Entradas

Architecture 101: What Is Sustainability in Architecture and Design?

Architizer's 13th A+Awards features a suite of sustainability-focused categories recognizing designers that are building a greener industry — and a better future. Start your entry to receive global recognition for your work!

Net zero. Carbon neutral. Nature-friendly. Future-ready. Green. Pro-planet.

Whatever industry you’re in, there are no end to the buzzwords and top-line phrases we use to imply and infer actions that directly benefit the Earth, slow and mitigate the damage human civilization has been causing for a few centuries now.

Each can be considered a subheading beneath the unwieldy label of ‘sustainability’ — a word that literally means the ability to maintain something at a constant rate or level, indefinitely. But, while many of the myriad tags are essentially pretty meaningless, there’s no escaping from the truth. People need up-skilling in the art of not destroying the environment, upon which their own existence depends.

This is particularly true of architects and designers, the professionals tasked with creating cities and objects, buildings and items, of the future. Currently, the built environment accounts for 40% of all carbon emissions, and this figure remains stubbornly high. Progress is only be guaranteed when we wrap our heads around what it sustainable development really means. Here’s a 101 in green design and architecture to start us off.


Characteristics of Sustainable Architecture

Bundanon Art Museum + Bridge by Kerstin Thompson Architects, Illaroo, Australia | Jury Winner, Architecture +Environment; JuryWinner, Sustainable Cultural Building, 11th Annual A+Awards

What are the benefits of sustainable architecture?

It’s simple maths really. Without reducing our environmental footprint and making buildings — along with everything else — more nature and climate-friendly, the continued development of society risks destroying bringing about an end to civilization. So the benefit of sustainable architecture is avoiding self-annihilation.

Digging deeper, there are key ‘wins’ with sustainable architecture. Carbon emissions and other airborne pollutants are usually significantly lower with sustainable approaches. Often, fewer resources are used, with waste and — potentially — cost coming down as a result. These projects frequently place a high value on natural assets, too. And given green space, trees, plants and wildlife are proven to improve human health and mental health, it should go without saying this is another major plus point.

What is embodied carbon and why does it matter for architectural sustainability?

Embodied carbon refers to the greenhouse gas emissions produced during the design, construction and completion of a structure, and then any physical parts required to keep it standing. Breaking this down into Upfront (emissions up to the point the building becomes operational, in-use — day-to-day maintenance) — and end-of-life, meaning carbon footprint of demolition and deconstruction, reveals how big a deal it is.

Embodied carbon is hugely important for architecture to be truly sustainable because as we transition to renewable energy sources and operational footprints come down, most emissions associated with buildings are more likely to be a form of embodied at the construction stage. We’re still some way off perfecting truly affordable green concrete, which is a big issue in tackling this. Nevertheless, as regulations tighten, embodied carbon in the materials and creation of new structures will be more important than ever.

Gaia by RSP Architects Planners & Engineers, Singapore | Jury Winner, Sustainable Institutional Building, 12th Annual A+Awards

How important are regenerative and eco-friendly materials in sustainable design?

If using lower carbon materials is pivotal to tackling the climate crisis, then using regenerative and ‘eco-friendly’ products takes this one step further. Regenerative materials usually refer to anything that can contribute positively to a ‘right-carbon’ future, actively bringing down emissions and self-maintaining.

Interestingly, materials such as biochar, hemp, bark, cork, straw and bamboo are now considered at the bleeding edge of the regenerative revolution, but actually have more ties to historic, localized and indigenous construction methods than (almost) anything the 20th century gave us.

It is also crucial to consider that just because something is technically regenerative doesn’t mean it is planet-friendly. We need to note where materials are sourced from, how responsibly feedstocks were cultivated, and consider how alternatives measure up. The debate over recycled steel is a good example of this — technically regenerative, yet anything but ecological.

What role do adaptive and modular spaces play in sustainable design?

Adaptive architecture refers to the creation of buildings and structures that can adapt to and exploit traits in their environment. Passive heating and cooling systems could be one example. A living roof, which develops in response to climate conditions and species interactions, is another.

Sometimes, ‘adaptive’ relates more to the connection between inhabitants and users and buildings. Like designs that purposefully address accessibility for people with particular needs.

In contrast, modular means “employing or involving a module or modules as the basis of design or construction”. This means building something from smaller parts, often pre-fabricated then brought to site as a series of ‘complete’ parts, at which point it’s pieced together.

This isn’t always a sustainable option, but often results in less embodied carbon from production processes as labor times are reduced, fewer trips are needed to transport materials, and completion times are quicker. There’s often less waste, too, as materials can be precision prepared in specialist facilities, rather than cut to fit mid construction.

Manshausen – Two Towers by Snorre Stinessen Architecture, Steigen, Nordland, Norway | Jury Winner, Architecture +Environment; Popular Choice Winner, Sustainable Hospitality Building, 12th Annual A+Awards

How can biophilia, or incorporating plants and nature into buildings, help with sustainability?

Biophilic design has one core purpose — reconnecting people with nature by looking to nature for guidance on how to approach developing, improving or inventing solutions.

If we want to state the obvious, this is a fundamental principle of sustainable architecture because the blueprint is Earth itself, which has evolved systems capable of sustaining life for hundreds of thousands of years at a time without biosphere change.

Natural light and ventilation, engaging with the existing landscape, living walls, planted roofs and the use of eco-friendly, grown materials all fall into this category. By simulating the way plants have evolved to become self-sufficient but also net positive contributors to the planet, we can produce far more environmentally friendly buildings.


History of Sustainable Architecture

What is the history of sustainable architecture?

Sustainable architecture almost predates architecture itself. Traditional, rudimentary, ancient building methods were all sustainable by their very nature due to the materials available. So, despite their 21st century positioning, eco-friendly buildings are really mimicking and mirroring, or at least replicating the impact of what we were doing millennia ago.

The expansion of the Industrial Revolution, and the advent of the age of mass-production really marked the turning of a tide towards far less sustainable building practices. Modernism during the mid-20th Century then ushered in a period of ‘holistic’ architectural theory in some regions and circles, giving rise to today’s combination of au naturel solutions, ecological innovation and high-tech sustainability.


Examples / Case Studies

Life Cycle by Steffen Welsch Architects, Coburg, Australia | Popular Choice Winner, Sustainable Private House, 12th Annual A+Awards

What certifications exist to establish standards for sustainable buildings?

LEED – Leadership in Energy & Environmental Design

BREEAM –
Building Research Establishment Environmental Assessment Method

WELL Building Standard –
Certification based on human health and well-being in relation to a building

Green Globes –
Green Building Initiative certification and rating system

Living Building Challenge –
Certification of sustainable design and construction leading to net positive impact

DGNB –
Measurement of a building’s effect on ecology, economy and society

Energy Star –
US Environmental Protection Agency certification for operational energy efficiency
National Green Building Standard – rating and certification of homes and apartments for energy, water, maintenance, indoor environmental quality, more

Passivehaus Standard –
Certification designating a home as being environmentally ‘passive’, indicating no or positive impact

Fitwel Standard –
Focused on the health and wellbeing effects of apartments, retail and commercial buildings

Google Borregas by MGA | MICHAEL GREEN ARCHITECTURE, Sunnyvale, California | Jury and Popular Choice Winner, Architecture +Workspace; Jury Winner, Architecture +Wood, 12th Annual A+Awards

Which architects are associated with sustainable architecture?

The list could be longer, but here are a few distinguished names:

Kunlé Adeyami is an architect, designer and development researcher at NLÉ Works in the Netherlands, and the mastermind behind the Makoko Floating System — an adaptive, regenerative, low carbon solution to rapid population growth in coastal areas of developing countries facing the brunt of the climate crisis.

Michael Green is a Canadian architect and founder of Michael Green Architecture. In addition to authoring books on mass timber construction, he is also a vocal advocate of revolutionizing the AEC industry through material specification and design choice, drawing critical attention to the term “sustainability” itself.

Alexandra Hagen is CEO of Swedish sustainable architecture powerhouse White Arkitekter and has led on a number of iconic timber construction projects in northern Europe, a snowball’s throw from the Arctic Circle.

Mariam Kamara, founder of Atelier Masomi, considers local aesthetics, histories, societal attributes and environmental traits in every decision, informing use of materials such as glass and steel in projects across her Niger homeland and beyond — one of innumerable countries now on the frontline of climate change.

Edward Mazria has a hugely impressive portfolio of global projects and 40 years of sustainable practice behind him. In more recent years, he founded Architecture 2030, a pro-bono entity looking to transform the built environment into a net positive carbon contributor.

Pablo Sendra, in the bestselling Designing for Disorder, argues that the built environment’s liveability depends on its evolutionary qualities. Simply put, sustainable places are made to adapt and change roles as our needs evolve.

What are famous examples of sustainable architecture?

We’ve already mentioned headline-grabbing award-winners like the Makoko Floating System and Sara Kulturhus. But the Architizer archives are full of examples — hence a dedicated section of Sustainability Categories in Architizer’s A+Awards Program.

Learn More

Past winners include commercial buildings like Oslotre Arkitekter’s HasleTre, Amazon HQ2 at Metropolitan Park by ZGF Architects and Foster + Partners Ombú, cultural institutions like the Bundanon Art Museum + Bridge by Kerstin Thompson Architects and the Echo building at TU Delft by UNStudio.

Not to mention private houses such as Sumu Takushima by tono.inc, and Shore House. This is before we come to major urban interventions and transport developments. One Green Mile in Mumbai, and the Amazon Bus Station, Belém, Brazil.


The Future of Sustainable Architecture

Amazon HQ2 at Metropolitan Park by ZGF Architects, Arlington, Virginia | Popular Choice Winner, Sustainable Commercial Building, 12th Annual A+Awards

What technologies are being developed for the future of sustainable architecture?

BIM – Building Information Modeling is a powerful management framework that provides detailed insights into every aspect of a building’s construction and maintenance, boosting efficiency and cutting waste.

AI – Artificial intelligence is playing an increasingly big part in streamlining and fine-tuning building processes, ensuring the most efficient and effective solutions are deployed

Bio insulation – Insulation brings down energy use, and in doing so a building’s operational footprint. We need a lot more of it, but the materials involved are often damaging to the environment. Mycelium – the root-like structure of fungal communities – is one of many bio alternatives now available

3D printing – Accuracy counts for plenty in the sustainable age, and 3D printing is as accurate as it gets. Improving the impact again by maximising resources, it’s also possible to use recycled raw materials to produce whatever structure you’re printing, turning construction into a circular process involving pin point precision.

Energy production – In an ideal world, the future of buildings isn’t just carbon positive, it’s also energy positive. While hospitals, airports, and other key infrastructure sites have long had on-site energy production for obvious reasons, new projects are incorporating solar panels, wind turbines, and geothermal technology. The result means contributing to, rather than extracting from, over-stretched national grids.

Water conservation – Emissions, gases, carbon, and even biodiversity impact all get more air time than water, yet with population growth alone we’re running out of H20, and can’t survive without it. Rainwater harvesting, grey water recycling systems, and low-flow taps are just some examples of how architects are considering this often overlooked issue.

Architizer's 13th A+Awards features a suite of sustainability-focused categories recognizing designers that are building a greener industry — and a better future. Start your entry to receive global recognition for your work!

Top image: Interpretation Center of Biodiversity and Pile Dwellings in the Ljubljana Marsh Nature Park by Atelje Ostan Pavlin, Ljubljana, Slovenia | Popular Choice Winner, Sustainable Cultural Building, 12th Annual A+Awards

The post Architecture 101: What Is Sustainability in Architecture and Design? appeared first on Journal.

Architecture 101: What is Minimalism in Architecture?

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

When we think about minimalist architecture and interiors, many of us visualize uncluttered, monochromatic spaces in white, gray, and earthy tones, complementing unadorned, streamlined forms. While some might find these spaces uninviting and cold, others see them as calming and functional. This duality demonstrates that minimalism goes beyond aesthetics, influencing how we experience architecture and space.

Minimalism emerged in the mid-20th century as a reaction against the ornamentation that characterized earlier 20th-century architectural styles, such as Classical Revival and Art Deco. It reduces architecture to its basic forms, embracing the “less is more” principle that architect Ludwig Mies van der Rohe popularized. Minimalism focuses on clean lines, simple forms, and minimal ornamentation, allowing for spatial clarity.


Characteristics of Minimalist Architecture

Helmut Lang Concept Store

Helmut Lang Concept Store designed by Standard. West Hollywood, California | Photo by Benny Chan | Fotoworks + Jenny Ly.

What are the typical characteristics of minimalist architecture?

Minimalist architecture is characterized by various key design elements that focus on functionality and simplicity. Open floor plans are a common feature in minimalist spaces. They offer a sense of spaciousness, but they also emphasize flexibility and multi-functionality to adapt to different needs. Natural lighting enhances spatial quality, adding warmth and complementing the simplicity of lines and forms. This approach reinforces minimalist architecture’s serene, quiet, and practical nature, embodying the “less is more” principle.

Materials like exposed concrete, steel, glass, wood, and stone are selected for their inherent beauty, introducing subtle richness through texture. Here, the ornamentation comes with the materials’ own qualities. This design approach that focuses on streamlined forms and clean lines requires meticulous attention to detail to ensure that every component contributes to the overall cohesiveness of the design.

Habitat 67

Habitat 67, designed by Moshe Safdie in 1967. Montreal, Quebec, Canada. | Photo by Thomas Ledl via Wikimedia Commons.

Which architectural styles are minimalism typically associated with?

Minimalism is associated with various architectural styles that share the same principles of simplicity and practicality. They include movements such as modernism, International Style, and Brutalism. Scandinavian design is known for its minimalistic design approach, prioritizing functionality, simplicity and comfort. Additionally, minimalist influence is evident in many examples of contemporary architecture, where clean lines and functional design continue to reflect minimalist ideals.

"Jude's Cubes" concrete art

“Jude’s Cubes” concrete art by minimalist artist Donald Judd. Chinati Foundation, Marfa, Texas, US. | Photo by John Cummings via Wikimedia Commons.

What is the relationship between minimalist architecture and other minimalist movements?

Minimalist architecture shares connections with other minimalist movements in the visual arts and product design. They are unified by a focus on essential elements. Minimalist architecture’s emphasis on the use of materials like wood, stone, steel, concrete and glass — often presented in their natural, unaltered state — is mirrored in minimalist sculpture, where artists like Donald Judd utilize similar materials to create works that highlight form, space and the observer’s experience. Both minimalist architecture and art create contemplative experiences: architecture focuses attention on light, shadow and space, while minimalist art evokes serenity and introspection through subdued color palettes and simple compositions.


History of Minimalist Architecture

Bauhaus Desssau

Bauhaus Desssau, School of Art, Design, and Architecture designed by Walter Gropius and built between 1925 and 1926. Dessau-Roßlau, Germany. | Photo by Tegula, via Pixabay.

Can the Bauhaus be considered a precursor to minimalism?

The Bauhaus can be considered a precursor to minimalism. Founded in Germany in 1919 by Walter Gropius, the Bauhaus emerged as a reaction against the ornamentation that characterized earlier 20th-century architectural styles, such as Classical Revival and Art Deco. In contrast with these styles, the Bauhaus embraced simple forms, clean lines, and minimal ornamentation, influenced by earlier art movements such as De Stijl. Additionally, the Bauhaus promoted a “form follows function” ethos, highlighting a design approach where every element in a space or structure is intentional and functional.

The Bauhaus also embraced the use of materials like glass, steel and concrete — all key elements of minimalist architecture. The Bauhaus ideals generated a series of movements that extended its legacy. Among them, the International Style, developed in the 1920s and 1930s, carried the principles of simplicity and functionalism to a global architectural scale, emphasizing open floor plans, simple forms, clean lines, and a deliberate lack of ornamentation.

Traditional Japanese house interior

Traditional Japanese house interior. | Photo by TANAKA Juuyoh via Flickr.

What role did traditional Japanese design play in the rise of minimalism?

Traditional Japanese design brought a philosophy of mindful simplicity and harmony with nature that resonated with the core principles of minimalism. It introduced a philosophy of restraint and harmony that appealed to minimalist architects. This approach emphasizes the beauty of restraint, where spaces foster a sense of tranquility. Key elements such as open layouts, natural materials and a connection to the outdoors resonate with minimalist architects, who seek to create serene environments that prioritize functionality and well-being.

Alvar Aalto Studio

Alvar Aalto Studio. | Photo by Jonathan Platteau via Wikimedia Commons under the Creative Commons Attribution-Share Alike 4.0 International license.

Why is Scandinavia so closely associated with minimalism?

Characterized by bright, airy interiors and a neutral color palette, Scandinavian design embodies the principles of minimalism by prioritizing simplicity and clean lines. This aesthetic avoids clutter, creating a serene environment that promotes well-being. The use of natural materials like wood and stone adds warmth and fosters a sense of harmony with nature, which is central to minimalist ideals. Notable figures like Alvar Aalto exemplify this integration, as his designs reflect a commitment to simplicity, functionality, and a deep connection to the natural environment.
Moreover, Scandinavian design emphasizes quality, enhancing the hygge experience — a Danish lifestyle philosophy centered on comfort, coziness, and well-being. By combining hygge with minimalist principles, this design approach results in visually appealing and comfortable spaces that promote warmth and contentment.


Case Studies

What are famous examples of minimalism in architecture?


The Future of Minimalist Architecture

Reiters Reserve Premium Suites

Reiters Reserve Premium Suites designed by BEHF Architects. Bad Tatzmannsdorf, Austria. | Photo by Kurt Hörbst

What are the criticisms of minimalist architecture?

Minimalist architecture is widely admired for its clean aesthetic, but critics argue that its bare appearance can feel cold and create a sense of emptiness. Functionally, minimalist spaces can also be perceived as impractical, with limited storage and furnishings that sometimes prioritize aesthetics over comfort. In recent years, critics have hailed the return of maximalism as a culturally subconscious response to these criticisms.

Despite its simplicity, minimalist spaces can be costly to achieve, as their refined look generally requires high-quality materials and meticulous craftsmanship. Ultimately, minimalist architecture strikes a delicate balance: while it aims at creating uncluttered and serene spaces, it can sacrifice warmth and functionality in its quest for perfection. This ongoing debate challenges designers and architects to find new ways to balance minimalism’s purity with the hygge and functionality that make spaces feel both comfortable and practical.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

Top image: Paul R. Burley creator QS:P170,Q57979330, Farnsworth House Plano-9983CC BY-SA 4.0

The post Architecture 101: What is Minimalism in Architecture? appeared first on Journal.

The Spaces Between: Exploring the Psychology of Transitional Spaces

Architizer's 13th A+Awards features a suite of sustainability-focused categories that recognizing designers that are building a green industry — and a better future. Start your entry to receive global recognition for your work!

In the rush of modern life, as we scuttle and shuffle our way through the world, it’s easy to overlook the spaces between — the corridors, staircases and passageways that quietly influence our journey through a building. Yet, it is these transitional spaces that subtly guide us. They shape our perceptions and even alter our emotions. Architects, with an almost imperceptible sleight of hand, use these spaces to manage and manipulate our experience of a building. Whether gently nudging us toward moments of intimacy or expanding our sense of grandeur, these pathways can be so much more than simply a route from A to B.

As architecture’s function becomes ever more nuanced, the psychology of design is vital. Moving through space is no longer a passive experience but a considered conversation between the built environment and the human mind — a dialogue that shapes how we experience the world around us.


Spatial Compression and Expansion

Ôpartment by DESIGN ONBOARD STUDIO, Shanghai, China | Photos by WU SPACE -VincentWu.

Few things influence our perception of space more than the feelings of compression and expansion. Step into a narrow, confined corridor, and you immediately sense the weight of the space pressing in on you, urging you forward. Then, compare that to stepping into a room with soaring ceilings and abundant light — suddenly, there’s a palpable sense of release. Architects use these spatial tricks, compressing and expanding areas, to bring forth emotions we often don’t even consciously register.

Through careful manipulation of ceiling heights, corridor widths and sight lines, architects can create a rhythm of spatial experiences. Compression fosters intimacy or focus, while expansion invites openness and reflection. In these cases, space isn’t the only malleable aspect of the architectural experience — time can also be warped. Confined spaces push us to move faster, while expansive ones encourage us to slow down, pause, and even linger. By striking a balance between compression and expansion, how we physically and mentally engage with a building can be adjusted. It’s this mixing of experiences that injects dynamic energy into transitional spaces and can make a journey as significant as the destination.


Blurring Boundaries

Ederlezi by Práctica Arquitectura, San Pedro Garza García, Mexico | Photos by Apertura Arquitectonica.

Transitional spaces no longer need walls to define them. As we increasingly seek nature wherever we can, architects are integrating biophilic design into the pathways and corridors within and around their buildings. Courtyards, gardens, and even living walls have become a common part of the transitional spaces as a way to dissolve the boundaries between indoors and outdoors.

By using materials that reflect nature — stone, timber and evolving living walls — architects can create buildings that feel like they’re breathing with their surroundings. Large panes of glass, open-air corridors and clever sight lines that guide our view toward green landscapes reconnect us with nature. And it isn’t just a design trend. This kind of design taps into something deeply primal. Our need to connect with nature is instinctive, and these blurred boundaries offer users of a space a moment of calm; a way to reduce stress, boost cognitive function and enhance their overall well-being.


Corridors as a Canvas for Expression

ECCO China Headquarters by HONG Designworks, Shanghai, China | Photos by Tan Xiao

Far from being passive zones, corridors are very often used as canvases for creativity and artistic expression. In recent years, corridors had started to become underwhelming spaces. However, it would appear that change is afoot. These spaces are increasingly being used to express a building’s ethos. Through art, lighting, and materiality, more and more corridors are inviting us to pause, reflect and engage as we move through them.

Corridors with rotating art installations or that are designed with tactile materials turn what might have been a forgettable space into one that sparks curiosity or contemplation. They transform the journey, creating an experience that speaks to us in an unexpected way while also giving architects and designers additional opportunities to explore and play. Beyond aesthetics, corridors are also becoming social spaces, particularly in offices, museums, and educational buildings. By incorporating seating and thoughtful design, corridors have the potential to become dynamic communal spaces that are just as impactful as the rooms they connect.


Vertical Transitions

Penthouse B73 by CAST Studio, Sofia, Bulgaria | Photos by Cast Studio

Staircases are often seen as purely functional, but they have the potential to be so much more than that. They can be sculptural statements, bringing vertical continuity to a building while connecting disparate spaces in a thoughtful or exciting way. In high-density urban environments, where horizontal space is limited, and every square meter is precious, staircases can offer opportunities for a type of connectivity that encourages exploration by drawing the eye and being central to the design.

By playing with form—whether through spirals, floating treads, or bold geometries—architects can use staircases to create moments of joy within the everyday flow of urban life. As vertical transitions, they are part of the building’s story and, as such, can shape how we engage with it. Tread heights, staircase width, window position, and even size and regularity of landings can each impact the pace of our journey through as well as provide an opportunity for discovery, be it of views outside or within the building.


The Power of Thresholds

Queen & Collins by Kerstin Thompson Architects, Melbourne, Australia | Photos by Derek Swalwell

Thresholds, those quiet, subtle moments between rooms or zones, carry a significance far beyond their appearance. They are the point at which spaces shift, atmospheres change, and we, as users, are asked to pause and recalibrate. Whether it’s a shift in light, texture, or scale, thresholds create a sense of anticipation. They are the held breath before stepping into something new.

Architects have long understood the psychological power of thresholds. Crossing one isn’t just a change of space. It is a moment to shape our expectations of what’s to come next. A threshold can alter our mood entirely—heightening awareness, slowing our pace, or even instilling a sense of awe. These moments set the tone for the spaces we are about to enter, providing a subconscious narrative that guides us from one room to the next.

In contemporary design, thresholds are used to create contrast and drama without the need for walls. A shift in flooring or a sudden change in ceiling height can mark these transitions, giving a building depth and complexity to even the simplest spaces. These moments, though easily overlooked, are pivotal in shaping how we engage with the architecture around us.

Architizer's 13th A+Awards features a suite of sustainability-focused categories that recognizing designers that are building a green industry — and a better future. Start your entry to receive global recognition for your work!

The post The Spaces Between: Exploring the Psychology of Transitional Spaces appeared first on Journal.

Architecture 101: What is Parametric Architecture?

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

Parametric design in architecture uses computer tools to define how different design parts are connected. These parts, called “parameters,” can include design and building aspects such as materials, feasibility and energy efficiency. Instead of adjusting each part manually, architects create formulas or algorithms to automatically generate designs. This approach allows for more flexibility and precision and can create stunningly complex and dynamic forms.


Characteristics of Parametric Architecture

Walt Disney Concert Hall

Walt Disney Concert Hall by Frank O. Gehry, Los Angeles, California | Photo by Miguel Martinez via Pexels.

How is parametric architecture different than nonparametric architecture?

Parametric architecture differs from nonparametric architecture in its use of algorithms and formulas to manipulate the design process, allowing for real-time adjustments that translate into greater flexibility; for instance, changes to one element automatically update the entire design. This ability makes possible the creation of complex forms that would be challenging to achieve manually.

Nonparametric architecture, on the other hand, relies on manual processes where each element must be adjusted individually. This approach generally results in simpler forms and is time-consuming compared to parametric design, which is faster and more efficient, especially for large or intricate projects.

What are the typical characteristics of parametric architecture?

Parametric architecture stands out for its flexibility, making it easy to explore design options without starting from scratch. This flexibility resembles the transition from manual drafting to computer drafting we experienced decades ago. Remember when you could simply hit “undo” on the computer to reverse a mistake and go back several steps? In contrast, with manual drafting, you’d often find yourself erasing hours of work, only to begin all over again.

This flexibility in parametric design allows architects to experiment, knowing that changes can be made seamlessly. Parametric design often features complex geometries such as irregular forms, curvilinear geometry and fluid lines. Relying on algorithms to automatically generate forms allows designers to manipulate models in real time and explore various design scenarios. Additionally, decisions are data-driven, considering factors such as materiality, feasibility and energy efficiency.

What software is most used for parametric design?

  • Grasshopper (for Rhino): A visual programming language enabling architects to develop intricate parametric models by establishing relationships among various components. This approach facilitates dynamic design adjustments, allowing for greater flexibility and efficiency in architectural projects.
  • Dynamo (for Revit): A design tool that integrates with Autodesk Revit, enabling parametric modeling and automating repetitive tasks within building information modeling (BIM) workflows.
  • Generative Components (GC): A parametric design tool developed by Bentley Systems, tailored specifically for infrastructure and civil engineering projects. Unlike Grasshopper, which is widely used in architecture and industrial design, GC excels in handling large, complex projects like airports, roads and rail systems.
  • Houdini: Primarily used in the film industry, Houdini has also found applications in Architecture for the procedural generation of intricate and complex forms.
  • Catia: Originally developed for the aerospace industry, Gehry Partners pioneered the use of Catia in architectural design, adapting the software to create some of their most iconic, complex structures such as the Walt Disney Concert Hall in Los Angeles and the Guggenheim Museum in Bilbao, Spain.

History of Parametric Architecture

Is Gaudi’s architecture considered parametric?

In Antoni Gaudí’s epoque, the concept of parametric design as we know it with computational input obviously did not exist, so categorizing his work as parametric might be misleading. However, we can say that Antoni Gaudí is considered a precursor to parametric architecture if we look at his innovative approach to design.

His work features exceptionally complex geometries and curves, such as the hyperbolic paraboloids and catenary arches in the Sagrada Familia and the adjacent school building with a sine wave roof. These forms resonate with parametric design principles, emphasizing mathematical relationships and organic shapes to achieve structural and aesthetic creations. The innovative construction methods that he used, allowed designs to evolve throughout the building process; and his mathematical techniques, including tessellation and fractals, reflect concepts embraced by contemporary parametric tools.

So while Gaudí predated the parametric design era, his innovative techniques and visionary approach significantly influenced its development with unique forms and geometries that challenged conventional architecture.

Did Zaha Hadid invent parametric designs?

Zaha Hadid did not invent parametric design, but she was a prominent figure in its application in architecture. Several mathematical and computational concepts laid the groundwork for parametric design in architecture long before Zaha Hadid appeared in the architectural scene amazing the world with her stunning works of fluid forms.

Early concepts go as far back as the 18th century, when descriptive geometry, developed by Gaspard Monge, enabled accurate representation of three-dimensional objects, influencing architecture and engineering. Algorithmic geometry and spline curves, used in shipbuilding and automotive industries, allowed the creation of smooth aerodynamic shapes essential to later parametric models.

Additionally, non-Euclidean geometry introduced organic forms and optimized structures; early computational theories in the 1960s paved the way for CAD systems; and later in the 1970s, fractal geometry introduced recursive patterns used in modern parametric tools. These concepts laid the foundation for parametric design long before Hadid popularized them.

Which architects are associated with parametric architecture?

Zaha Hadid revolutionized architectural design with fluid, dynamic geometries. Her firm, Zaha Hadid Architects (ZHA), has become closely associated with parametricism, where design evolves from complex interactions between spatial elements.

Frank Gehry was instrumental in the use of parametric software, such as Catia, to create groundbreaking architectural forms, setting a precedent for how architects can push the boundaries of design by transforming complex geometries into buildable structures.

Bjarke Ingels and his firm, BIG, use parametric design to balance functionality with aesthetic complexity. Their process is highly data-driven, employing algorithmic tools to address environmental and design challenges, and optimizing their structures for performance and visual impact.

UNStudio integrates parametric tools to design user-oriented, adaptable designs. Their approach emphasizes the creation of fluid and responsive spaces that showcase dynamic forms while maintaining a strong connection with the urban context. This demonstrates how parametric design can go beyond form to influence user experience and functionality.

Tom Wiscombe Architecture is known for exploring parametric architecture’s artistic and structural potential. His designs emphasize aesthetics and materiality through intricate geometries and patterning.

What are famous examples of parametric architecture?

Parametric architecture is leaving a bold imprint on the landscape of contemporary design, with innovative structures that exhibit fluid, complex, and dynamic forms. These standout examples are reshaping our understanding of what architecture can achieve through cutting-edge computational techniques. Here are a some striking examples:

Opus Dubai, United Arab Emirates

Opus by Zaha Hadid Architects, Dubai, United Arab Emirates. | Photo by Laurian Ghinitoiu.

The Opus building, home to the ME Dubai hotel in the Burj Khalifa district, stands as a powerful testament to the interplay between geometric rigor and fluid abstraction. Its bold cubic form captures attention with its clean and orthogonal lines. However, this powerful shape is disrupted by a dramatic carve-out that “erodes” the cube from the inside. This void introduces a striking contrast, softening the cube’s hard edges with its fluid, undulating contours and challenging the static nature of typical highrise structures. Simultaneously, the design creates a striking interplay between solid and void, transparency and reflection, and structured versus amorphous forms.

The Twist / Kistefos Gallery

The Twist / Kistefos Gallery by BIG – Bjarke Ingels Group, Viken, Norway | Photo by Laurian Ghinitoiu.

The Twist / Kistefos Gallery by BIG (Bjarke Ingels Group) in Norway exemplifies parametric design in its fluid, twisting form. The gallery spans a river, creating both a bridge and an art space with its dynamic shape. The gallery’s form twists 90 degrees along its length, creating an elegant interplay between geometry and structural performance, a hallmark of parametric architecture.

Beijing National Stadium

Beijing National Stadium by Herzog and De Meuron. Beijing, China. | Photo by Bernd Dittrich via Unsplash.

The Beijing National Stadium, commonly known as the “Bird’s Nest” and designed by Herzog & de Meuron in collaboration with Ai Weiwei for the 2008 Olympics, is a prime example of parametric design in large-scale architecture. The stadium’s iconic form, resembling a nest of interwoven steel beams, balances aesthetic form with functional requirements. This design approach enabled precise load distribution calculations and material efficiency, making the Bird’s Nest visually striking and structurally innovative.

Al Bahr Towers

Al Bahr Towers by AHR. Abu Dhabi, United Arab Emirates | Photos by Aedas.

The Al Bahar Towers in Abu Dhabi, designed by Aedas Architects, showcase a dynamic shading system that automatically adjusts to the sun’s movement, reducing heat gain and enhancing energy efficiency. Inspired by traditional mashrabiya screens, the facade is composed of over 1,000 umbrella-like elements, controlled by parametric algorithms. These elements open and close in response to the sun, optimizing light and temperature inside the building. This parametric approach integrates form, sustainability, and local culture into the towers’ design, making them a hallmark of high-performance architecture.

Education Executive Agency & Tax offices

Education Executive Agency & Tax offices by UNStudio, Groningen, Netherlands. | Photo by Ronald Tilleman.

The Education Executive Agency & Tax Offices, designed by UNStudio, exemplifies parametric design in its unique geometry and spatial organization. The building’s double-helix structure, inspired by DNA, allows the design to fluidly combine organic forms with structural efficiency. Another notable project by UNStudio is the Mercedes-Benz Museum in Stuttgart.


The Future of Parametric Architecture

What are the criticisms of parametric architecture?

Critics of parametric architecture often raise several concerns regarding its implications and effectiveness. One major criticism is that it prioritizes aesthetics and visual complexity over functionality. This focus on form can result in structures that appear disconnected from their environmental context and local culture, undermining their relevance.

Additionally, while parametric design can optimize certain efficiencies, it sometimes contradicts sustainable practices, as the materials and techniques employed can contribute to a larger environmental footprint.

Critics also point out that the complexity inherent in parametric design is often more motivated by the architect’s desire to showcase technical prowess or aesthetic vision rather than by practical or functional considerations. This emphasis on complexity may lead to higher construction costs and maintenance challenges.

Lastly, the advanced technology required for parametric architecture can create a barrier for smaller firms, widening the gap between technologically driven elite firms and traditional architectural practices.

ICD/ITKE RESEARCH PAVILION 2015-16

Why is parametric architecture associated with biomimicry?

Both fields draw inspiration from natural systems and share a common emphasis on complexity, adaptability, and efficiency, which facilitates innovative designs that mimic organic forms and structures. This synergy allows for a deeper understanding of how natural processes can influence architectural and design practices.

Adaptability is crucial in both approaches, with parametric architecture enabling structures to respond dynamically to environmental conditions, much like living organisms. This enhances sustainability by optimizing energy usage and minimizing ecological impacts.

Additionally, both disciplines prioritize material efficiency, using resources wisely to reduce waste while maintaining structural integrity.

How is AI changing parametric architecture?

AI is revolutionizing parametric architecture by transforming design processes through generative design tools that produce multiple design iterations based on specific criteria. This approach not only optimizes performance but also promotes innovative solutions. By utilizing formulas and algorithms, architects can analyze vast datasets that can contribute to the creation of visually striking and contextually responsive designs.

As AI technology continues to advance, its influence on parametric architecture expands, enabling greater precision, efficiency, technological innovation, and unlimited creativity. This collaboration between AI and architecture promises to enhance productivity and redefine the scope of architecture, ultimately pushing the boundaries of the imaginable.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

The post Architecture 101: What is Parametric Architecture? appeared first on Journal.

“Architecture Schools Need To Stop Glorifying Modernism. Change My Mind.”

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

Back in my second year of university, one of the professors handed out a questionnaire before starting his course, so that he could get to know us better.

More than five years later, I only remember two of those questions —“What’s the last book you read?” (I was secretly re-reading the Harry Potter series at the time and for some reason this question made me feel exposed, so it stayed with me) and “Name at least five architects you know.” So for the second question, like any good architecture student, I listed the usual suspects — Mies van der Rohe, Le Corbusier, Frank Lloyd Wright, and a couple of big names from my country’s modernist glory days to mix things up.

Afterward, when I talked to my classmates, it turned out we all gave pretty similar answers. Everyone named the same modernist icons, the kind of figures you’d expect to find in any architecture textbook. The funny thing is, this isn’t just a one-time experience. A variation of that question —“Who’s your favorite architect?” — pops up all the time in the industry, whether you’re meeting colleagues or sitting through interviews. And, more often than not, the answers are not far from the ones in my school questionnaire.

This begs the question: why are we still glorifying these same figures from a movement that peaked almost a century ago? A lot has happened in architecture since then — bold ideas, new challenges, creative solutions. So why are we still stuck idolizing modernism? And more importantly, what’s the negative impact?


How Modernism Came to Dominate Architecture Schools

To understand why modernism has such a hold on architectural education, it helps to look back at the early 20th century, when the movement first gained traction. With the industrial revolution ushering in new materials and mass production techniques, modernism emerged as a practical response to a world increasingly focused on efficiency and functionality.

Architects like Mies van der Rohe, Le Corbusier and Walter Gropius championed ideas like “form follows function” and minimalism, favoring clean lines and functional spaces over unnecessary embellishment.

These architects didn’t just influence design however. They also played a key role in shaping architectural education as we know it. Gropius founded the Bauhaus, a school that revolutionized design thinking, while Mies led the Illinois Institute of Technology, embedding modernist ideals directly into the curriculum. Their ideas resonated in a world that was rebuilding after war, where simplicity and practicality made sense for a society focused on progress and efficiency.

Modernism quickly became the dominant philosophy in schools, not just because it was new and exciting at the time, but because it was practical. Its principles — like focusing on the essentials and prioritizing function — were easy to teach and apply. Over time, these ideas solidified into the foundation of most architecture programs around the world.

Today, those same principles are still prevalent. Modernist concepts such as “less is more” continue to be emphasized in classrooms and it’s easy to see why — they offer a straightforward, logical approach to design. But while these ideas remain valuable, they’ve also become a bit of a default mode in architectural education. The challenge now is that the world has evolved and the issues architects face today require a broader range of thinking and solutions.

That’s not to say modernism doesn’t have its place — it absolutely does. But it’s time for schools to start balancing these foundational ideas with a focus on more contemporary approaches that address the complexities of the present day.


The Negative Impacts of Glorifying Modernism

While the movement’s legacy is undeniable, continuing to center it in architectural education comes with its own set of challenges.

Focusing heavily on modernism limits students’ exposure to the diverse range of architectural styles and movements that have emerged since. By repeatedly emphasizing figures like Mies van der Rohe and Le Corbusier, schools often leave out more contemporary and culturally diverse approaches, giving students an outdated or incomplete understanding of architecture’s potential — and the ways that diverse knowledges have been erased by modern’s hegemony. Indeed, this narrow focus not only restricts their appreciation of global design but also discourages the exploration of new, context-driven ideas that better align with today’s architectural landscape.

Like any other historical movement, modernism was a product of its time, responding to the needs of post-war industrialization and urbanization. Its clean lines, minimalist principles and functionalist ideals made sense in an era focused on rapid rebuilding. But today’s architects face a different set of challenges — sustainability, climate change and the need for cultural sensitivity in a globalized world. Modernist ideals, rooted in the past, often fail to address these pressing concerns, yet many schools continue to prioritize them. The heavy reliance on materials like concrete, steel and glass (symbols of progress back then) doesn’t align with today’s emphasis on eco-friendly practices. And modernism’s one-size-fits-all approach often overlooks cultural nuances, which are critical in today’s diverse and interconnected world.

Moreover, treating modernism as the gold standard can stifle creativity. When students are repeatedly taught to value minimalism and functionalism above all else, they often fall into the trap of replicating these aesthetics without considering alternative approaches. (It’s safe to say that many of us were guilty of this at some point.)

This emphasis on staying within the confines of modernist thinking can make students hesitant to break away from the mold or experiment with unconventional materials, forms or ideas. In the end, they risk becoming designers who reproduce the past rather than pushing the boundaries of what architecture could be.


What Should Architectural Education Focus on Instead?

While modernism has shaped how architecture is taught, it’s time to broaden the perspective. The world is facing new challenges and architects need to keep up. Schools should be encouraging students to explore more than just the classics — there’s so much happening in contemporary design, from sustainable architecture to experimental projects using cutting-edge technology.

Today’s architects have a lot on their plates. It’s not just about whether form follows function or vice versa anymore. Issues like climate change, urban sprawl and social equity are at the forefront of design. Instead of relying solely on traditional design principles, students should be learning how to address these real-world challenges directly. How can buildings reduce their carbon footprint? How can urban spaces become more inclusive and livable? These are the kinds of questions that need to take center stage.

Students should feel empowered to break away from the mold and explore new materials, forms and solutions. To achieve this, schools need to equip them with the tools to think critically and creatively, allowing them to push the boundaries of traditional design.

The good news is—some schools are already taking steps in this direction. At the University of British Columbia, for example, sustainability and cultural sensitivity are key parts of the curriculum. Over at ETH Zurich, students are diving into experimental design and using technology to rethink how buildings are made. These schools are showing that there’s a way to honor architectural history while also preparing students for the future.


Time to Let Le Corbusier Rest For a Bit

The biggest takeaway here is that modernism had its time, but architecture has evolved and so must our approach to education. The continued glorification of modernist icons keeps students anchored to a past that doesn’t fully address the pressing challenges of today — whether it’s sustainability, social equity or the complexities of urbanization. Clinging to these old frameworks limits creativity and narrows the scope of what architecture can achieve in our rapidly changing world.

That’s not to say we should disregard the past completely. In fact, studying modernism provides valuable lessons, but it’s important to balance that with a forward-thinking mindset. For those searching for examples of what architecture looks like when it embraces new ideas, Architizer’s World’s Best Architecture offers a window into groundbreaking projects that are redefining design today. These award-winning works show just how much is possible when architecture moves beyond outdated ideals and welcomes bold, innovative approaches.

In the end, modernism isn’t going anywhere, but it doesn’t need to be the centerpiece. It’s time to appreciate it as one chapter in architecture’s story, while focusing on what comes next.

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

The post “Architecture Schools Need To Stop Glorifying Modernism. Change My Mind.” appeared first on Journal.

Avalanche Architecture: The Surprising Structure Behind a Contemporary Ski Chalet

Upon first glance, Avalanche Chalet appears to be an elegant but cozy ski retreat. However, there is more to the design than meets the eye. Behind the elegant dark wooden façade and bold aesthetics are particularly progressive engineering strategies that imbue the structure with remarkable resilience: the building was designed to withstand the force of possible avalanches.

Given that city regulations prohibit the diversion of potential avalanches onto neighboring properties, this is no small feat. Factor in the narrow site’s 45-degree slope, which significantly increases the force of snow hitting the roof directly, and the stakes of the design become even more awe-inspiring.

Farmer Payne Architects, the firm behind the clever design, had to devise a scheme that would allow monumental snowslides to pass entirely overtop of the structure, and their solution resulted not only in a defensive design but one that is also handsome, offering its inhabitants new ways to relate to their stunning surroundings.

Avalanche Chalet by Farmer Payne Architects, Sun Valley, Idaho | Photo by Gabe Border

Avalanche conditions are trigged by a combination of weather conditions with snow fall patterns and ice layering in a mountainous terrain. Historically, humans have developed strategies for constructing in avalanche-prone areas. While avoiding high-risk sites is an obvious technique, nature also inspires solutions, including building into hillsides and creating wedge-shaped structures. Farmer Payne Architects drew on some of these precedents, but also innovated while tailoring the program to the clients’ needs, resulting in a home that appears open and airy, rather than bulwarked.

Materially, it turns out, nature also knows best. Wood may not be the first material that jumps to mind when thinking about extreme weather preparedness, yet it was precisely because of the structural challenges presented by the mountainous site that Farmer Payne Architects ultimately chose to use Cross Laminated Timber (CLT) for the roof (Structurlam’s product is sourced from sustainably managed forests).

Since this was the firm’s first foray in designing for avalanche conditions, in addition to being their debut design featuring CLT, from the beginning Avalanche Chalet was conceived as a very collaborative project. Experts in fabrication, structure, concrete subs, and more were brought into the design process early. This approach speaks to Farmer Payne Architects’ openmindedness, not only avoiding bringing any pre-conceived ideas to a site where they don’t belong, but also seeking creative solutions through external teamwork. In the case of Avalanche Chalet, the work of Maxwell Structural Design Studio, the project’s structural engineer, was pivotal.  

Though structurally comparable to steel and concrete, CLT is lighter, and thereby lent itself to the project’s bold aesthetics, among which are jaw-dropping cantilevers. Indeed, the home’s large wooden panels are built into the adjacent bedrock, anchored by a steel superstructure and a concrete base. In affixing the structure to the land, the site’s steep slope was transformed from hindrance to helper.

Avalanche Chalet by Farmer Payne Architects, Sun Valley, Idaho| Photo by Gabe Border

Meanwhile, this distinct design approach — embracing natural challenges rather than fighting them — led to a building that was not only safe, but also offers a space for elevated living. For example, the stunning outdoor patio spaces set the house apart from typical chalet design in avalanche-prone areas. An outdoor living area at home’s rear is anchored by a 22-inch-thick (55-centimeter) concrete avalanche wall that delineates a private entertaining haven.

“For Avalanche Chalet, we peeled the house away from the avalanche wall/hillside, and we were able to provide covered outdoor space on the front and back,” Aaron Belzer, an associate at Farmer Payne Architects, explains. This design move was part of a larger planning and articulation strategy that involved rotating the home’s entire volume to provide expansive views of the nearby Bald Mountain whilst allowing the structure to be enclosed with floor-to-ceiling glass sliding doors connecting to various outdoor spaces.

To have protected outdoor patio space and such incredible views in a project like this — that is, one with such a complicated site — is no small feat. In fact, “all the houses on that street are built on the hillside with no windows on the back of the house, utilizing a very one-sided design,” the designer adds. Tucking the building entirely into the hill would have been the traditional approach, but, exemplified by the beautiful outdoor space, the decision to deviate from tradition paid in dividends.

Avalanche Chalet by Farmer Payne Architects, Sun Valley, Idaho| Photo by Gabe Border

Meanwhile, though the project’s location in an avalanche zone may have influenced many of the material decisions, it certainly didn’t determine them — the designer’s bold design approach takes structural necessity as a jumping off point for developing a site-specific design language. For example, though the use of concrete was almost inevitable, the choice to leave it exposed was not. From the inside to the outside, exposed board-form concrete evokes the feeling of a more traditional wooden chalet in a contemporary design language, rhyming with the character grade white oak ceiling inside.

Similarly, though the mountainous dangers of avalanches may have informed the structural logic, on the other side of the same coin, the spectacular views were also major informants for the architects. Key programmatic decisions, such as pushing public spaces upstairs while leaving the entry on the lower level, led to a stunning staircase set alongside the board form concrete wall.

The project’s interior, designed in collaboration with Suede Studio, features a boldly dark modern aesthetic that contrasts dramatically with the surrounding white slopes: “We wanted to highlight a strong connection between internal and external spaces,” the firm states. So, in collaboration with the homeowner, they opted to use white oak for the flooring, ceiling, soffit and cabinets, sourced from Henderson, nearby in Boise, Idaho. This detailing decision “provides depth and speaks to the surrounding views while also providing warmth and contrast to the concrete and steel used in the material palette.”

Avalanche Chalet by Farmer Payne Architects, Sun Valley, Idaho| Photos by Gabe Border

The deft architectural expression belies the surprising fact that this was not only the firm’s first time tackling a design capable of withstanding an avalanche, but it was also their first time working with CLT. Working on the project, they learned the many benefits of working with the material. In particular, it’s efficient installation was a boon to the construction timeline; opting for prefabricated panels ensured that the roof was completed in a single afternoon.

To this end, “every design detail was thoroughly thought out, even down to the open web trusses,” their team explains. Likewise, the parallel chords, sourced from RedBuilt in Boise, Idaho, were “intentionally selected so the mechanical systems could be easily accessed and installed.” Again, all of these decisions came from an early decision to draw on external expertise though a close collaboration with Maxwell Structural Design Studio.

Avalanche Chalet by Farmer Payne Architects, Sun Valley, Idaho| Photo by Gabe Border

The specifics of this design (the progressive engineering techniques as well as the aesthetics) fit into Farmer Payne Architects’ overarching architectural design approach. The boutique residential architecture firm, which has studios in Jackson Hole, Wyoming, Sun Valley, Idaho and Shreveport, Louisiana, demonstrates that the best designs are achieved through building strong relationships between creators, users, planners, manufacturers, engineers and builders.

The home’s bold aesthetics and function embodies the Farmer Payne Architects’ firm philosophy; the way that their designs are highly site specific, which comes with a fearlessness and an openness to experimentation and collaboration with external experts to find what works best for the client and site. The design team put it best, saying: “It’s what makes our job fun and interesting every day.” Indeed, their deep level of engagement and pleasure in the process is evident in built details of Avalanche Chalet.


To see more of Farmer Payne Architects’ bold yet timeless work, visit the firm’s in-depth Architizer profile.

This article was produced in partnership with Farmer Payne Architects as part of an A+Awards special feature series. The firm was named Finalist in the Best Small Firm (6-15 employees) category in the 12th Annual A+Awards. 

The post Avalanche Architecture: The Surprising Structure Behind a Contemporary Ski Chalet appeared first on Journal.

Architecture 101: What Is Vernacular Architecture?

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

In architecture, “vernacular” refers to a style or design indigenous to a particular region or culture. It is characterized by the use of local materials, traditional construction methods, and design elements that reflect the local environment and cultural practices.

While vernacular architecture often involves knowledge passed down through generations and may not require formal architectural training, it does require specialized knowledge of local materials, climate and construction techniques. This expertise is typically held by local builders and craftsmen.

Vernacular architecture can evolve with new technologies, but its essence lies in adapting these innovations in ways that remain true to local traditions and environmental conditions.


Characteristics of Vernacular Architecture

Croft and outbuildings in Scotland

Croft and outbuildings near Catfirth, Mainland, Shetland Islands, Scotland | Photo by David Nicolson via Geograph under the Creative Commons Attribution-Share Alike 2.0 license.

Are there typical characteristics of vernacular architecture?

Vernacular architecture utilizes local materials and traditional construction techniques, creating structures that respond to the climate and harmonize with the landscape. It emphasizes sustainability and seamlessly integrates with its surroundings, reflecting the identity and culture of the community and capturing a strong sense of place.

What materials are most associated with vernacular architecture?

Vernacular architecture typically uses locally sourced materials suited to the environment. Common choices include local stone, wood, brick, adobe, thatch, and wattle and daub. These materials are selected for their availability, durability and ability to enhance sustainability and regional character.

How is vernacular design sustainable?

Vernacular design is sustainable because it uses local materials and traditional techniques, minimizing resource transportation and carbon footprint. It adapts to the local climate with natural ventilation and passive heating and cooling, ensuring energy efficiency and durability.


History of Vernacular Architecture

Santorini, Greece.

Santorini, Greece | Image by Fabrizio Ponchia from Pixabay.

How is vernacular architecture different than traditional architecture?

Vernacular architecture differs from traditional architecture in that it is deeply rooted in local customs, materials and climate-specific design, reflecting the culture and environment of a specific region. Traditional architecture, on the other hand, may incorporate historical styles and methods passed down through generations but isn’t necessarily tied to local conditions or materials.

Which architects’ work is inspired by vernacular architecture?

In contemporary architecture, many architects are drawing inspiration from vernacular architecture. They skillfully blend traditional materials, building techniques, and cultural elements with modern design principles and technology to create sustainable and context-sensitive buildings.

Francis Kéré, a Burkinabé-German architect, is celebrated for his innovative use of local, sustainable materials like compressed earth. His Gando Primary School in Burkina Faso is a climate-responsive and community-centered design landmark, showcasing how local resources can drive sustainable architecture.  Vo Trong Nghia, a Vietnamese architect, incorporates bamboo and natural ventilation in his projects to suit Southeast Asia’s climate and culture. Australian architect Glenn Murcutt merges the principles of Aboriginal vernacular architecture with modernism.

Spanish architecture firm RCR Arquitectes draws on local materials and techniques to craft their buildings. Their work, such as the Grove Park in Begur, Spain, combines natural elements like stone, wood, and water with modernist sensibilities, resulting in buildings that are in harmony with their surroundings and culture.  New York-based Japanese architect Toshiko Mori integrates local traditions with contemporary practices, as seen in her Senegal projects like the Thread Artist Residency, which features traditional thatched roofs and natural ventilation suited to the local climate and culture.

Green School by IBUKU

Green School by IBUKU in Bali, Indonesia | Photo courtesy of IBUKU via Flickr under Creative Commons Attribution-Share Alike 2.0 Generic license

What are the different types of vernacular architecture?

Vernacular architecture includes various construction methods adapted to local climates, materials and cultural practices. Some notable types are:

  • Stone Construction: Using local stone for its durability and natural insulation, stone construction is found worldwide in different forms, such as crofts, castles and ancient ruins.
  • Wood/Log Cabins: Built from locally available timber, log cabins are simple, sturdy shelters commonly found in forested regions.
  • Mud Brick Adobe and Rammed Earth Construction: This technique uses sun-dried bricks made from mud and straw. It is known for its thermal efficiency and is prevalent in arid climates.
  • Stilt Houses: Elevated on stilts to avoid flooding and pests, they are common in regions with heavy rainfall or tidal influences.
  • Bamboo Construction: Bamboo is a sustainable, flexible and strong material used extensively in tropical regions for housing and other structures.
  • Thatch Roofing: Made from natural vegetation like straw, reeds or palm leaves, thatched roofs are typical in tropical and temperate regions.
  • Wattle and Daub: This method involves weaving wooden strips (wattle) and covering them with a mixture of mud or clay (daub) to create flexible and well-insulated walls.
  • Yurts, tents, and Igloos: These temporary structures can be considered vernacular due to their use of local materials, cultural relevance and adaptability to local environmental conditions. Tents are widely used by nomadic groups like the Bedouin, Sami and Native Americans, crafted from hides or fabrics suitable for their environments. Yurts, originally from Central Asia, offer portable, well-insulated shelters using felt and wood. Igloos, built by the Inuit, utilize compacted snow for insulation in Arctic conditions.
Taos Pueblo, New Mexico, United States

Taos Pueblo, New Mexico, United States | Photo by Hasselblad500CM via Wikimedia under the Creative Commons Attribution-Share Alike 4.0 International license.

What are famous examples of vernacular architecture?

Notable examples of vernacular architecture include the ancient Taos Pueblo in New Mexico, made from adobe that provides natural insulation against heat and cold, and the Great Zimbabwe Ruins in Africa, constructed using dry stone masonry, a remarkable example of Shona architecture in Africa. In Greece, the cave houses of Santorini are built into the volcanic rock, which keeps the interiors cool in the summer and warm in the winter. Japan’s Gassho-Zukuri wood farmhouses feature steep thatched roofs designed to withstand heavy snowfall.

In water-rich regions, stilt houses like the Warao dwellings in Venezuela and the longhouses in Borneo are raised above ground or water to protect against flooding. Scottish Blackhouses are built to endure cold climates. These solid stone and thatched-roofed buildings blend with the rugged Scottish landscape. The Dogon cliff dwellings in Mali blend spiritual and practical needs, built into escarpments for protection and religious significance.

Is vernacular considered an architectural style?

Unlike architectural styles such as International Style, Gothic, Tudor, Colonial or Greek Revival, defined by specific aesthetic principles, historical influences and design theories, vernacular architecture arises organically from local needs, materials and traditions. It reflects ordinary people’s practical and cultural responses to their environment rather than the deliberate design choices of architects aiming to achieve a particular look or adhere to a set of stylistic rules.


The Future of Vernacular Architecture

Fish Pavilion of Bamboo Shadow

Fish Pavilion of Bamboo Shadow by CAA in Huzhou, China | Popular Choice Winner, 11th Annual A+Awards, Sustainable Sports & Recreation Building | Photo by Min Zhuo 

What is Neo-Vernacular architecture?

Neo-vernacular architecture, or new vernacular reinterprets traditional vernacular design principles in modern contexts. It preserves local heritage by incorporating traditional forms, local materials and regional construction methods, blending these with modern materials and techniques for improved durability, energy efficiency and functionality. This approach prioritizes sustainability and resilience. By bridging past and present, Neo-Vernacular architecture offers a sense of continuity, creating buildings that are rooted in tradition yet responsive to modern demands.

What vernacular elements are common in contemporary architecture?

Contemporary architecture often incorporates vernacular elements to create designs that are both modern and contextually relevant. These elements include the use of locally sourced materials, climate-responsive design and integration with the landscape, all of which help buildings harmonize with their surroundings. Additionally, contemporary architecture often emphasizes sustainability through traditional techniques like passive heating and cooling while also reflecting local culture through symbolic design elements.


Further Reading

Komera Leadership Center by BE_Design, Rwinkwavu, Rwanda | Popular Choice Winner, Community Centers;  Jury Winner, Architecture +Community; Jury Winner, Architecture +For Good; Jury Winner & Popular Choice Winner, Architecture +Low Cost Design, 11th Annual A+Awards

Humble Roots: 6 Contemporary Architecture Projects Grounded In Vernacular Design

Vernacular architecture is a product of its locality. It’s a patchwork of design languages, native materials and building traditions informed by centuries of lives before us. This distilled knowledge is part instruction manual, part storybook — it summons rich cultural tales and imparts the blueprints for building on unique, regional terrain. Evoking the vernacular is a form of time travel — a way of colliding the past and present. These six A+Award-winning projects each draw inspiration from historic, localized design and reimagine the vernacular spirit for the 21st century.

Read more > 

A House in Yarmouk by STUDIO TOGGLE, Kuwait City, Kuwait

Modern Vernacular: Emerging Firm of the Year Studio Toggle on Pioneering Cross-Cultural Architecture

STUDIO TOGGLE’s work ranges from public-sector, commercial, residential and hospitality architecture to interior design, seamlessly blending modernity and tradition. While cross-cultural architectural thinking is evident in their rethinking of private community spaces in residential projects such as Ternion, a deep understanding of the local environmental conditions informs their designs — seen in Edges Al Barouk, but also explored through various passive cooling techniques across many of their designs. Learn more about the studio and its approach in this interview.

Read more > 

Fyrgani by AKA – Apostolou Colakis Architects, Sifnos Island, Greece | Jury Winner, Architecture +Color, 10th Annual A+Awards | Photo by Cathy Cunliffe

Vernacular Vibes: 6 Modern Rural Homes Drawing on Local Construction Traditions

Vernacular architecture gives each house a truly unique and inimitable character because it is so fundamentally tied to the local context. Some architects are embracing this building philosophy, whether by using local materials like drystone, wood, rocks, repurposed bricks or by adopting architectural concepts of the past. And though the buildings they create are contemporary constructions, they place themselves without pretentiousness within the cultural tradition of local architecture.

Read more > 

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

The post Architecture 101: What Is Vernacular Architecture? appeared first on Journal.

Rethinking School Design: How Education Architecture Reflects Changing Views on Childhood

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

For decades, school design was synonymous with rigidity. Rows of identical classrooms, harsh lighting and long, narrow corridors created environments that felt more like factories — or worse, prisons — than places for nurturing young minds. This comparison isn’t entirely accidental. While it may be more legend than the fact that many schools were designed by the same architects who built prisons, the underlying principles guiding their design were strikingly similar. The focus was on efficiency, control and uniformity — goals just as relevant to prisons as early educational institutions.

Large institutional architecture firms, often responsible for designing schools, libraries, hospitals and prisons, employed similar principles across these different building types. These designs prioritized managing large groups of people, keeping them orderly and minimizing disruption. The result was monolithic, drab and often devoid of warmth or inspiration — structures that, like prisons, organized people and their activities in ways that stripped away individuality and creativity.

But the world has changed. And so has our understanding of childhood and adolescence. Society now sees children as individuals with unique needs and ways of learning. The rigid designs of the past are giving way to spaces that embrace creativity, exploration and a more holistic approach to education. This shift is clearly reflected in the A+Awards winners and finalists in the education categories, where innovative designs redefine how we think about learning environments. With that in mind, this article explores the child-centric principles shaping the design of contemporary educational spaces.


Scale and Sensory Experience

When it comes to early education (kindergartens and elementary schools to be more precise) the environment plays a critical role in shaping a child’s experience. For young children, scale and sensory engagement are particularly important. Spaces that are too large or overwhelming can create feelings of anxiety or discomfort, while environments that are thoughtfully scaled and filled with sensory richness can inspire curiosity and joy.

The Shanghai Blue Bay Kindergarten exemplifies this principle by carefully tailoring its environment to the needs of young children. Located on a small site surrounded by high-rise buildings, the design uses a staggered layout to break the building into smaller, child-friendly volumes, ensuring the space feels welcoming rather than overwhelming.

The inclusion of themed courtyards and open activity rooms that connect indoor and outdoor spaces creates diverse sensory experiences, encouraging exploration and play. These design choices not only make the environment more engaging and nurturing but also support the holistic development of young learners, setting a new standard for early education spaces.


Familiar, Home-like Environments

École de l’Étincelle (Lab-école) by BGLA architecture | urban design, Agence Spatiale inc., APPAREIL Architecture, Chicoutimi, Saguenay, Canada | Popular Choice Winner, Primary and High Schools, 12th Annual A+Awards

Another noticeable shift in educational architecture is a one towards creating more familiar, home-like environments, especially in primary and high schools. This approach aims to move away from the rigid, institutional designs of the past and instead focus on making schools more welcoming and supportive spaces for students.

L’école de l’Étincelle in Chicoutimi is a prime example of this principle. The school is designed as a series of small, house-like units around a central courtyard, creating a village-like atmosphere that mirrors the warmth and comfort of home. The use of locally sourced wood and a design that intertwines with the residential surroundings reflect this new direction in school architecture.

Inside, classrooms are grouped to foster collaboration and a sense of community, while outdoor spaces offer safe, inviting areas for social interaction and exploration. This shift towards less rigid, more nurturing environments marks a significant evolution in how educational spaces are designed to support the holistic development of students.


Flexible and Personalized Spaces

Apart from creating familiar, home-like environments, there’s also a noticeable shift towards flexibility and personalization in educational spaces. Schools are increasingly designed to adapt to the varying needs of each student, moving away from rigid, traditional layouts that restrict how and where learning takes place.

The Jinshan No.2 Experimental Primary School in Shanghai exemplifies this approach. The design focuses on creating spaces where learning can occur anywhere, not just in conventional classrooms. Transparent folding doors replace solid walls, allowing spaces to adapt based on the activity at hand. Public areas have been transformed into informal learning environments that encourage interaction and inquiry-based exploration.

Vibrant, locally inspired colors and child-friendly design elements make the school both engaging and responsive to students’ needs. By prioritizing flexibility and personalization, the school supports a dynamic educational experience, reflecting the diverse ways children learn today.


Cultivating Imagination Through Playful Design

Comprehensive renovation and extension of the Kindergarten, U?enjak unit by OD-DO architecture and Navor, Ljubljana, Slovenia | Popular Choice Winner, Sustainable Adaptive Reuse or Renovation Project, 12th Annual A+Awards

Playfulness and creativity are increasingly recognized as essential components of early education. Spaces that stimulate imagination can significantly improve a child’s ability to explore, learn and grow. This principle is beautifully embodied in the Kindergarten Pedenjped U?enjak Unit.

Originally a rigid, boxy structure with little to inspire curiosity, this kindergarten has been reimagined into a vibrant and imaginative space. The design introduces organic shapes, vibrant colors and playful forms, creating child-friendly spaces that move away from traditional classroom layouts. Curving corridors lead to shared playrooms that double as learning zones, fostering a sense of exploration and wonder. The renovation also prioritizes natural light, transforming the previously drab interiors into a bright and welcoming environment.

This shift from a utilitarian structure to a dynamic, imaginative space highlights how thoughtful design and sustainable renovation can profoundly impact a child’s learning experience. By embracing creativity and interaction, this kindergarten sets a new standard for how existing buildings can be adapted to foster growth, creativity and sustainability, turning everyday education into an adventure.


Integrating Nature and Learning

LYCEUM School by DL Atelier, Guangxi, China

While the benefits of exposure to nature have long been recognized, modern schools are increasingly weaving natural elements directly into their architecture. This approach is especially important in fostering holistic growth in children, as interaction with nature has been shown to improve cognitive function, reduce stress and promote well-being across all stages of development.

The LYCEUM School embraces this principle by making nature an integral part of its design. The school’s layout features interconnected courtyards filled with trees and plants, creating spaces where students can interact with nature throughout their day. Classrooms open directly to these courtyards, blurring the lines between indoor and outdoor learning. This integration allows students to move freely between environments, encouraging exploration and reinforcing their connection with the natural world.

By prioritizing natural elements in its design, the this school not only strengthens academic learning but also nurtures students’ emotional and physical development, demonstrating how essential nature is in a well-rounded education.


Engaging Multiple Senses in Learning

Ehrman Crest Elementary and Middle School by CannonDesign, Cranberry Township, Pennsylvania

Building on the principle of creating diverse and engaging environments, there’s a growing emphasis on designs that activate multiple senses, making learning more immersive and interactive.

Ehrman Crest Elementary and Middle School exemplifies this by transforming its entire environment into a multi-sensory learning space. Collaborating with the Children’s Museum of Pittsburgh, the school integrates museum-like elements—artwork, tactile exhibits and interactive displays—throughout its design, encouraging exploration beyond traditional classrooms.

This approach allows students to engage in ways that resonate with them individually, whether through visual, tactile, or collaborative experiences. By activating every corner of the school, Ehrman Crest redefines how educational spaces can engage students, making learning a holistic, dynamic experience.


Valuing Time and Space for Unstructured Learning

In the high-pressure environment of high school, it’s rare to find spaces intentionally designed for unstructured learning. However, Huizhen High School in China boldly challenges this norm by reimagining how time and space can be used to foster personal growth and well-being.

The school’s design embraces a unique approach by prioritizing areas where students can escape academic pressures and engage in self-directed exploration. The inclusion of a “floating forest,” a serene and natural retreat within the campus, offers students an unconventional sanctuary for relaxation and reflection — an approach that stands in stark contrast to the traditional rigidity of high school layouts.

This innovative design goes beyond merely breaking away from standard classroom arrangements. By creatively dispersing classrooms and incorporating winding paths, Huizhen High School disrupts the typical efficiency-driven mindset that often governs educational architecture. Instead, the school fosters an environment where students can balance academic demands with moments of tranquility and introspection. This recognition of the value of unstructured time for teenagers is both refreshing and vital, acknowledging that learning and personal development are deeply intertwined and often occur outside the confines of scheduled classes.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

The post Rethinking School Design: How Education Architecture Reflects Changing Views on Childhood appeared first on Journal.

Beyond the Backsplash: 4 Surprising Uses of Tile Detailing in Contemporary Architectural Interiors

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

Tiles have always held a special place in design, but their role has evolved dramatically over time. In many cultures, tiles have been used for centuries to decorate sacred spaces, protect homes from harsh climates and tell stories through intricate patterns. From the mosaics of ancient Persia to the colorful azulejos of Portugal, tiles have been both functional and decorative, deeply rooted in vernacular architecture.

Today, tiles are making a bold return — not just in traditional settings but across different use cases like never before. Designers are now pushing the boundaries, using tiles to transform living spaces, commercial projects and even public areas. What was once a practical material is now a medium for artistic expression, capable of infusing spaces with color, texture and personality.

This shift reflects a growing movement in which tiles are no longer confined to kitchens and bathrooms. Instead, they are taking center stage in living rooms, lobbies and beyond, becoming key elements that define a space’s character. Whether used to create a sense of warmth, add a touch of luxury or make a bold visual statement, tiles are now a vital tool in the contemporary designer’s toolkit.

In this piece, we’ll explore how tile detailing is reshaping contemporary interiors through four award-winning projects that exemplify different approaches to this exciting development.


1. Creating Focal Points in Large Spaces

U.S Bank Center by SkB Architects, Seattle, Washington

In modern design, as open-plan layouts become more prevalent, there’s an increasing need for elements that can define and anchor smaller spaces within larger areas. Typically, designers might rely on furniture, lighting or even color to create these focal points, but more and more are using tiles to achieve this in innovative ways. Tiles are being utilized not just as surface coverings but as key elements that draw attention to specific architectural features, thereby creating visual interest and guiding movement through expansive spaces.

The U.S. Bank Center in Seattle showcases how tiles can be leveraged to create impactful focal points within large, open spaces. The building’s atrium, once a functional but uninspiring area, was transformed through the strategic use of dark green tiles. These tiles were carefully selected to frame and highlight significant architectural elements such as columns and archways. Their color and texture add a rich depth to the atrium, while simultaneously creating a visual language that naturally guides visitors through the space.

U.S Bank Center by SkB Architects, Seattle, Washington

Such an approach transforms the atrium from a mere passageway into a dynamic and engaging environment that leaves a lasting impression on those who pass through. By defining and highlighting key architectural features, the tiles create a cohesive visual rhythm that ties the large space together, guiding visitors intuitively and improving their overall experience.

But the design doesn’t stop there. Another unexpected twist comes with the use of penny tiles. These 3.6 million penny tiles, in varying shades of green, cover both the walls and ceiling, adding texture and continuity throughout the atrium. Reflecting sunlight, they brighten the space, making it feel open and inviting.

Strategically placed on the walls, the penny tiles draw the eye upward, emphasizing the atrium’s height and creating a connection between design elements. On the ceiling, they add a tactile quality that encourages visitors to look up and engage with the space.


2. Adding a Modern Touch to Historic Spaces

With the increasing popularity of adaptive reuse and renovation projects, designers are often tasked with integrating modern elements into historic spaces — a challenge that requires balancing respect for the original character with the introduction of contemporary flair. Traditional approaches might include carefully selected furnishings or subtle lighting adjustments. Recently, however, another trend has taken center stage. The versatile solution in question? You guessed it — tiles!

The Taproom at Tenczynek Brewery in Poland is a compelling example of how tiles can bridge the gap between historic preservation and modern design. Located in a building with a rich brewing history, the space required a design approach that honored its rustic origins while also appealing to contemporary tastes. To achieve this, the designers chose deep burgundy ceramic tiles to wrap around a central column — a decision that immediately draws the eye and serves as a focal point.

The contrast between the glossy finish of the tiles and the rough texture of the exposed brick walls creates a dialogue between the past and present. Apart from simply standing out and drawing the visitor’s attention, the tiles initiate a conversation between the building’s historical context and its new function as a modern taproom. This careful interplay of textures and colors revitalizes the space, ensuring it feels both historically grounded and refreshingly modern.

This approach highlights how tiles can serve as a powerful tool in the evolution of historic spaces, bridging eras and styles to create environments that are both timeless and contemporary.


3. Creating Cohesion and Connectivity

The Blue Line Apartment by Asooarch Company, Bandar-e Mahshahr, Iran

In residential design, particularly in spaces with multiple functions, there’s a well-known need to maintain a sense of cohesion and flow. Traditionally, this might be achieved through a consistent color palette or a well-thought-out layout. However, when tiles are no longer confined to kitchens and bathrooms, they can become the glue that holds a space together — quite literally.

The Blue Line Apartment in Bandar-e Mahshahr is a prime example of how tiles can be used to connect distinct areas within a living space, enhancing the overall sense of unity. Designed to cater to the varied needs of its occupants, the apartment features separate zones for living, working and relaxation. The challenge in this project was to create a sense of connectivity across these distinct areas and the solution came in the form of a continuous line of handmade blue tiles that runs throughout the space.

The Blue Line Apartment by Asooarch Company, Bandar-e Mahshahr, Iran

These tiles create a visual link that ties the space together, ensuring that each area, despite its unique function, contributes to a cohesive whole. The vibrant blue tiles guide the eye through the apartment, establishing a flow that makes the transition between living, working and relaxation zones feel natural and fluid. The tiles not only unify the design but also bring an energetic vibe to the space, adding life and personality to the apartment. Beyond their aesthetic appeal, the tiles’ durable, water-resistant nature makes them a practical choice for wet areas like the Jacuzzi and sauna, proving that design can be both beautiful and functional.


4. Reflecting Local Traditions

CASA MYM by Numero 26 Studio, Murcia, Spain

Another noticeable shift in today’s design landscape is the growing movement towards vernacular and contextually aware architecture, an approach that seeks to honor local traditions while incorporating contemporary aesthetics. Tiles, with their deep roots in cultural history, are increasingly being used to bring a sense of place and identity to modern homes.

CASA M Y M in Murcia, Spain, is a striking example of how tiles can be used to express and preserve local identity. Nestled in the lush orchards of Murcia, this house draws heavily on the region’s traditional building techniques and materials, including locally sourced wood, reeds and ceramic tiles. These elements anchor the design firmly in its environment, creating a strong and authentic connection to the surrounding landscape.

CASA MYM by Numero 26 Studio, Murcia, Spain

The ceramic tiles used throughout CASA M Y M are not merely decorative; they are deeply symbolic. The patterns on the tiles are inspired by traditional embroidery motifs from the region’s horticultural workwear, infusing the home with a cultural narrative that speaks to its agricultural heritage. These tiles are strategically applied across floors, walls and even the steps leading to the pool, crafting a cohesive aesthetic that ties the interior and exterior spaces together.

The application of these tiles does more than just improve the home’s visual appeal; it tells a story. By integrating motifs and materials that are intrinsic to the local culture, the design provides a sense of place that is both genuine and resonant. CASA M Y M illustrates how tiles can be used to provide context, creating spaces that are not only beautiful but also deeply rooted in their cultural and environmental settings.

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

The post Beyond the Backsplash: 4 Surprising Uses of Tile Detailing in Contemporary Architectural Interiors appeared first on Journal.