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From Displacement to Dignity: Rethinking the Architecture of Shelter as Essential Homes

The jury and the public have had their say — feast your eyes on the winners of Architizer's 12th Annual A+Awards. Subscribe to our Awards Newsletter to receive future program updates.

What are your property priorities? Which non-negotiables guide you when designing homes? What do we actually need in a house?

For 1.6 billion people worldwide, the answer is startlingly simple — better shelter than the inadequate accommodation they currently have. Not least the 103 million globally displaced through war, famine, natural disasters and economic crises living in makeshift homes, from run-down British hotels to frontline refugee camps. A figure that’s growing by the day as humanitarian flashpoints from Afghanistan to South Sudan, Palestine to Ukraine, Venezuela to Rakhine continue to force innocent civilians to abandon all they know and move in the hope of finding safety.

Architects have long been trying to develop alternatives to the temporary accommodation solutions that define refugee camps. Many of these settlements surpass their limited intended shelf life, with the United Nations High Commissioner for Refugees [UNHCR] reporting on generations being born into hastily erected villages, which quickly swell into towns. Countless adults have now spent decades without a permanent place to call their own. Kutupalong, Bangladesh, currently the world’s largest refugee camp, is now home to over 785,000 people.

Entrance to the prototype for Essential Homes by Norman Foster Foundation and Holcim

The Jury Winner in Architecture + Innovation at the 2024 Architizer A+ Awards, the Norman Foster Foundation and Holcim‘s Essential Homes research project is the latest blueprint hoping to change conditions for the better. Presented for the first time at least year’s Venice Architecture Biennale as a full-scale prototype, each 580 square feet (54-square meter) home costs €20,000 to complete, can be adapted to suit a variety of situations, and is created from lightweight, low-cost materials that are easy to produce and transport, and are easy on the environment.

Low-carbon, rollable concrete sheets serve as the external shell, providing robust protection from the elements outside. Modular in design, the concept can be adapted and expanded in response to a multitude of changing needs, with foundations made from recycled construction aggregate materials. A combination of used and decommissioned bits from other projects, putting circularity front-and-centre — a major win given waste from camps is an ecological disaster in itself.

The social and humanitarian impact of the Essential Homes research project is undoubtedly impressive, as are the eco top lines. Each structure will produce 5.9 tonnes of CO2 emissions, a significant reduction — no less than 70% — on the 19.9 tonnes created from an average brick-and-mortar home. Insulation adds to the efficiency rating, with boards and low-carbon aerated concrete foam helping bring down noise pollution and manage interior climate, particularly thermal retention.

But ultimately, where Essential Homes really shine is in their less tangible properties. The zeitgeist of what makes a house a home, and a shelter something more personal. These rightly award-winning designs call to mind numerous iterations of the tiny home, many of which were not conceived to answer demand for emergency refuge following devastating events.

When erected en masse, Essential Homes masterplans begin to look like more familiar suburban residential neighborhoods, permeable pathways connecting each individual residence. Their light-absorbing properties emitting natural luminosity at night, another aspect bringing energy consumption down while contributing towards camp safety after dark — sadly a major issue in many of these self-contained diaspora societies.

Prototype of Essential Homes in a suburban setting with external greening and permeable pathways by Norman Foster Foundation and Holcim

The concept has already evolved from a single occupancy iteration to row house version, proving it could be appropriated for both urgent response needs and the more malignant slow creep of low cost housing shortages evident everywhere from Europe to the Far East, US to sub-Saharan Africa. And it won’t be long until we begin to see what the impact looks like at scale.

Less than two years after its debut in Venice, and following this summer’s working prototype at the Royal Academy of Arts Summer Exhibition in London, Essential Homes are now about to be used in practice. A roll out is planned for South America in 2025, bringing with it an opportunity to turn the dream of a more sustainable, durable and — crucially — dignified place to live for hundreds of thousands of the world’s most vulnerable people into a reality. Perhaps not a cause for celebration — we are still failing to address the root causes catalysing this design — nevertheless this is a shining example of architecture focused on the good of humanity.

The jury and the public have had their say — feast your eyes on the winners of Architizer's 12th Annual A+Awards. Subscribe to our Awards Newsletter to receive future program updates.

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Icons of Innovation: 6 Cultural Catalysts Bridging People and Place

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Cultural projects serve as more than just physical spaces; they embody collective identity, history and the evolving narratives of our communities. From the grand halls of theaters to the intricate layouts of museums, these spaces reflect the diversity of human experience and the role architecture plays in shaping how we engage with art, history and culture. The significance of such projects has never been greater as they continue to inspire, educate and bring people together across boundaries.

For this year’s A+ Awards, architects and designers have again been recognized for exceptional cultural designs pushing the boundaries of form, function and innovation. This year’s winners showcase an array of projects that redefine the cultural landscape, elevating the experience of art and how to engage with the community. Across cultural centers, concert halls, theaters and museums, major trends are emerging that emphasize sustainability, inclusivity and accessibility. This year’s award-winning designs highlight how cultural architecture can lead the way in fostering a deeper connection between people and place.


Prepared Rehmannia Root Crafts Exhibition Hall

By LUO studio, Xiuwu County, Jiaozuo, China

Jury Winner, Cultural and Expo Centers, 12th Annual A+Awards

Xiuwu County in Henan Province, historically known as Huaiqing Prefecture, is renowned for its production of traditional Chinese medicinal herbs, including the highly valued Rehmannia root (“Shu Di Huang”). In Houyanmen Village, the county has prioritized rural industrial revitalization, with the Ice Chrysanthemum Plantation and the Prepared Rehmannia Root Crafts Exhibition Hall serving as key examples.

Supported by government funding, these facilities employ local red bricks and engineered wood frames, blending traditional craftsmanship with modern construction techniques to create durable, spacious structures that honor the village’s architectural heritage. LUO studio’s innovative design for the exhibition hall integrates local materials and ecological considerations, challenging conventional industrial park construction methods while promoting the integration of agriculture, tourism and education in the region.


Skamlingsbanken Visitor Centre

By CEBRA, Kolding, Denmark

Popular Choice Winner, Cultural and Expo Centers, 12th Annual A+Awards

The visitor center at Skamlingsbanken, a historic site in southern Denmark, is designed to blend seamlessly with its glacial landscape, reflecting the area’s rich history of democratic events and natural beauty. Built into the rolling hills, the center serves as both a gateway to the surrounding nature and a space for exhibitions on Skamlingsbanken’s past.

The architecture, inspired by the landscape, features local materials like wood and terrazzo, creating an earthy, introspective environment. A collaborative effort expanded the protected area around the center, ensuring the preservation of local biodiversity with a custom grass mixture to support native species.


Théâtre de Verdure

By Lemay, Montreal, Canada

Jury Winner, Hall / Theater, 12th Annual A+Awards


The redevelopment of the Théâtre de Verdure, originally opened in 1956, has transformed it into an inviting, year-round venue that harmoniously blends architecture and landscape. The project includes a new building, redesigned stage, amphitheater, and public spaces, all using modern materials that honor the theater’s original modernist design.

The structure’s transparent, open design creates a seamless connection between the theater and its natural surroundings, allowing it to comfortably host up to 2,500 people for major outdoor events while remaining sensitive to the enchanting site it inhabits.


Perelman Performing Arts Center

By REX, New York City, New York

Popular Choice Winner, Hall / Theater, 12th Annual A+Awards

The Perelman Performing Arts Center (PAC NYC) is a key cultural landmark and the final public element of the World Trade Center master plan. This dynamic venue hosts music, theater, dance, opera and film, with a design that enhances artistic creativity and offers patrons ever-changing experiences. The building’s elegant form, wrapped in translucent marble, appears solid by day and reveals its vibrant interior at night.

PAC NYC features three adaptable theaters with seating configurations ranging from 90 to 950, allowing for diverse stage formats. The structure, designed to overcome complex underground constraints, is supported by seven super columns and protected from external vibrations, ensuring uninterrupted performances. The façade’s 4,896 marble-glass panels, arranged in a biaxially symmetric pattern, add to the building’s striking aesthetic.


Richard Gilder Center for Science, Education, and Innovation

By Studio Gang, New York City, New York

Jury Winner, Museum, 12th Annual A+Awards

The Richard Gilder Center for Science, Education, and Innovation at the American Museum of Natural History in New York enhances public understanding of science through experiential architecture. The design creates over 30 connections among 10 buildings, improving functionality and visitor flow with a new accessible entrance on Columbus Avenue. The building’s central five-story atrium, inspired by natural geologic formations, opens to natural light and invites exploration.

The Center features an insectarium, butterfly vivarium, the Collections Core with over 3 million specimens, and immersive exhibits like Invisible Worlds. The Gilder Center’s vertical design reduces energy use, with a high-performance envelope and passive cooling strategies that reflect the Museum’s commitment to the natural world.


Qujiang Museum of Fine Arts Extension

By Neri&Hu Design and Research Office, Xi’An, China

Popular Choice Winner, Museum, 12th Annual A+Awards

The Qujiang Museum of Fine Arts in Xi’an, located near the Giant Wild Goose Pagoda, was designed by Neri&Hu as a monolithic urban monument. Serving as an architectural icon and cultural anchor at the museum’s East Entry, the design carefully integrates with the surrounding urban fabric.

The building consists of four parts: a partially sunken concrete base that retains original museum spaces and adds new retail functions, a Sculptural Walk enclosing circulation, an elevated podium platform, and a monumental structure. Escalators within a sculptural form lead visitors from the ground plaza to the underground museum, creating a dramatic entry experience.

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Groundbreaking Design: The Belgian Architecture Firm Rewriting the Future of Subterranean Dwelling

Underground living holds many negative connotations. Obscurity, claustrophobia, darkness. Yet, despite the premium we put on natural light and fresh air, there are benefits to subterranean habitation. Underground spaces benefit from thermal insulation against heat and cold, and building beneath the earth’s surface could help preserve ecosystems in the open air. What if we could embrace the benefits of subterranean dwelling while ameliorating the shortcomings? The Belgian design firm Claerhout–Van Biervliet Architects has a radical plan to do just this. The craziest part? Their prototype for the Periscope House could become a reality.

The project’s intricate complexity almost defies conventional design descriptions; it not only challenges common expectations of what architecture can and should do but also asks us to rethink the utility of imposing a dichotomy between physical and virtual realms, which are already merged in our lived realities. In short, the Periscope House — which is built completely below terrain level yet features a large central patio and a contour of outdoor space —  addresses common issues associated with underground environments by introducing a dynamic system of movable double mirrors. These mirrors, functioning as periscopes, can be adjusted to bring natural light and expansive views into the heart of the subterranean dwelling, transforming the typically dark and oppressive atmosphere into a verdant oasis.

During the day, solar-powered mechanisms elevate the mirrors, while at night, they retract, blending back into the landscape. This dual-purpose design also supports sustainability by utilizing gravitational energy, which is converted into mechanical energy to generate power (the upper mirror doubles as a plant container for hanging vegetation), integrating green infrastructure with cutting-edge technology. Most crucially, the project’s thesis is that the periscope system is “more than a reflection of reality. It revolutionizes our perception by entirely displacing it.”

In this exclusive interview, Architizer’s Managing Editor, Hannah Feniak, sits down with with Xaveer Claerhout, cofounder and architect at Claerhout–Van Biervliet Architects, to uncover the ideas, inspirations and details behind the visionary design and to explore how a radical proposal is also a buildable reality and a plausible vision for the future.

Hannah Feniak: Congratulations on winning your first A+Award! What does this kind of recognition mean for your firm, and how does it aid in developing your practice?

Xaveer Claerhout: It is an important endorsement for us. Our architectural firm Claerhout – Van Biervliet is engaged daily in designing and realizing architectural projects. These projects are continuously tested against reality. With Metamorphic Art Studio — our artistic and creative studio, which operates from within our architectural firm — we, together with our son and visual artist Adriaan Claerhout, conceive and develop innovative concepts such as the Periscope project on our own initiative. The common thread here for nearly two decades now has been our conviction that artifacts in the near future will partially be able to physically metamorphose, meaning that they will have the capacity to transform and adapt.

In 2008, we launched the principle of this ‘Metamorphic Architecture’ in conjunction with an exhibition of our first manifest movie, ‘Kinetower,’ and the first metamorphic prototypes of transforming lamps in Verona (Italy). Today, this A+Award indicates that the Periscope project is relevant and appreciated by both a specialized architectural jury and a global audience of architecture enthusiasts.

View over landscape on level -1: upper mirror up/lower mirror up 

No view over landscape: upper mirror down/lower mirror up | PERISCOPE – reality displacement as space enhancer and energy storage device by Claerhout – Van Biervliet Architects, Concept | Popular Choice Winner, Unbuilt Private House (L > 3000 sq ft) | Visualizations by Adriaan Claerhout

HF: Your portfolio largely consists of context-driven residential designs with striking geometric and textural elements. How would you define your firm’s architectural approach and design philosophy?

XC: This is true for our specific architectural assignments we have realized so far with our architectural firm Claerhout – Van Biervliet. We have clients who approach us for a tailor-made building for their specific program and context. We create their house, apartment, retreat or office with an organic and flowing feeling and functionality, where light and space play the key role. Our driving force is creating spaces that inspire happiness and well-being.
Within Metamorphic Art Studio, we are looking for more archetype-driven solutions and innovations. The aim is not only to conceive but to also effectively realize these innovations as much as possible through integration into context-driven architectural designs.

We have become convinced through designing and developing many transformative prototypes, metamorphic light fixtures, buildings and artworks that there is an archetypal relationship between open forms and a lot of light and air — and vice versa. Some of our metamorphic artifacts, such as the artwork named ‘Cuts’ and the lamp named ‘New York,’ make part of the permanent collection of the Museum Centre Pompidou in Paris since 2016. Artifacts that can transform and metamorphose their shape in order to adapt to the needs of the moment are often intuitively and universally understood. Buildings come to life and open up in order to receive light and air where and when needed and can then close up again as if they were an organism.

Right: Upper mirror down, building closed | Left: Upper mirror up, building accessible

Upper mirror up; view over the landscape | PERISCOPE – reality displacement as space enhancer and energy storage device by Claerhout – Van Biervliet Architects, Concept | Popular Choice Winner, Unbuilt Private House (L > 3000 sq ft) | Visualizations by Adriaan Claerhout

HF: Your A+Award-winning project, PERISCOPE, imagines a semi-subterranean structure that uses retractable mirrors to bring light and atmosphere below grade to create a microclimate. What inspired — or, led you to develop — this project?

A combination of several elements:
• The primal idea of retreating and being protected by a hole in the ground is a typically pandemic thought that triggered our imagination.
• The COVID-19 crisis gave us time to conceive and develop this innovative concept.
• The increasing scarcity of building land often results in enormous basements that nevertheless need to house primary living and working functions but always suffer from dreary ‘basement architecture’ with a lack of light and view.
• By extrapolating the idea of retractable periscope mirrors on an architectural scale, light and view can be brought to underground levels, solving the above issue.
• The basic fascination of finding solutions to discreetly nesting a building in a valuable natural environment.
• The challenge of reactivating a Roman or Palladian building scheme by making it four-dimensional and adaptive.
• Finally, the intriguing challenge of combining the centuries-old periscope system to bring light and view to a subterranean level with a gravity battery.

We have tried to bring all these elements together in a synergetic way. The short film, featured at the top of this article, illustrates how an underground building can come to life.

Left: Upper mirror down/lower mirror up, providing a view over the inner gardens | Center: Upper mirror rising  | Right: Upper mirror up

Upper mirror up/lower mirror -2, providing a view over the landscape for level -2 | PERISCOPE – reality displacement as space enhancer and energy storage device by Claerhout – Van Biervliet Architects, Concept | Popular Choice Winner, Unbuilt Private House (L > 3000 sq ft) | Visualizations by Adriaan Claerhout

HF: With its dynamic solar-powered framework, imagined as a “space enhancer,” PERISCOPE presents an architecture that blurs the distinction between the physical and virtual realms — a phenomenon we experience daily. Why do you think it is important that architects explore this concept?

The physical reality is increasingly cannibalized by virtual reality. The latter tries more and more to compete with the ‘static’ physical world. It is Metamorphic Art Studio’s aspiration to provide a counterbalance by focusing on virtualizing the physical reality. Hence our fascination to make this physical reality four-dimensional cinematographic or metamorphic through art, design and architecture. This opens up a new truly dynamic world. Architecture designed and functioning as a living organism where all parts will have to interact extremely sparingly and efficiently. The tools are already available: Parametrics to design skin and bone architecture and by implementing mechatronica, Metamorphics to make this architecture smart.

HF: Conceptual projects are key for firms to hone their design approaches and fine-tune visualization styles. What role do “paper projects” like this one play in your studio’s culture?

In our view, Periscope is not a ‘paper project’ that fits within a utopian tradition. It is a visual 4-dimensional manifesto that opens up a world of possibilities and longs to be built in order to prove its case. The project goes beyond being an innovative concept, since the technical aspects and feasibility have already been elaborated quite extensively. Our goal is to find a client with vision, combined with a skilled team of executors in order to create magic, push boundaries and bring this project to life in this shape or another.

Left: Lower mirror descending | Right: View over the landscape, lower mirror down

Angle view of the upper mirror up and the lower mirror up, reflecting the inside | PERISCOPE – reality displacement as space enhancer and energy storage device by Claerhout – Van Biervliet Architects, Concept | Popular Choice Winner, Unbuilt Private House (L > 3000 sq ft) | Visualizations by Adriaan Claerhout

HF: What are some of the key aspects of the process of creating PERISCOPE that will impact your built output moving forward?

A periscope is bidirectional. From underground, the view over the landscape suddenly comes inside. But what is underground is suddenly also displayed above ground. Art or car collections can be stored underground and displayed above ground when desired. Geologically interesting layers or archaeological findings can be made visible at a higher level. The mirrors can also be tilted, varying the field of view. We are currently designing a ritual building where the mirrors transition from the earthly to the heavenly. The mirrors can also become screens and bring digital content. In other words, architecture in the sharp middle between the virtual and the physical world, or in Platonic terms the Periscope as a cave explores the difference between reality and shadow. Within a broader context, the Periscope project indicates that we are always looking to discover new design paths so we can create interesting buildings.

HF: If you had one piece of advice to architecture firms considering entering the A+Awards next year, what would it be?

An opportunity not to be missed!


To see more of Claerhout – Van Biervliet Architects’ visionary work, visit the firm’s in-depth Architizer profile, and be sure to explore the work of Metamorphic Art Studio and Adriaan Claerhout Studio as well.

This article was produced in partnership with Claerhout – Van Biervliet Architects as part of an A+Awards special feature series. Top image: PERISCOPE – reality displacement as space enhancer and energy storage device by Claerhout – Van Biervliet Architects, Concept | Popular Choice Winner, Unbuilt Private House (L > 3000 sq ft) 

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Material Matters: LUO Studio’s Outside-the-Box Approach to Modern Craftsmanship

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

In the last few decades, there’s been a growing disconnect between what architects design and what people actually want (or need). The shiny, statement-making buildings that once dominated skylines are starting to feel out of touch. But maybe it’s on us as architects to bridge that gap. After all, our work should serve people, not just make a statement. Still, it’s easy to feel limited by what’s realistic. We can’t just start building everything out of cardboard to be more sustainable, right?

Well, this firm begs to differ.

Meet LUO Studio. The Beijing-based firm, led by Luo Yujie, is quietly but confidently redefining what architecture can be. Their projects don’t scream for attention with flashy designs or towering glass façades. Instead, they focus on sustainability, cultural preservation and real community impact while also pushing the boundaries of creativity and functionality. Whether it’s reimagining traditional techniques or experimenting with unconventional materials, LUO Studio is challenging the status quo by asking a simple question: How can architecture do better?

The answer, it seems, lies in embracing context, connecting buildings with their history and recognizing that using local materials and techniques is more important than ever.

So, what exactly are they doing to shake things up? Let’s take a closer look.


Innovating with Tradition: The Fusion of Past and Present

Prepared Rehmannia Root Crafts Exhibition Hall by LUO studio, Xiuwu County, Jiaozuo, China | Jury Winner, Cultural & Expo Centers, 12th Annual A+Awards

Prepared Rehmannia Root Crafts Exhibition Hall by LUO studio, Xiuwu County, Jiaozuo, China | Jury Winner, Cultural & Expo Centers, 12th Annual A+Awards

In an era where technology often overshadows tradition, LUO Studio takes a different approach. They believe history isn’t just something to remember but a foundation to build on. This philosophy shines through in one of their latest A+Award-winning projects — the Prepared Rehmannia Root Crafts Exhibition Hall in Xiuwu County.

Once an herb-processing factory, the space has been transformed into an exhibition hall that celebrates the region’s rich history and craftsmanship. The design draws inspiration from traditional Rehmannia root preparation methods, particularly the ancient practice of “nine steaming and nine sun-drying,” which emphasized the importance of sunlight. LUO Studio incorporated this concept by creating a circular layout that optimizes natural light, allowing it to play a central role in the building’s atmosphere. The structure itself uses local materials like red brick and timber with modern construction techniques, honoring the area’s cultural heritage while addressing contemporary needs.

Timber Bridge in Gulou Waterfront by LUO studio, Jiangmen, China | Jury Winner, Architecture +Wood, 10th Annual A+Awards

Timber Bridge in Gulou Waterfront by LUO studio, Jiangmen, China| Jury Winner, Architecture +Wood, 10th Annual A+Awards

Another project that exemplifies their commitment to innovation rooted in tradition is the Timber Bridge in Gulou Waterfront. Constructed from natural pine wood using time-honored Chinese arched techniques, the bridge is designed with three large curved beams, assembled on-site using a combination of traditional joinery and modern steel-strengthened bolts. This method, rooted in historical practices, provides both strength and flexibility, essential for accommodating varying boat sizes beneath.

A key feature of the bridge is its covered corridor, a nod to ancient Chinese bridge designs. Traditionally used to protect wooden structures from the elements, this corridor not only shields the bridge from heavy rainfall but also enhances the experience for visitors. The careful spacing of smaller wooden components creates a stable framework, while gaps between the layers allow natural light to filter through, offering glimpses of the water below.


Beyond Conventional Materials: Designing With Cardboard

Corrugated Cardboard-Formed Exhibition Space by LUO studio, Shanghai, China | Popular Choice Winner, Sustainable Interior Project, 12th Annual A+Awards 

Learning from the past and using traditional materials might be essential, but a few of LUO Studio’s projects that really stand out are not made from traditional, but rather unconventional materials.

The studio created a series of cardboard-formed exhibition spaces, taking a highly creative approach to a material often overlooked in architecture and transforming it into something both impressive and surprisingly functional.

Beginning with Version 1.0 for the “Back to the Future: Breaking the Time Barrier” exhibition in 2021, LUO Studio took on the challenge of using corrugated cardboard as the primary material for an entire exhibition space. This initial experiment was more than just a test of material — it was a statement about sustainability and creativity in architecture.

Building on the success of their first attempt, Version 2.0 emerged in 2023 at the Xinyang Book Market. Here, they refined their approach, creating a space that was not only structurally sound but also visually engaging. The project demonstrated that cardboard, when used thoughtfully, can be both functional and aesthetically pleasing.

Two Paper Houses by LUO studio, Zhengzhou, China | Popular Choice Winner, Sustainable Interior Project, 12th Annual A+Awards 

The latest evolution, Version 3.0, saw LUO Studio taking this concept even further with the creation of two “paper houses” for the Båt Odes to the Land exhibition in Zhengzhou. These structures were designed to be stable and durable despite the inherent challenges of using cardboard. The circular design of the spaces, combined with careful engineering, ensured that the buildings were not only practical but also conveyed a sense of ritual and purpose.

The result across all three versions is a series of spaces that defy expectations, showing that even a material as humble as cardboard can be transformed into a viable, sustainable option for architectural design.


Community-Centric and Adaptive Design: Building with a Purpose

Jiulongfeng Children Learning Center for Conservation by LUO studio, Huangshan City, China | Popular Choice Winner, Architecture +Joy, 12th Annual A+Awards

From reviving ancient techniques to pushing the limits of material use, LUO Studio’s approach is both innovative and grounded. But their work doesn’t stop there. The studio is also deeply committed to building with a purpose, ensuring that their designs make a meaningful difference in the communities they serve.

A perfect example of this commitment is the Jiulongfeng Children’s Learning Center for Conservation, this year’s A+Awards Popular Choice winner in the Architecture +Joy category. The project goes beyond preserving traditional Huizhou carpentry techniques; it focuses on empowering the local community. Located in the heart of Shangling Village, the renovation was a collective effort, bringing together villagers, master carpenters and LUO Studio’s team. Community involvement was central to the project’s success, with residents participating in every stage, from site clearance to construction.

The outcome is more than just a learning center, but a space that reflects the community’s spirit, offering a welcoming environment where children can play and learn. The unique, cabin-like structure serves as a place for education and a source of pride and cultural identity for the village. By prioritizing community engagement, LUO Studio has created a project that not only meets functional needs but also reinforces the social fabric and collective ownership of the space.


Redefining the Role of the Architect

Jiulongfeng Children Learning Center for Conservation by LUO studio, Huangshan City, China | Popular Choice Winner, Architecture +Joy, 12th Annual A+Awards

LUO Studio’s work is a reminder that architecture can — and should — be more than just eye-catching structures. Their projects encapsulate a commitment to tradition, material innovation, sustainability and, perhaps most importantly, community engagement. By merging historical craftsmanship with modern needs, experimenting with unconventional materials like cardboard and centering their designs around the people they serve, LUO Studio is setting a new standard for what architecture can achieve.

At the heart of their work is a holistic approach that refuses to separate design from purpose. Whether it’s reviving ancient carpentry techniques or rethinking what’s possible with recyclable materials, LUO Studio consistently demonstrates that meaningful architecture is not about following trends but about understanding and responding to context — cultural, environmental and social. Their projects are as much about the process as the finished product, engaging communities and fostering a sense of shared ownership and pride.

Looking forward, LUO Studio’s approach offers a compelling model for the future of architecture. As the industry grapples with the challenges of sustainability, cultural preservation and social responsibility, their work provides a blueprint for how architects can create designs that are not only innovative but also deeply rooted in the communities they serve. In doing so, LUO Studio is redefining what it means to be an architect in the 21st century — one who listens, learns and builds with purpose.

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

The post Material Matters: LUO Studio’s Outside-the-Box Approach to Modern Craftsmanship appeared first on Journal.

Rethinking School Design: How Education Architecture Reflects Changing Views on Childhood

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For decades, school design was synonymous with rigidity. Rows of identical classrooms, harsh lighting and long, narrow corridors created environments that felt more like factories — or worse, prisons — than places for nurturing young minds. This comparison isn’t entirely accidental. While it may be more legend than the fact that many schools were designed by the same architects who built prisons, the underlying principles guiding their design were strikingly similar. The focus was on efficiency, control and uniformity — goals just as relevant to prisons as early educational institutions.

Large institutional architecture firms, often responsible for designing schools, libraries, hospitals and prisons, employed similar principles across these different building types. These designs prioritized managing large groups of people, keeping them orderly and minimizing disruption. The result was monolithic, drab and often devoid of warmth or inspiration — structures that, like prisons, organized people and their activities in ways that stripped away individuality and creativity.

But the world has changed. And so has our understanding of childhood and adolescence. Society now sees children as individuals with unique needs and ways of learning. The rigid designs of the past are giving way to spaces that embrace creativity, exploration and a more holistic approach to education. This shift is clearly reflected in the A+Awards winners and finalists in the education categories, where innovative designs redefine how we think about learning environments. With that in mind, this article explores the child-centric principles shaping the design of contemporary educational spaces.


Scale and Sensory Experience

When it comes to early education (kindergartens and elementary schools to be more precise) the environment plays a critical role in shaping a child’s experience. For young children, scale and sensory engagement are particularly important. Spaces that are too large or overwhelming can create feelings of anxiety or discomfort, while environments that are thoughtfully scaled and filled with sensory richness can inspire curiosity and joy.

The Shanghai Blue Bay Kindergarten exemplifies this principle by carefully tailoring its environment to the needs of young children. Located on a small site surrounded by high-rise buildings, the design uses a staggered layout to break the building into smaller, child-friendly volumes, ensuring the space feels welcoming rather than overwhelming.

The inclusion of themed courtyards and open activity rooms that connect indoor and outdoor spaces creates diverse sensory experiences, encouraging exploration and play. These design choices not only make the environment more engaging and nurturing but also support the holistic development of young learners, setting a new standard for early education spaces.


Familiar, Home-like Environments

École de l’Étincelle (Lab-école) by BGLA architecture | urban design, Agence Spatiale inc., APPAREIL Architecture, Chicoutimi, Saguenay, Canada | Popular Choice Winner, Primary and High Schools, 12th Annual A+Awards

Another noticeable shift in educational architecture is a one towards creating more familiar, home-like environments, especially in primary and high schools. This approach aims to move away from the rigid, institutional designs of the past and instead focus on making schools more welcoming and supportive spaces for students.

L’école de l’Étincelle in Chicoutimi is a prime example of this principle. The school is designed as a series of small, house-like units around a central courtyard, creating a village-like atmosphere that mirrors the warmth and comfort of home. The use of locally sourced wood and a design that intertwines with the residential surroundings reflect this new direction in school architecture.

Inside, classrooms are grouped to foster collaboration and a sense of community, while outdoor spaces offer safe, inviting areas for social interaction and exploration. This shift towards less rigid, more nurturing environments marks a significant evolution in how educational spaces are designed to support the holistic development of students.


Flexible and Personalized Spaces

Apart from creating familiar, home-like environments, there’s also a noticeable shift towards flexibility and personalization in educational spaces. Schools are increasingly designed to adapt to the varying needs of each student, moving away from rigid, traditional layouts that restrict how and where learning takes place.

The Jinshan No.2 Experimental Primary School in Shanghai exemplifies this approach. The design focuses on creating spaces where learning can occur anywhere, not just in conventional classrooms. Transparent folding doors replace solid walls, allowing spaces to adapt based on the activity at hand. Public areas have been transformed into informal learning environments that encourage interaction and inquiry-based exploration.

Vibrant, locally inspired colors and child-friendly design elements make the school both engaging and responsive to students’ needs. By prioritizing flexibility and personalization, the school supports a dynamic educational experience, reflecting the diverse ways children learn today.


Cultivating Imagination Through Playful Design

Comprehensive renovation and extension of the Kindergarten, U?enjak unit by OD-DO architecture and Navor, Ljubljana, Slovenia | Popular Choice Winner, Sustainable Adaptive Reuse or Renovation Project, 12th Annual A+Awards

Playfulness and creativity are increasingly recognized as essential components of early education. Spaces that stimulate imagination can significantly improve a child’s ability to explore, learn and grow. This principle is beautifully embodied in the Kindergarten Pedenjped U?enjak Unit.

Originally a rigid, boxy structure with little to inspire curiosity, this kindergarten has been reimagined into a vibrant and imaginative space. The design introduces organic shapes, vibrant colors and playful forms, creating child-friendly spaces that move away from traditional classroom layouts. Curving corridors lead to shared playrooms that double as learning zones, fostering a sense of exploration and wonder. The renovation also prioritizes natural light, transforming the previously drab interiors into a bright and welcoming environment.

This shift from a utilitarian structure to a dynamic, imaginative space highlights how thoughtful design and sustainable renovation can profoundly impact a child’s learning experience. By embracing creativity and interaction, this kindergarten sets a new standard for how existing buildings can be adapted to foster growth, creativity and sustainability, turning everyday education into an adventure.


Integrating Nature and Learning

LYCEUM School by DL Atelier, Guangxi, China

While the benefits of exposure to nature have long been recognized, modern schools are increasingly weaving natural elements directly into their architecture. This approach is especially important in fostering holistic growth in children, as interaction with nature has been shown to improve cognitive function, reduce stress and promote well-being across all stages of development.

The LYCEUM School embraces this principle by making nature an integral part of its design. The school’s layout features interconnected courtyards filled with trees and plants, creating spaces where students can interact with nature throughout their day. Classrooms open directly to these courtyards, blurring the lines between indoor and outdoor learning. This integration allows students to move freely between environments, encouraging exploration and reinforcing their connection with the natural world.

By prioritizing natural elements in its design, the this school not only strengthens academic learning but also nurtures students’ emotional and physical development, demonstrating how essential nature is in a well-rounded education.


Engaging Multiple Senses in Learning

Ehrman Crest Elementary and Middle School by CannonDesign, Cranberry Township, Pennsylvania

Building on the principle of creating diverse and engaging environments, there’s a growing emphasis on designs that activate multiple senses, making learning more immersive and interactive.

Ehrman Crest Elementary and Middle School exemplifies this by transforming its entire environment into a multi-sensory learning space. Collaborating with the Children’s Museum of Pittsburgh, the school integrates museum-like elements—artwork, tactile exhibits and interactive displays—throughout its design, encouraging exploration beyond traditional classrooms.

This approach allows students to engage in ways that resonate with them individually, whether through visual, tactile, or collaborative experiences. By activating every corner of the school, Ehrman Crest redefines how educational spaces can engage students, making learning a holistic, dynamic experience.


Valuing Time and Space for Unstructured Learning

In the high-pressure environment of high school, it’s rare to find spaces intentionally designed for unstructured learning. However, Huizhen High School in China boldly challenges this norm by reimagining how time and space can be used to foster personal growth and well-being.

The school’s design embraces a unique approach by prioritizing areas where students can escape academic pressures and engage in self-directed exploration. The inclusion of a “floating forest,” a serene and natural retreat within the campus, offers students an unconventional sanctuary for relaxation and reflection — an approach that stands in stark contrast to the traditional rigidity of high school layouts.

This innovative design goes beyond merely breaking away from standard classroom arrangements. By creatively dispersing classrooms and incorporating winding paths, Huizhen High School disrupts the typical efficiency-driven mindset that often governs educational architecture. Instead, the school fosters an environment where students can balance academic demands with moments of tranquility and introspection. This recognition of the value of unstructured time for teenagers is both refreshing and vital, acknowledging that learning and personal development are deeply intertwined and often occur outside the confines of scheduled classes.

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Sustainable Practice: The Chengdu Panda Pavilions and the Architecture of Immersive Conservation

The jury and the public have had their say — feast your eyes on the winners of Architizer's 12th Annual A+Awards. Subscribe to our Awards Newsletter to receive future program updates.

The problem with news media, particularly in the social age, is the propensity to focus on negatives. This is rarely more obvious than coverage of climate and the environment. 

On the one hand, denialist tendencies are exhibited by some corners of the press, usually in the form of scathing critiques taking aim at arguments based on modeling and estimates rather than “hard facts.” A disparaging light in which to cast any scientific study, let alone those relating to a crisis we are now watching happen in real-time.

On the other side of the fence, green-aligned journalism is the stuff of nightmares. Unless we choose a different path, we are essentially on a collision course with searing temperatures, the collapse of vital natural systems, the disappearance of most species and, eventually, the complete exhaustion of resources. 

This blunt object narrative is clearly necessary, considering the academic consensus that climate change is definitely taking place and poses an existential threat to life on Earth. Yet, we’re not actually doing very much about it at any reasonable pace. Shock and awe is an obvious tactic.

Nevertheless, it’s also important to celebrate and trumpet the victories that have come from our painfully slow movement towards more environmentally conscious attitudes. If everything is doomed there might not be much point in trying. If policies are working to mitigate and restore, telling people about it means there’s more chance of them taking an interest in getting involved.

Inside The Panda Pavilions at The Chengdu National Giant Panda Research and Breeding Center by Atelier Ping Jiang | EID Arch, Chengdu, China

Conservation is one of the biggest shifts in how we view the planet and all its inhabitants. The fact we’re losing species faster than at any other point in recorded history is a product of how bad things have been allowed to get for centuries, and how difficult wildernesses are to police, not a lack of effort to stop the decline today.

Bald eagles, California condor, the swift fox, and licking river mussels are all examples of US wildlife success stories. Species that were driven almost to the point of extinction, before clawing their way back from the brink with some human assistance. Outside the United States, there are many more cases like these.

The Giant Panda is one. By the 1980s, just 1,100 or so of these incredible creatures were thought to still exist in China. A decade ago, new estimates put this closer to 2,000 and rising. In response, the International Union for Conservation of Nature (IUCN) removed them from the Red List of Threatened Species. 

The Chengdu National Giant Panda Research and Breeding Center has played an integral role in this recovery, and while there is still a very long way to go before we can consider pandas ‘safe’, the institution is already preparing for the future of its vital work. The world’s leading site of study for this type of bear has recently expanded with an Atelier Ping Jiang | EID Arch-designed series of structures made from wood-grained aluminum and bamboo.

External view of The Panda Pavilions by Atelier Ping Jiang | EID Arch, Chengdu, China

Aesthetically made to reflect the vast prairie landscapes beyond the sprawling city of Chengdu-proper, the four ring-shaped pavilions complement the sloped parklands outside the walls. Some elements sink beneath the ground or tree line, and others rising above them, and offer both behavioral research labs for the scientists and the living habitats of the pandas themselves. 

Outdoor terraces and indoor areas provide spaces for the animals to play, sleep and eat. Administrative offices and rooms for preserving and storing the bamboo that plays such a dominant part in panda diets, and interactive educational and exhibition spaces are also located within the same structures. This means the third stakeholders — visitors — quickly find themselves fully immersed in both the human-led studies and the daily life of bears. 

Breaking down the fourth wall, in a manner of speaking, and offering a seamless integration between bears, researchers and members of the public is essential to create a sense of participation in the preservation and research process. An important win when we need to engage with far wider numbers on issues such as species decline, and just how precious living things are. 

“The design of the panda pavilions concerns with the integration of human experience, architecture and environment. It is intended as a convergence of architecture, landscape and land art. While the project provides a pedestrian friendly navigation experience for the visitors, it prioritizes an animal-friendly environment to minimize the alienation of ecology, promoting biodiversity conservation,” Jiang says of the project. Looking at the results, it would seem there’s another environmental success story worth celebrating. 

The jury and the public have had their say — feast your eyes on the winners of Architizer's 12th Annual A+Awards. Subscribe to our Awards Newsletter to receive future program updates.

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Sky High Standards: The New Era of More Sustainable and Passenger-Friendly Airports

The jury and the public have had their say — feast your eyes on the winners of Architizer's 12th Annual A+Awards. Subscribe to our Awards Newsletter to receive future program updates.

How can we transform our airport experience, which marks the beginning of our journey, into something more seamless and enjoyable? Facing the challenges of airport logistics, passport control and security checkpoints, we naturally wish for a smoother, more pleasant experience. This growing desire is driving a transformative shift in airport design, guided by two crucial imperatives. First, there is a pressing need for energy-efficient and environmentally sustainable facilities, reflecting a global commitment to reducing carbon footprints and lessening the impact of large-scale infrastructure. Second, airport design increasingly prioritizes enhancing the traveler experience, creating functional, comfortable and engaging spaces.

This dual approach acknowledges that airports are more than just transit points; they are complex ecosystems where environmental responsibility and passenger comfort must harmoniously coexist, turning what used to be a source of anxiety into a peaceful prelude to your journey. Let’s explore lessons from three cutting-edge before discussing the new, future directions of global airport design.


Garden City Spirit at Kempegowda Airport

Kempegowda International Airport, Bengaluru — Terminal 2

Kempegowda International Airport, Terminal 2

Kempegowda International Airport, Terminal 2 by Skidmore, Owings & Merrill (SOM), Bengaluru, India | Photos by Ar. Ekansh Goel from Studio Recall | Jury Winner and Popular Choice Winner, Sustainable Transportation Project, 12th Annual A+Awards

Inspired by Bengaluru’s reputation as India’s “garden city,” Terminal 2 (T2) at Kempegowda International Airport redefines the airport experience by integrating nature into the 2.7 million-square-foot (255,000-square-meter) bustling international hub. The complex, clad in brick, engineered bamboo, and glass, comprises interconnected buildings linked by outdoor landscaped areas.

The main terminal block, which includes check-in, immigration, security, retail, arrivals and baggage claim, is separated from the gates at Terminal 2 by a 29.5-foot-wide (90-meter-wide) “forest belt” featuring indigenous flora, meandering paths and bamboo-clad pavilions. Bridges, outdoor pathways and large skylights create a calming, immersive experience that contrasts with the bustling airport activity. Plants hanging from the bamboo ceiling and green walls further enhance the terminal. The nature-themed design responds to the horticultural heritage and climate of Bengaluru while also promoting sustainability.


A Multi-Sensory Oasis at Changi Airport

Changi Airport Terminal 2

Changi Airport Terminal 2

Changi Airport Terminal 2 by BOIFFILS Architectures, Singapore | Photos by Fabian Ong for Changi Airport Group | Popular Choice Winner, Transport Interiors, 12th Annual A+Awards

The expansion and renovation of Terminal 2 at Singapore’s Changi Airport, spanning 1,291,670 square feet (120,000 square meters) across three levels. This redesign aims to enhance the traveler experience through spectacular visual, auditory, and interactive elements, transforming the terminal into a serene, multi-sensory indoor landscape. Water features, rock formations, and lush vegetation blur the boundaries between architecture and nature. Immersive installations like Wonderfall and Dreamscape offer a relaxing retreat for layover passengers. The Departure Hall’s check-in islands create a spacious feel and ensure smooth circulation. Green walls, vibrant carpeting, and organic design elements enhance the environment. Artisanal materials and handcrafted features, like organic-shaped counters and blown glass chandeliers, add to the human experience. Together, these elements contribute to a stress-free journey for all travelers.


Sustainable Expansion at Boston Logan

Boston Logan International Airport Terminal E

Boston Logan International Airport Terminal E

Boston Logan International Airport Terminal E by AECOM, Boston, Massachusetts | Photos by Ema Peter Photography.

Terminal E at Boston Logan International Airport has expanded by 320,000 square feet (29,730 square meters) and renovated 70,000 square feet (6,500 square meters) to accommodate eight million passengers annually. The design integrates extensive daylighting, photovoltaic glass panels, and electrochromic glass to create a bright, comfortable environment. Features like the multi-story great hall and clerestory windows add to the aesthetic appeal, making the space more enjoyable for travelers.

Moreover, the terminal prioritizes energy efficiency and sustainability using hybrid energy recovery systems, efficient fixtures and recycled materials. The all-electric terminal and electrification of apron vehicles reduce carbon emissions and power consumption, contributing to a net-zero strategy. Additionally, the terminal’s design includes measures to withstand extreme weather events and serves as a noise barrier, further enhancing the travel experience. It also serves as a noise barrier, powering airplanes at the gate to cut hydrocarbon use. Critical buildings are raised above the floodplain to enhance resilience.


Balancing Aesthetics, Comfort and Security

LaGuardia Airport Terminal B by HOK, New York City, New York | Popular Choice Winner, Transportation Infrastructure, 12th Annual A+Awards

These three examples demonstrate how thoughtfully soothing design and careful analysis to streamline the various operations can significantly enhance the overall travel experience. They also underscore the importance of understanding travelers’ behavior and stress levels during their airport journey.

We can enjoy our journey in a relatively stress-free land side zone, leisurely exploring shopping, food and beverage areas or moving through moving walkways on the way to our gate. But, as much as the airport might try to keep things calm, there’s always a mix of excitement and uneasiness that creeps in well before we arrive at the airport. Our stress peaks at the security checkpoint, widely recognized as the most anxiety-inducing process of the journey for many travelers, closely followed by passport control. These stages can significantly overshadow the relative ease felt in the calmer areas of the airport. But how much say do architects and designers have in these areas, where security is at its height, full attention is required, and fewer distractions are preferable?

From a design perspective, security and passport checkpoint zones must adhere to strict regulations that prioritize security and efficient traveler flow, leaving limited room for design expression. On the other hand, even within these constraints, shouldn’t these areas still reflect the overall theme of the facility — albeit on a smaller scale and with less emphasis — to achieve a cohesive environment and enhance travelers’ experience? Integrating calming design elements, such as natural lighting, greenery and clear signage, can reduce stress and create a more pleasant environment. Additionally, incorporating efficient technology and streamlined processes can minimize wait times and enhance overall comfort, making these areas less intimidating and more user-friendly without compromising security.


From Check-In to Departure: How Technology Elevates the Airport Journey

San Francisco International Airport, Boarding Area E

San Francisco International Airport, Boarding Area E designed by Gensler, San Francisco, California | Photo by Joe Fletcher

Technology significantly enhances efficiency and reduces stress at check-in, security and passport checkpoints by cutting wait times and streamlining processes. Self-check-in kiosks empower travelers to swiftly check in, print boarding passes, and tag their luggage. Biometric verification methods, including facial recognition and fingerprint scanning, expedite identity checks, ensuring a seamless transition. Mobile apps and digital passes keep travelers informed with real-time updates on flight status, gate changes, and security wait times. At security checkpoints, smart screening technologies such as automated tray return systems and body scanners make the process quicker and less intrusive.

The integration of these technological processes into airport design ensures that efficiency and traveler convenience are seamlessly woven into the facility’s infrastructure, enhancing the overall passenger experience. Gensler’s renovation of San Francisco International Airport’s Terminal 3 Boarding Area E (T3BAE) exemplifies innovative design and interactive technology within a thoughtfully curated soothing environment, creating a space where travelers will truly enjoy spending their time.


From Green Design to Traveler Comfort: The New Standard in Airports

By integrating energy-efficient features and sustainable practices, airports like Boston Logan’s Terminal E and Bengaluru’s Terminal 2 at Kempegowda International Airport demonstrate a commitment to reducing environmental impact. Simultaneously, thoughtful design elements and advanced technologies ensure a stress-free, enjoyable journey for travelers. The future of airport design lies in this delicate balance, where aesthetics and functionality coexist to create efficient, comfortable and eco-friendly transit hubs that prioritize both the planet and the people.

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

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Inside Job: A+Award-Winners Reveal the New Priorities Shaping Modern Interiors

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Interior design reflects the values of modern life. Today, spaces are increasingly shaped by sustainability, wellness and new aesthetic approaches as designers draw from local contexts. From the choice of materials to the integration of biophilic elements, designers are crafting environments that reflect a deep connection to nature and a commitment to enhancing the well-being of their occupants. The convergence of technology and craftsmanship is where interior design is creating new experiences.

This year’s Architizer A+ Awards spotlight the best of these global trends, recognizing excellence in interior design that pushes boundaries and redefines how we live and work. Celebrating projects from across the world, the A+Awards honor both established and emerging talent in the industry. Looking at  Commercial and Transport Interiors categories, architects and designers have turned to natural and local materials to reduce environmental impact. Focus on wellness has brought new aesthetics, prioritizing calming, human-centered environments. Explore how the winning interior designs are as mindful as they are beautiful.


Bike Parking IJboulevard

By VenhoevenCS architecture+urbanism, Amsterdam, Netherlands

Jury Winner, Transport Interiors, 12th Annual A+Awards


The IJboulevard, designed by VenhoevenCS architecture+urbanism in collaboration with Van Hattum en Blankevoort and DS Landscape architects, is a new underwater bike parking facility in the heart of Amsterdam. Located near Amsterdam Central Station, this innovative project accommodates over 4,000 bicycles and adds public space above ground. The roof of the facility forms a new boulevard along the river IJ, creating a vibrant walkway with seating and river views.

The interior features flowing lines, wooden walls, and subtle lighting to create a warm, inviting atmosphere. Sustainable design elements like low-energy consumption, biodiversity-promoting features, and eco-friendly materials enhance the overall impact of the project, which improves both infrastructure and public space in the city.


Monasty

By Not a Number Architects, Thessaloniki, Greece

Jury Winner, Commercial Interiors (>25,000 sq ft.), 12th Annual A+Awards

Monasty’s interior design merges the Byzantine heritage of Thessaloniki with the luxury of the Autograph Collection by Marriott. Drawing inspiration from the city’s rich history and its surviving Christian Orthodox temples, the hotel offers a mystical atmosphere. Its 100 rooms and common spaces feature an austere materiality, subtle lighting and a monastic aesthetic that balances the high-end amenities of a 5-star hotel.

The design incorporates symmetry, with a bar at the center emulating the nave of Byzantine temples, accentuated by a grand wooden ceiling, brass-coated chandeliers and Byzantine-inspired stone flooring. Warm, tactile materials like weathered leather and brushed wood, along with site-specific Byzantine murals, create a rich sensory experience. The secret garden, with its greenery and water features, further enhances the peaceful retreat from the bustling city.


Publicis Groupe, Le Truc

By Architecture Plus Information (A+I), New York City, New York

Jury Winner, Commercial Interiors (<25,000 sq ft.), 12th Annual A+Awards


A+I partnered with Publicis Groupe to create a dynamic “Clubhouse” for their creative collective, Le Truc, in New York City. This innovative space, designed to fuel creativity, offers a variety of non-deterministic environments — bullpens, libraries, auditoriums, nooks and lounges — that cater to different creative processes.

Anchored by a café and work lounges, the space generates collective energy and celebrates individuality with diverse colors, lighting, and design elements. Le Truc serves as a proof of concept for the future of work, showing how an office can be a strategic tool for large-scale organizations post-pandemic.


OFFICE @ 63

By Sanjay Puri Architects, Navi Mumbai, India

Popular Choice Winner, Commercial Interiors (<25,000 sq ft.), 12th Annual A+Awards


This office for a furniture contract company, located within their factory, features a series of architectural volumes that give each space its own identity. A large reception area is highlighted by a 36-foot-high (11 meters) seating area with elliptical pods floating in a reflecting pool at one end and a landscaped courtyard at the other. A multifunctional space with movable modular platforms serves as a furniture display, seminar hall or social area, connected by a sweeping cantilevered stairway.

The office’s elliptical volumes create organic circulation, with a varied material palette of glass, wood, metallic paint, cork and concrete. Integrated lighting enhances features like perforated partitions, pyramid ceilings and aluminum installations, while large openings allow natural light and views of the factory. Each functional area, including workstations, conference rooms and discussion rooms, is uniquely designed and arranged across three levels.


U.S Bank Center

By SkB Architects, Seattle, Washington

Popular Choice Winner, Commercial Interiors (>25,000 sq ft.), 12th Annual A+Awards

The revitalization of the 44-story U.S. Bank Center transforms the iconic building into a vibrant workplace and welcoming public space. At its heart, Cedar Hall replaces the previously cramped atrium with an open, inviting expanse featuring 3.6 million green penny tiles that reflect sunlight. Operable doors, accessible seating, and dynamic indoor streetscapes foster connection, while the Tower Lobby guides visitors through curated art and adaptable settings.

The Spruce Room, a cozy haven overlooking Cedar Hall, offers lounge seating and workspaces. The redesign emphasizes accessibility, opening up street-level porosity and clarifying boundaries between public and private spaces. This revitalized hub blends work, relaxation, dining and shopping into a seamless experience for tenants and the community.


Changi Airport Terminal 2

By BOIFFILS Architectures, Singapore

Popular Choice Winner, Transport Interiors, 12th Annual A+Awards

The expansion and renovation of Terminal 2 at Singapore’s Changi Airport spans across three levels, with a design prioritizing the traveler experience through calming visual, auditory, and interactive elements. Inspired by nature, the terminal features indoor landscapes with minerals, water features, and lush vegetation to create a serene, multi-sensory environment.

The departure hall emphasizes transparency and smooth circulation to reduce travel anxiety, offering panoramic views and vegetated walls that blur the line between architecture and landscape. The project balances technology and nature, highlighted by immersive installations like Wonderfall and Dreamscape, which provide a tranquil escape for layover passengers.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

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Feast for the Eyes: 7 Refined Restaurants That Will Satiate Architectural Appetites

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The design of culinary spaces is an art that blends the sensory with the spatial. This year’s most inspiring restaurant designs push the boundaries of how these two worlds intersect, creating environments that are as much a part of the dining experience as the cuisine itself. Celebrated in the Architizer A+ Awards, the winning entries and special mentions span a range of scales and concepts, reflecting a global perspective with designs from vibrant urban eateries in New York to serene dining spaces in Japan.

The connection between architecture and culinary spaces is profound, as the design of a restaurant is as crucial to the dining experience as the food itself. Architects and designers craft environments that not only complement the culinary offerings but also elevate the senses, creating atmospheres that are integral to the storytelling of each dish. Whether through innovative use of materials, lighting or spatial configurations, these projects exemplify how architecture can transform a meal into a memorable experience. Each of the following restaurants offers insight into how design can shape and enhance the culinary landscape. Together, they represent the cutting edge of restaurant design today.


Stand Up Udon Noodel

By sawa architects, Jingumae, Shibuya City, Japan

Jury Winner, Restaurants (S <1000 sq ft), 12th Annual A+Awards


Located in Harajuku, Tokyo’s trendy district, this small udon noodle restaurant features a standing-only style. Despite many closures due to COVID-19, the restaurant preserved its distinctive red exterior, which locals cherish as a city icon. The design respects the unique culture of stand-up dining by creating a single arched counter that embodies three key atmospheres: an indescribable feeling, psychological distance from neighbors, and the heat from the kitchen.

The counter, plastered with rice hulls, serves multiple functions including lighting, seasoning and tissue storage. Existing wooden pillars are retained to highlight the traditional Japanese architectural scale, blending unique shapes with cultural elements.


Slabtitude

By Vaslab Architecture, Bangkok, Thailand

Popular Choice Winner, Restaurants (S <1000 sq ft), 12th Annual A+Awards

Slabtitude, a cafe created by Vaslab, emerged from the firm’s idea of revamping the storage space in front of their office into a place where staff could casually meet, work or relax over coffee. The cafe’s design features exposed concrete surfaces and a striking, 23-foot-long (7-meter) Balau wood table, crafted in collaboration with Thick and Thin Studio.

This cantilevered table, inspired by Italian coffee culture, serves as the cafe’s centerpiece, blending functionality with the natural beauty of the wood. The space also incorporates random arrangements of fiber cement panels, seamlessly integrating with the concrete surfaces, while the overall design reflects Vaslab’s aesthetic through curated music, art, and coffee selections.


Harudot By Nana Coffee Roasters

By IDIN Architects, Tambon Samet, Thailand

Jury + Popular Choice Winner, Restaurants (L >1000 sq ft), 12th Annual A+Awards

Harudot is a unique café in Chonburi, Thailand, resulting from a collaboration between Nana Coffee Roasters and a plant-loving landlord. The café, named “Haru” (Spring) and “Dot” (Starting Point), is designed to be a destination that blends new beginnings with growth, featuring a central baobab tree in an inner courtyard where the architecture opens to the sky. Inspired by Japanese culture’s simplicity, the exterior boasts three black gable forms contrasting with warm pine wood interiors.

The space is divided into functional zones, with curved, dynamic forms and semi-outdoor areas created by voids that let in natural light and rain. The interior integrates these voids with Barrisol stretch ceilings, creating a cohesive and warmly lit environment. Seating is designed as a continuous ribbon, and outdoor furniture incorporates coffee grounds, rice, and leaves. Details extend to custom fonts, terrazzo floors with circular patterns and embedded quotes, and playful flower petal designs, enhancing the cafe’s connection with nature and its thematic elements.


Mátria Parques das Flores – Restaurante Baffi

By Alencar Arquitetura, Brazil

Set in the picturesque landscape of Rio Grande do Sul, the Restaurant by the Lake is designed to offer visitors a memorable dining experience with stunning views. The challenge was to create architecture that enhances, rather than competes with, the natural beauty of the environment. The restaurant’s cave-like design, with its concave-convex structure, seamlessly blends into the gentle elevations and slopes of the terrain. In turn, it harmoniously integrates with the landscape to create a discreet and immersive experience.


Khao Niao Restaurant + Onda Cafe

By ASWA (Architectural Studio of Work – Aholic), Bangkok, Thailand

ASWA designed the new Khao Niao + Onda cafe in Bangkok’s Ari neighborhood, surrounded by residential buildings and other eateries. The one-story, L-shaped restaurant features a wavy precast concrete facade, crafted using a unique onsite mold created from corrugated roof tiles.

The building is divided into two main areas: the restaurant with the kitchen and the cafe with service areas, both centered around a semi-indoor courtyard that offers a peaceful retreat and can host small events. The façade’s wave-like design, inspired by the meaning of “Onda” (wave in Italian), includes half-circle openings that reveal the warm wooden interior and allow natural light to fill the space.


Tatiana

By Modellus Novus, New York City, New York

David Geffen Hall at Lincoln Center, completed in 2022, represents a rebirth of one of New York City’s most iconic institutions. Modellus Novus reimagined the concert hall’s hospitality spaces to honor the history and communities that once thrived in the area, particularly the Afro-Caribbean San Juan Hill neighborhood that was razed for Lincoln Center’s development.

The new design fosters inclusivity, creating welcoming environments both inside the building and in its public plazas. The flagship restaurant Tatiana, inspired by Chef Kwame Onwuachi’s upbringing in the South Bronx during the 1990s, reflects the cultural vibrancy of the city’s emerging hip hop and art scenes, celebrating the complex identity of New York while contributing to its future.


V8

By Illichmann Architecture and Matthaus Wagner, Vienna, Austria

The “V8” is a key component of the “Classic Depot” project in Vienna, designed to preserve valuable vintage vehicles. Located on the former Fritze-Lacke factory site, the facility features an underground parking level for 50 cars, a ground-floor workshop and storage areas with heated and ventilated spaces, UV-protective glass, and sun protection.

The top floor includes office space and a restaurant with a bar, terraces and a staggered lightweight construction, reflecting an industrial aesthetic. Special attention was given to lighting, using Nimbus pads that illuminate surfaces indirectly and enhance acoustics with textiles.

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Office of the Future: 6 Ways Architects Worldwide Are Flipping the Workplace Model

The jury and the public have had their say — feast your eyes on the winners of Architizer's 12th Annual A+Awards. Subscribe to our Awards Newsletter to receive future program updates.

In a rapidly evolving world, office design is undergoing a transformative shift that reflects new approaches to creating spaces where people can thrive. The winners of this year’s A+ Awards have set a new benchmark for workplace environments, showcasing approaches that not only respond to contemporary needs but also anticipate the future of work. From flexible layouts that support hybrid working models to biophilic designs that foster well-being, these A+Award-winning projects highlight the creative solutions architects are employing to redefine the modern office.

One of the most significant trends in this year’s winners is the emphasis on flexibility and adaptability. As companies navigate the complexities of remote and in-person work, the demand for versatile spaces that can easily be reconfigured has never been higher. Architects are responding with innovative designs that include modular furniture, dynamic workstations, and multi-purpose areas, enabling businesses to adapt their spaces quickly and efficiently to changing needs.

Designers are also incorporating biophilic design principles; this year’s award-winning offices feature abundant natural light, gardens, and sustainable materials that create healthier, more inspiring work environments. The A+ winners demonstrate that the future of office design is not just about aesthetics or functionality but about creating spaces that support well-being and foster a sense of community.


Choice Headquarters

By Plan Associates, Chiang Mai, Thailand

Popular Choice Winner, Office – Low Rise (1 – 4 Floors), 12th Annual A+Awards

Choice Headquarters is located in Amphoe Mueang, Chiang Mai, surrounded by cultural treasures like Long-kao (rice harvest houses), the Wall of Chiang Mai, and traditional Thai terraces. These elements are thoughtfully integrated into the modern architecture, which features a simple plan with a four-story reinforced concrete structure centered around a courtyard that brings natural sunlight into the building.

The entrance hall is elevated for natural ventilation, and a grand staircase transitions between the first-floor plaza and the open space on the second floor, serving as a multi-purpose area for office activities, relaxation, meetings, and seminars. The space is oriented to optimize wind flow and sun shading, with the core area on the west side and long-use spaces like offices and meeting rooms on the north, south, and east sides. The column-free design creates a flexible open area, and the main staircase encourages exercise. The workspace is a mix of informal and formal spaces, fostering creativity and adaptability.


Lumber 4

By Oslotre Arkitekter, Kristiansand, Norway

Jury Winner, Office – Mid Rise (5 – 15 Floors), 12th Annual A+Awards

“Lumber 4” is a six-floor commercial and office building with a recessed ground floor for commercial use and five upper floors dedicated to office spaces. The structure features mass timber construction, with glued laminated timber columns and beams, and floors made from a composite of CLT and concrete. This slim, efficient floor system spans long distances while meeting fire and acoustic requirements. The building includes diagonals on the ground floor for better vehicular access and utilizes the existing communication core from adjacent phases for lateral stability and access to office floors.

An atrium with a mass timber internal staircase is introduced between the third and fourth floors, showcasing prominent wood elements that provide warmth in winter and cooling in summer. The façade consists of prefabricated curved pine elements treated with green paint, with straight eaves creating curved shadows on the panels. Over time, the paint will weather, resulting in a dynamic façade with lighter and darker sections. The building uses wood fiber insulation and fire-treated pine cladding.


KNEM Offices

By b720 Fermín Vázquez Arquitectos, Barcelona, Spain

Popular Choice Winner, Office – Mid Rise (5 – 15 Floors), 12th Annual A+Awards

The KNEM Offices are located on a plot that was once part of the former jute spinning mill of Hermanos Godó, known as “El Cànem.” The façade of the existing building facing Doctor Trueta Street, included in the Architectural Heritage Protection Plan, has been preserved. The program is distributed in three volumes: two blocks facing the streets and a central block that joins them through a large landscaped patio.

A continuous masonry plinth runs along the perimeter, unifying the three volumes into a single programmatic and formal body. Two glass boxes, screened with an aluminum lattice evoking the weaving of jute fibers, are supported and raised on this plinth. This design contrasts the industrial past with the contemporary elements of the new building. The blocks facing the street offer large, flexible office spaces thanks to strategically located vertical cores and a post-tensioned concrete structure. The central block comprises smaller duplex-type offices open to the central passageway, reminiscent of the old industrial workshops that once populated Poblenou.


Huamu Lot 10

By Kohn Pedersen Fox Associates, Shanghai, China

Jury Winner, Office – High Rise (16+ Floors), 12th Annual A+Awards

To create a sustainable mixed-use urban environment that invites tenants and visitors to experience nature and art in an active setting, Huamu Lot 10 showcases a new form of participatory urbanism. The project features three office towers and a future museum situated around a central grand plaza, landscaped with lush greenery, water features, and meandering walkways. This plaza, activated by surrounding cultural programming, is designed to accommodate large-scale artwork.

Each of the three towers is efficiently planned and rationally massed to make a strong statement and adapt to future contexts. The glass curtain wall façades provide panoramic views and ample natural light, with strong horizontal elements emphasizing rigidity. Subtle cantilevers at uniform heights create a visually connected Sky Gallery, an iconic gesture above the neighborhood. At night, these cantilevered elements are illuminated to highlight Huamu Lot 10. Stepped gardens on roofs and terraces offer verdant outdoor gathering spaces with sweeping city views.


Uniview Headquarters

By GOA (Group of Architects), Zhejiang, China

Popular Choice Winner, Office – High Rise (16+ Floors), 12th Annual A+Awards

Uniview Headquarters represents a modern, technology-driven corporate environment designed for efficiency, dynamism and functional integration. Nestled in Hangzhou’s high-tech industry zone, it extends to the southern tip of an urban landscape axis. A large sunken garden within the site connects to an urban park, serving as the district’s public green core. The headquarters’ west interface features a sweeping curve that embraces nature, while the south and east maintain a neat design, aligning with the surrounding cityscape.

The headquarters includes a 22-story administrative office tower, an eight-story R&D center, and a service and leisure hub at the base. A covered ground-level corridor facilitates smooth navigation and efficient access for staff and visitors. Designed to foster an open and vibrant atmosphere for over 5,000 employees, the R&D center offers a flat, expansive floor space on each level, connecting intimately with the functionality below. The basement serves as a leisure hub with a cafeteria, fitness center, library, café, and retail spaces.


Duntax Office

By 6717studio, Ho Chi Minh City, Vietnam

Jury Winner, Low Rise (1 – 4 Floors), 12th Annual A+Awards

Duntax Office, located in the Tan Phu District of Ho Chi Minh City, sits at an intersection with an open view but uninspiring surroundings. The construction faces challenges from global warming and environmental pollution, and the investor desired rapid completion with structural durability and city-landscape integration. The initial idea for the building was to use lightweight structures integrated with green patches and environmentally-friendly features, creating a modern workplace with an inspiring and serene atmosphere, detached from the hurried urban life.

The structure features smooth curves instead of sharp corners, offering distinct designs from different perspectives, making it stand out. Irregular greenery enhances the building’s appeal and charm. The staircase is positioned at the west end to maximize space and block heat, while workplaces are placed at the front for better lighting and views. Inspired by traditional Vietnamese architecture, the terrace includes a garden, pond, and canopy, blurring the line between indoors and outdoors.

The jury and the public have had their say — feast your eyes on the winners of Architizer's 12th Annual A+Awards. Subscribe to our Awards Newsletter to receive future program updates.

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