Classrooms have been reconfigured to increase their size by 1.5 times, featuring villa-like designs with lush gardens for natural ventilation and roof overhangs for shade. The roof is transformed into a green space, providing an area for learning and play while contributing to the city’s ecological landscape.


Nunawading Community Hub

By fjcstudio, Australia

Jury Winner, 12th Annual A+Awards, Community Centers

This new community hub, located on the former Nunawading Primary School site, is interlinked with its old football oval and Tunstall Park. Built on the traditional lands of the Wurundjeri Woiwurrung People of the Kulin Nation, the site is historically referenced as a place of gathering. This heritage schoolhouse remains at the threshold, reflecting local materiality and celebrating the collective memory of those who spent their childhood there. Abstract white forms rise as a backdrop to the heritage fabric and park, creating a sense of monumentality and dignity for this important public place.

The design team’s approach was to create an open, inviting public space, expressing equitable access for all. The scheme includes flexible settings for a wide range of community activities, while addressing specific user group needs. An inviting and transparent architecture reinforces the connection to the natural assets of the landscaped setting and residential suburban context. The design, with its simple forms and appropriate proportions, celebrates people, their creativity and their sense of togetherness, honoring the highly valued park and school building integral to Nunawading’s community.


Tainan Public Library

By Mecanoo and MAYU, Tainan City, Taiwan

Popular Choice Winner, 12th Annual A+Awards, Libraries

Mecanoo and MAYU’s design for the Tainan Public Library embodies the convergence of cultures, generations and histories. Inspired by Tainan’s local culture and tropical climate, the library houses the city’s cultural heritage, modern art, music, films and over a million books, including 16,000 from the Japanese occupation period. Equipped with modern library technologies, it serves as a cultural hub. The library’s most striking feature is its inverted stepped shape, supported by slender columns reminiscent of a bamboo forest.

The crown of the building, adorned with vertical aluminum slats carved with flower patterns, filters light and reduces heat, creating a distinctive façade visible from afar. The library’s design seamlessly transitions between exterior and interior spaces. The stepped structure provides shelter, with four sunken patios for outdoor activities, such as lectures, concerts and exhibitions. The interior features a spacious double-height atrium with art by Paul Cocksedge and interactive installations. A red sculptural staircase intersects all levels, while upper floors offer stunning city views from the uppermost levels.


PEGS Gymnasium

By McBride Charles Ryan, Keilor East, Australia

Jury Winner, 12th Annual A+Awards, Primary and High Schools

McBride Charles Ryan has been developing projects for the Penleigh and Essendon Grammar School (PEGS) senior campus for a number of years, creating a rich and diverse architectural experience. The campus is reimagined as a vibrant mini-city, with the latest addition, the ‘Palazzo della Regione,’ serving as the central meeting place. This building fosters civic engagement among students while offering flexible, utilitarian functions and a distinct civic presence. It seamlessly integrates with the existing gymnasium through a full-height operable wall, doubling the space for performances and competitions and maintaining its unique character.

The new facility enhances the school’s interaction with the larger community. It frames the main school oval to the north, intensifying the connection between players and spectators, while the south facade serves as the main civic interface with a welcoming colonnade and scalloped brickwork. The design leverages the natural topography for tiered seating, reducing excavation costs and providing flexible space for gatherings. The building includes basketball courts, fitness centers, classrooms and multipurpose rooms, with sustainable features like a vaulted ceiling for passive cooling and a rooftop photovoltaic farm for electricity.


Changsha International Conference Center

By SCUT Architectural Design and Research Institute, Changsha, China

Popular Choice Winner, 12th Annual A+Awards, Government and Civic Buildings

The Changsha International Conference Center is located in the High-speed Railway New Town of Changsha City, overlooking Changshanan Railway Station and adjacent to the Changsha International Convention and Exhibition Center. The building consists of three above-ground floors and one underground floor. It features 60 conference halls and rooms that can accommodate up to 10,500 people, including a column-free main venue, a roundtable conference hall, a banquet hall, and a roof garden, making it the largest conference center in central China.

The design of the conference center draws on traditional Chinese aesthetics and cultural symbols, integrating natural, architectural, and cultural elements such as mountain contours, sloped roofs, and unfolded Chinese folding fan patterns. This approach highlights the harmonious coexistence of human civilization and the natural environment, embodying the core values of Chinese culture. The building’s façade is inspired by ink paintings of the Chinese landscape and local guqin masterpieces, showcasing the dynamic scenery of the Xiao and Xiang Rivers.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

The post Foundations of Excellence: 6 Instances of Institutional Architecture at Its Finest appeared first on Journal.

Visual Vignettes: An Interior Designer’s Guide to Creating Memorable Moments

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

As designers, we often see our projects in 2D, working with layers and lines to produce plans and elevations that could easily be considered artworks in their own right. To the trained eye, a well-drawn elevation is a thing of beauty. Our drawings are a place where, through the deep understanding of space and dimension that is common to designers, we can experiment with the intricacies of form and placement to explore the interaction between objects. Yet, the true magic happens when the successful elevation drawings are translated into reality, a skill that can transform spaces into immersive environments that captivate and inspire visitors.

“Visual Vignettes” are carefully composed moments within an interior design scheme that capture the balance of a two-dimensional elevation while harnessing the user’s or visitor’s sensory perceptions. They result from bridging the gap between the theoretical and the tangible. Visual vignettes are where the art of designing meets the science of space planning, turning abstract lines and shapes into moments. By thoughtfully manipulating light, texture, scale, and other parameters, designers can craft these vignettes to instill emotion and create memorable spaces — as is exemplified in this year’s A+Award-winning projects.

NeueHouse Venice Beach by Loescher Meachem Architects and DesignAgency, Los Angeles, California | Popular Choice Winner, 12th Annual A+Awards, Remote Work and Coworking Space

Establishing focal points is a great place to begin when building a visual vignette within a space. The aim is to guide the viewer’s eye and create a clear visual hierarchy. By creating a focal point in a space, your aim is to draw attention to a specific area or object, making certain that a chosen element or area stands out. These could be created by specifying a striking piece of furniture, highlighting unique architectural features, or choosing an artwork that effectively illustrates the desired atmosphere for the space. Intelligent placement of focal points in a room allows a designer to direct a visitor’s gaze with purpose to coordinate a sense of order and reaffirm the intended narrative of the space.

When striving to create visual vignettes, the principle of balance is key. Balance in a space ensures that no single element overshadows the others. For the person experiencing a space, balance or lack of it is one of those feelings we can never really put our finger on. When it’s right, typically, a user will feel a sense of comfort. When it’s not, a sense of uneasiness that cannot be determined is common. There are many ways to achieve balance in a design. However, two of the simplest to master are based on humanity’s innermost desire for order and ordered chaos.

Tree O’clock — Villa Qabalah by Studio Locomotive, Phuket, Thailand | Photos by Beer Singnoi | Jury Winner and Popular Choice Winner, 12th Annual A+Awards, Mixed Use (S <25,000 sq ft)

As you’ve probably noticed, humans enjoy symmetry. It appeals to us on both a conscious and subconscious level, providing a sense of aesthetic pleasure and cognitive ease. It makes us think of health and stability and off—ers a sense of order. In interior design, symmetry shows up all the time. Think about in bedrooms with headboards, bedside tables and lamps. Or fireplaces with mantels centered on a lounge wall. As designers, we can introduce symmetry in subtle ways, for example, by framing areas with a set of curtains or choosing patterns that are symmetrical in design; even how we style shelving can bring symmetry into a design and instill harmony into a space.

Conversely, asymmetrical choices can also be highly effective. In this instance, designers use visual weight to capture a sense of balance as opposed to having an exact reflection. By grouping different elements of equal visual weight, we can achieve equilibrium while creating a more dynamic and intriguing composition. For instance, balancing a large piece of art with a cluster of smaller objet d’art items brings a lively yet cohesive feel. Similarly, a large armchair is flanked by nesting tables and a floor lamp — the varying heights and weights make the arrangements both engaging and balanced.

Building on the foundation of balance, composition and proportion are crucial to ensuring that each of the elements in a space relate well to each other. To achieve cohesion, many designers turn to established proportional strategies to guarantee pleasing relationships. “The Rule of Thirds” is often used to prevent monotony by introducing our old friend dynamic asymmetry, guiding the gaze through the space in an engaging manner. Adopting a well-understood idea like “The Golden Ratio” replicates the kind of organic balance we would typically experience in nature, making the composition of a space feel inherently satisfying in a primal way. Equally, designs that follow a grid system rely on proportions and the relative size of elements to ensure unity and balance.

House FC by fws_work, Taipei, Taiwan | Photos by Suiyu | Jury Winner, 12th Annual A+Awards, Apartment

This idea of grid systems can be used to great effect when making visual vignettes. Rhythm and repetition are excellent at mimicking a sense of movement that has continuity. By deliberately repeating design elements, designers can establish a visual flow that appeals to users. There are many ways to do this and different types of rhythm to try and create. Regular rhythm involves consistent intervals, equal spacing and positioning. Think of a corridor of artwork, all the same size in the same frames or a pathway flanked by the same species of tree.

Alternating rhythm introduces variety, using two different repeating elements that alternate back and forth. This could be a checkered floor or striped wallpaper. Progressive rhythm uses gradual variations, color gradients, or light washes, which are common ways to introduce progressive rhythm into a design. Random rhythm scatters elements in a planned yet spontaneous manner. This can be used effectively when designing shelving units, making each opening unique while consistent material and color bring cohesion. Introducing rhythm into a design can make a space feel both unified and engaging, creating a visual journey that truly captivates and holds a visitor’s attention.

Liminal House by McLeod Bovell Modern Houses, West Vancouver, Canada | Photos by Hufton and Crow | Jury Winner and Popular Choice Winner, 12th Annual A+Awards, Residential Interiors (>3000 sq ft)

Finally, contrast is one of the simplest yet most powerful tools for creating a visual vignette. By juxtaposing different elements, such as texture, color, material and even something as basic as shadow and light, it is easy to create visual interest and highlight key features. Contrast, for example, using dark and light woods together or a high gloss finish paired with matte surfaces, allows elements to stand out from one another and adds further depth to a design. Effective use of contrast ensures that key elements capture attention, enhancing the overall visual appeal and dynamism of the composition.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

The post Visual Vignettes: An Interior Designer’s Guide to Creating Memorable Moments appeared first on Journal.

Visual Vignettes: An Interior Designer’s Guide to Creating Memorable Moments

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

As designers, we often see our projects in 2D, working with layers and lines to produce plans and elevations that could easily be considered artworks in their own right. To the trained eye, a well-drawn elevation is a thing of beauty. Our drawings are a place where, through the deep understanding of space and dimension that is common to designers, we can experiment with the intricacies of form and placement to explore the interaction between objects. Yet, the true magic happens when the successful elevation drawings are translated into reality, a skill that can transform spaces into immersive environments that captivate and inspire visitors.

“Visual Vignettes” are carefully composed moments within an interior design scheme that capture the balance of a two-dimensional elevation while harnessing the user’s or visitor’s sensory perceptions. They result from bridging the gap between the theoretical and the tangible. Visual vignettes are where the art of designing meets the science of space planning, turning abstract lines and shapes into moments. By thoughtfully manipulating light, texture, scale, and other parameters, designers can craft these vignettes to instill emotion and create memorable spaces — as is exemplified in this year’s A+Award-winning projects.

NeueHouse Venice Beach by Loescher Meachem Architects and DesignAgency, Los Angeles, California | Popular Choice Winner, 12th Annual A+Awards, Remote Work and Coworking Space

Establishing focal points is a great place to begin when building a visual vignette within a space. The aim is to guide the viewer’s eye and create a clear visual hierarchy. By creating a focal point in a space, your aim is to draw attention to a specific area or object, making certain that a chosen element or area stands out. These could be created by specifying a striking piece of furniture, highlighting unique architectural features, or choosing an artwork that effectively illustrates the desired atmosphere for the space. Intelligent placement of focal points in a room allows a designer to direct a visitor’s gaze with purpose to coordinate a sense of order and reaffirm the intended narrative of the space.

When striving to create visual vignettes, the principle of balance is key. Balance in a space ensures that no single element overshadows the others. For the person experiencing a space, balance or lack of it is one of those feelings we can never really put our finger on. When it’s right, typically, a user will feel a sense of comfort. When it’s not, a sense of uneasiness that cannot be determined is common. There are many ways to achieve balance in a design. However, two of the simplest to master are based on humanity’s innermost desire for order and ordered chaos.

Tree O’clock — Villa Qabalah by Studio Locomotive, Phuket, Thailand | Photos by Beer Singnoi | Jury Winner and Popular Choice Winner, 12th Annual A+Awards, Mixed Use (S <25,000 sq ft)

As you’ve probably noticed, humans enjoy symmetry. It appeals to us on both a conscious and subconscious level, providing a sense of aesthetic pleasure and cognitive ease. It makes us think of health and stability and off—ers a sense of order. In interior design, symmetry shows up all the time. Think about in bedrooms with headboards, bedside tables and lamps. Or fireplaces with mantels centered on a lounge wall. As designers, we can introduce symmetry in subtle ways, for example, by framing areas with a set of curtains or choosing patterns that are symmetrical in design; even how we style shelving can bring symmetry into a design and instill harmony into a space.

Conversely, asymmetrical choices can also be highly effective. In this instance, designers use visual weight to capture a sense of balance as opposed to having an exact reflection. By grouping different elements of equal visual weight, we can achieve equilibrium while creating a more dynamic and intriguing composition. For instance, balancing a large piece of art with a cluster of smaller objet d’art items brings a lively yet cohesive feel. Similarly, a large armchair is flanked by nesting tables and a floor lamp — the varying heights and weights make the arrangements both engaging and balanced.

Building on the foundation of balance, composition and proportion are crucial to ensuring that each of the elements in a space relate well to each other. To achieve cohesion, many designers turn to established proportional strategies to guarantee pleasing relationships. “The Rule of Thirds” is often used to prevent monotony by introducing our old friend dynamic asymmetry, guiding the gaze through the space in an engaging manner. Adopting a well-understood idea like “The Golden Ratio” replicates the kind of organic balance we would typically experience in nature, making the composition of a space feel inherently satisfying in a primal way. Equally, designs that follow a grid system rely on proportions and the relative size of elements to ensure unity and balance.

House FC by fws_work, Taipei, Taiwan | Photos by Suiyu | Jury Winner, 12th Annual A+Awards, Apartment

This idea of grid systems can be used to great effect when making visual vignettes. Rhythm and repetition are excellent at mimicking a sense of movement that has continuity. By deliberately repeating design elements, designers can establish a visual flow that appeals to users. There are many ways to do this and different types of rhythm to try and create. Regular rhythm involves consistent intervals, equal spacing and positioning. Think of a corridor of artwork, all the same size in the same frames or a pathway flanked by the same species of tree.

Alternating rhythm introduces variety, using two different repeating elements that alternate back and forth. This could be a checkered floor or striped wallpaper. Progressive rhythm uses gradual variations, color gradients, or light washes, which are common ways to introduce progressive rhythm into a design. Random rhythm scatters elements in a planned yet spontaneous manner. This can be used effectively when designing shelving units, making each opening unique while consistent material and color bring cohesion. Introducing rhythm into a design can make a space feel both unified and engaging, creating a visual journey that truly captivates and holds a visitor’s attention.

Liminal House by McLeod Bovell Modern Houses, West Vancouver, Canada | Photos by Hufton and Crow | Jury Winner and Popular Choice Winner, 12th Annual A+Awards, Residential Interiors (>3000 sq ft)

Finally, contrast is one of the simplest yet most powerful tools for creating a visual vignette. By juxtaposing different elements, such as texture, color, material and even something as basic as shadow and light, it is easy to create visual interest and highlight key features. Contrast, for example, using dark and light woods together or a high gloss finish paired with matte surfaces, allows elements to stand out from one another and adds further depth to a design. Effective use of contrast ensures that key elements capture attention, enhancing the overall visual appeal and dynamism of the composition.

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